After reading Country Love 12, Liu Laogen 3, a copy of Country Love, came. Dear, my lover is not sweet enough, but the next beautiful "sister-in-law love" is coming. "New World" can be called a gorgeous strength lineup, and it can't stop the sloppy bad stories. 49866。 9999999999 1

The aesthetic fatigue brought by homogenization and the slow story of injecting water into the "crazy" audience make works like "Everything is fine" stand out. Many costume fantasy dramas with hot topics and soaring ratings at the beginning of the broadcast were not broadcast later.

In the game of chasing drama, the audience and the capital fight bravely, and ultimately it is up to the relevant departments to regulate the market order.

A few days ago, the State Administration of Radio, Film and Television (SARFT) requested that the number of episodes of TV series should be controlled within 40 episodes, which formed a policy "combination boxing" with the previous "salary limit order", pointing directly to the crux of the homogenization, water injection and high pay of domestic TV series. It seems that these are three questions, but it is actually one question.

A few years before homogenization, seeing TV dramas can make quick money, and the investment like snowflakes came. The introduction of a large amount of capital has made the domestic TV drama market suddenly prosperous and prosperous.

When the funds are in place, the question of what to shoot comes with it. Professionals put forward many ideas and said many technical terms. Capital frowned and said, "You mentioned it very well. My question is, which one is the most profitable? "

Producers, directors and actors are speechless. Creation is not a business, and there is no reason to make a steady profit. Therefore, as the boss's capital, he quickly patted the board: "Don't tell me what art is not artistic, innovation is not innovative, and what makes money and shoots!"

It is said that film and television drama is an innovative art, and Hollywood is recognized as the "creative capital" in the world, leading the trend of the global film market. However, innovation needs to take huge risks. Capital is inherently risk-averse, and film and television dramas are still high-risk industries. Therefore, it is a simple, perfect and boring idea to cross the river by feeling the stones in front.

I saw a lot of narrative clues in Crazy Stone, and domestic comedies swarmed in. I see Huahe is very eye-catching. Fantasy love dramas dressed in ancient costumes suddenly filled the TV screen. Empresses in the palace set fire to Gong Dou dramas, and forensic doctor Qin Ming set fire to detective dramas. As for the orthodox and unorthodox sequels of popular IP, there are countless, and "touching porcelain" has become the title of the series.

The biggest problem brought by following the trend is homogenization. When viewers watch TV dramas with similar themes, they all feel deja vu. From time to time, the barrage of "I seem to have seen this episode", "Where have I heard this line" and "This woman is dressed a little familiar" pops up in my mind.

As time goes on, the audience will not be so easily deceived. Investment and word-of-mouth have become the new standards for people to choose and pursue dramas, which has forced film and television dramas to develop in the direction of large-scale production and quality.

Maybe it's The Golden Flower in the City, The Banquet, The Orphan of Zhao, and The Bronze Quetai. In recent years, the production cost of fine TV series has also risen. Whether it is more and more exquisite and gorgeous costume props or all-star starring lineup, it is made of real money.

Both the production cost and the pay are one-time investment, which ensures the appreciation and attention of a film and television drama. The rising production cost naturally pushes up the risk, so lengthening the story of TV series and pushing up the star pay have become the way out to dilute the cost of fine TV series.

The idea of capital is simple. Anyway, people and things have been spent, so it is particularly important and urgent to increase the number of dramas. As a result, writers and directors began to rack their brains on how to lengthen a scene into an episode and pour a popular guest star into the starring scene.

Therefore, there are more and more episodes of large-scale film and television dramas, but the rhythm of the story has been postponed again and again. If you watch it every other episode, the plots can be connected. Therefore, directors and screenwriters frequently cope, actors overdraw their time and acting skills, and the titles of large-scale productions are increasingly unable to fool the audience.

To rekindle the audience's desire to pursue drama, the first thing is what to shoot, and then the plot is diluted and the cost is diluted. More and more homogeneous and lengthy TV dramas make the audience tired. Seeing that the media blew a drama wonderfully, I turned on the TV and clicked on the APP to watch two episodes, and even the desire to chase the drama was gone. Can this depend on the audience?

Fortunately, there are production teams such as Noon Time (Nirvana in Fire and Everything is Fine) who insist on giving good plays to the audience, and there are also so many powerful and old-school actors who have not given up their artistic pursuit lightly. Sesame Hutong, Action to Break the Ice, The Longest Day on Chang 'an Avenue, Rivers and the Joy of Life, two widely acclaimed works, Li Xian, Andy, Zhu Yilong and.

Changing history, making things up, kissing, playing in bed, too much, I can't wait to show everything I can, full of low taste and boredom. More negative energy, less positive energy. Strongly urge the National Theatre to reclaim state ownership. Free education for teenagers. I watched too many TV dramas before the 1980s. It can make people love the country, society, the party, heroes, model workers and people. Everyone is full of hope for the motherland. Everyone works hard for the country and the people. Everyone is committed to building the country. Mao Zedong Thought is full of great love and selflessness. It is urgent to save the new generation from loving the Party, the people and socialism. Culture, art, film and television dramas, these cultural positions and propaganda positions have all been lost. Capitalist ideas are rampant. These positions were resolutely nationalized. All employees are bound by the wage system. Just like the previous Bayi Film Studio. Like the old literary propaganda team. Act immediately. This is the only way. Only in this way can we save the people and the country.

What kind of drama can you expect from the crew who got into the eyes of money?

Recently, I spent my time on Sun Honglei's New World, but I didn't stick to a few episodes and gave up! After "New World", Sun Li's "Settle Down" finally came, and I watched the 10 episode and put it down again.

Why is it so difficult to watch a good play?

I have no choice but to watch Parents' Love again. I don't know how many times it was, but I learned all my lines by heart. I can't help it After all, nirvana in the fire is almost vomiting!

Why were the previous plays so good?

First, the director is reliable.

You will find that many directors of good plays have their own professional ethics when dealing with their works. He shoots for his hobbies and pursuits, and doesn't treat the audience as fools.

Kong Sheng directed the shooting and never used a streaming star. He will tell the actors about the play, try it out, and even demonstrate it in person at every major event. It is this critical attitude that can achieve such classics as Nirvana in Fire and Love of Parents.

Second, actors have real skills.

However, all good plays are not supported by the protagonist, and many supporting actors always steal the show. Look at Ouyang Yi in Parents' Love. As long as she appears, she is full of drama. His performance as Xie Yu is better. If it weren't for Hugh, her opponent would be blown up in minutes.

Generally speaking, the previous plays are the efforts of the whole creative team, and the atmosphere of the crew is very good, and everyone is very serious. No one should treat anyone as a wrist and play hard.

Why can't I watch the play now?

Many people think that making money is the first factor for a director to shoot. If you want to make money, you have to hire traffic stars. Children love to watch! Well, traffic stars have status. In the past, the whole crew held back and dared not speak if they didn't perform well. Everyone holds it, and even if they don't act, they feel great.

The whole screen filter is beautiful, and the sidewalk is beautiful! Took a lot of money, wasted a lot of space, and the rest of the money could not afford to support a few good actors with acting skills. Bring the new guy with you!

The whole play is so fake, can it be good? I can't bear to look straight!

It is not suitable for modern people to move too many emperors, princes, talented people and beautiful women to the TV screen. A small part of them are educational, and a large part of them are full of love, which affects the healthy growth of the younger generation. We should broadcast less or not. Multicast should reflect the heroic struggle of revolutionary predecessors to build a new China, the epic heroic deeds of workers, peasants and soldiers to build the motherland, the contributions made by scientists to the powerful country, and more publicity of positive energy. There is a reason why people don't want to watch TV now.

Either it is completely divorced from the actual environment of the times, or it is to restore the so-called talented people and beautiful women who are divorced from the public.

The first is that there are too few good scripts. Those men and women do nothing but fall in love all day, and they don't know what they want to express. Still fried cold rice, hard remake of classic old dramas. Some of the original works are well written, but the screenwriter insists on changing them beyond recognition.

Secondly, the shooting is too rough, and the previous classic action movies have spent a lot of thought on the arrangement. Especially in the previous Hong Kong martial arts films, if you learn martial arts moves with the characters in the drama, you can at least become a broadcast gymnast, not to mention a martial arts expert. Nowadays, the fighting scenes in many dramas are too monotonous-posing, flying to Vienna, special effects, ending? No, slow motion playback.

Let's talk about hairstyles, such as Beijing opera hairstyles, sewing machine hairstyles, one bag, two bags, three bags ... some modern hairstyles in costume dramas obviously lack individuality ... Alas, this makes me very uncomfortable and I can't spit it out.

Finally, talk about actors. We won't mention those who have good looks but no acting skills. Some of them are obviously costume dramas, and the temperament, tone, expression and behavior of the actors are obviously crossed by modern people-I'm not talking about crossing dramas, I'm talking about pure ancient stories. Perhaps this should not be blamed on the actors, because the director didn't ask the actors, so the cast was so exaggerated.

The purpose of capital investment is to make money. That is, to create box office revenue. As for the connotation and artistry of the work, bad money drives out good money. What is the artistic level to talk about? Just like some small videos, they all become coquettish and coquettish. What works of art are they? On the contrary, works with artistic level are marginalized, and there is no way to exist. [Prayer] [Prayer] [Prayer] [Rose] [Praise]

The Rebel starring Zhu Yilong can be seen. This year's rare good movies are worth seeing.

As for the other reasons for not wanting to see, simply speaking, there is no will. From production to actors, this industry needs a team with faith, a sense of faith and a sense of social responsibility to produce fine products. Really?

I think there are several reasons why TV plays are rarely or even not watched now.

In order to achieve its commercial purpose, the current TV series maliciously lengthens the plot that can be described in a short series, which makes the audience lose patience.

Second, instead of bringing forth the old and bringing forth the new, the directors and producers simply remake the classic TV series, leaving the audience far from the characters portrayed in it, without intimacy.

Third, the cast is strong, but the acting skills are not exquisite enough. Some actors even performed an excellent war drama like a catwalk on the T-stage, which was totally inconsistent with the heroic integrity expressed in the plot, which made people stunned and made the audience lose confidence in some TV dramas.

The derivative of many online games and online videos makes many people rely on online videos and games, and rarely watch some non-classic TV dramas.

In a word, an excellent TV series needs excellent directors, excellent actors, excellent themes and good quality of being responsible to the audience, so as to make a classic TV series. It's purely a personal opinion, and I can't reach the hope of understanding.

Because the questioner didn't specify what TV series it was. Let's limit Sydney to domestic dramas.

First of all, subjective reasons. I don't have as much time after work as I did when I was a student. Occasionally, I have time to watch TV, and I also choose to watch movies or variety shows. Sometimes I will find an old TV play I used to like. As for the new TV series, I really don't have time and energy to watch one episode after another.

Secondly, objective reasons. 1. The plot is divorced from reality, and the protagonist's aura is obvious.

For most popular TV series, Sydney feels that the plot is divorced from reality, ungrounded and has no resonance. Moreover, the protagonist's aura is too obvious, either a traffic star or a handsome man or a beautiful woman. It seems that only good-looking people have the right to tell stories.

2. The same story, but the content is dragging its feet.

After watching one episode, I guessed all the plots behind, which are nothing more than overbearing president series, War of Resistance against Japanese Aggression series, mother-in-law relationship series and so on. There is nothing new; And no matter what the theme is, we must talk about love, which shows that the level of screenwriter is really limited.

A TV series that can be finished in 20 episodes must be filmed in 40 or 50 episodes. The plot drags on and there is too much nonsense. Just fast forward and you'll understand. What impressed me deeply was that a netizen bluntly said: There was an episode of "Three Sleeping Stones on Three Pillows": the man and the woman took a bath, and most of the plots were tired of you and me, and I really wanted to vomit.

3. dermabrasion filter, P-picture special effects, actors have no connotation and no acting skills, and they all look similar.

The current TV series feels too skin-thin, as white as a dummy. Some netizens even said that they only looked at the makeup of the actors and didn't pay attention to what the TV series said.

Now that the conditions are good, the actor can draw a few strokes casually in the indoor green screen, and the later P picture+special effects will be over. It's not real at all. There are almost no real scenery, especially costume dramas.

Some popular stars (I don't even want to use the word "actors" here) are young, with sky-high salaries and the easiest jobs. You don't have to recite lines, perform acting, or even perform. Just look at the expression on your face and put the silhouette on body double's face.

To sum up, even the writers, directors and actors don't care, and the TV series that wants the audience to care is obviously taking the audience as a fool.

Of course, there are also good examples. Good Director: Director Kong Sheng.

He doesn't direct many TV dramas, but none of the TV dramas that Sydney has seen have stepped on thunder. For example: Pretender, Nirvana in Fire, Ode to Joy 1, Love of Parents, Wenzhou Family, No War in Beiping, Crossing the Kanto and Rivers.

Excellent actors: Hugh, Liu Yijun, Rulu, Wang Kai, Andy, Ruoyun Zhang, Ma Yili, Yolanda, etc.

Finally, I recommend a good work that Sydney has often seen in recent years, but it is from South Korea-"Please answer 1988". How good is it? It is worth writing a picture. (China seems to be going to remake, and netizens all express despair ...)

There is also the recently hit domestic drama "Joy of Life", which received rave reviews. Unfortunately, Sydney hasn't seen it yet, so let's accept it here with reservations.

If you have anything else to say, please leave a message for us to discuss.