Current location - Recipe Complete Network - Take-out food franchise - Creative Sketch and Illustration Techniques —— How to draw a creative sketch? Who can give me some creative sketches for reference?
Creative Sketch and Illustration Techniques —— How to draw a creative sketch? Who can give me some creative sketches for reference?
The understanding and appreciation of creative design sketch in the first week of creative sketch painting is different from traditional sketch learning, and the ultimate goal is not realistic reproduction. Realism and reproduction of modern sketch are mainly based on the observation ability of practitioners, which requires correct observation, faithful reproduction, rigorous expression of body and structure space and familiarity with sketch skills. Creative sketch highlights divergent thinking consciousness, emphasizes subjective design, expresses aesthetic consciousness independent of the subject by means of sketch, and combines decorative patterns, designs, sketches, new materials and other factors; Superposition processing, forming a new sketch style. Whether it is traditional sketch or design sketch, the common premise is to get their own unique feelings from life, beautify with emotional packaging, and express the development characteristics of modern society with traditional painting methods. Appreciate pictures: expressionism, modernism, new sketch learning process: 1. Preparation of still life sketch 2. Preparation of painting tools and attempt of painting materials. Use different painting media to sketch still life layout: wine bottle series has no background, different shapes and textures. Requirements: Don't make the conventional pencil as a traditional sketch tool, expand the use of media materials, not only for the purpose of expressing space, but also highlight creative design, so as to contribute to the sketch in the next few weeks. Third, reappear the understanding from objective truth to psychological truth. To express one's subjective ideology with the real details of natural images, the first is the real description. But behind the truth, there are richer, more philosophical and more intriguing thoughts and feelings. In this process, we should break through and rebuild the real truth. Fourth, the bold attempt of painting method and expression form. Art should be good at turning concrete materials into artistic images. Any real creation should be original. If workers want to do a good job, they must first benefit from it. Connect the material with the content to be expressed, and try to juxtapose various sketch materials. The second week of creative design sketch still life sketch "Combination of objects with different shapes" Note: The method of changing height, size and thickness: using the characteristics of elongated deformation, ink and gray stripes, it breaks the traditional realistic direction and highlights the unique charm and performance such as interest and personality. Reference: Mo Landi Still Life, Cezanne Still Life, Xia Junna, etc. The third week of creative design still life sketch "daily necessities combination" tips: soft, heavy, gorgeous, frugal. Grasp the emotional expression behind the object, such as: how to express morbid DD, negativity, melancholy, crooked, sallow and emaciated, and all the consciousness that can be expressed by words that can be associated with morbid. For example: Monk (expressionist painter) Kolwitz, Van Gogh. The fourth week introduces the combination of sketching supplies: French post-impressionist painter Paul 6 1 Cezanne. Strive to seek the sense of volume and three-dimensional sense of objects, and deliberately strengthen the structure of the picture itself, so as to achieve the visual effect of revealing the essence of matter. The main feature of a painting is not perspective, but structural form. It is more important to deeply feel nature than plane, which became the theoretical basis for cubist painters to deconstruct forms later. In order to emphasize the three-dimensional sense and the sense of space, and to achieve a more ideal picture effect, the actual spatial effect of natural objects is often intentionally changed. Every painting style with a height of 6 1 has been influenced and inspired by Japanese ukiyo-e prints, which is strongly affirmed. Simple and old, simple characters, slightly exaggerated expression techniques and vigorous ups and downs of physical changes can all feel his strong personality and unique style tendency. The painter's later works were influenced by spiritual changes. The twisted lines and vacant expressions in the works reflect the painter's love and nostalgia for life. The inspiration of creative design sketch: sincere and keen feeling, witty and enthusiastic performance. The importance of life feeling The sketch of the combination of daily necessities includes abandonment and uselessness. Week 5: Material diversity, design sketch and creation requirements of "Dry Flower Series": 1, realistic direction (super) 2, freehand brushwork direction 3, expression direction 4, abstract direction 5, cubism direction 6, material test direction 7, comprehensive consideration of the reference and application of modern painting concepts, highlighting new ideas, not requiring completeness. Week 6 problem summary 1. Express the requirements of creative sketch: get rid of the shackles of traditional sketch on its training thinking, open students' horizons, activate students' enthusiasm and flexible students' thinking. There are two specific expressions: 1 Introversion should make a fuss about the expression and self-discipline of sketch itself, open up new thinking forms and new expression forms, and change from passive, indifferent and mechanical reproduction to fully realizing emotions and creating passionate new images. Actively use new art forms to express objects. 2. Outward is the choice of expanding sketch expression, from diversification and multi-means development, looking for more new expression images and horizons. Second, regarding the use of media, any material can be used as long as it can show a good sketch form. Third, the relationship between content and form is both unified and opposite. "Quality is better than literature, and it is wild; Literature is better than quality, it is history, gentle and gentle, and then a gentleman. " Fourth, the factors of formal beauty are: 1, the point, line and surface are a universe, the line is a road, and the surface is meaning. 2. Form factors: diverse and unified form, rhythm and prosody form, refined and generalized form, material and texture factors, and props selection factors. 5. The humanity of creative still life and the uniqueness of ideological sketch are not produced by accurately imitating the forms found in nature, nor by patiently piling up trivial things that are keenly perceived, but mainly by the painter's deep feelings for the selected object, so that the sketch is expressed from the outside to the inside. A painter should only paint what he sees in front of his eyes, but what he sees in his heart. If he can't see anything in his mind, he should give up what he wants to draw. 6. Give abstract objects new connotations by real expression, and turn inanimate objects into objects with thoughts and artistic life, then the artistic image will gain certainty and clarity. The expression process from physical objects to images is a process from tradition to continuous creation and processing to make it a new figurative art. In Europe, artists have almost used all the materials and tools that can be used for sketching today. Such as photocopiers, computers, cameras, physical and chemical materials, rubbing and copying, etc. Many excellent sketches come not from the studio, but from the science laboratory. As far as painting is concerned, today's sketch art is a broad word, which is quite different from people's traditional habits, and art also needs experiments. Appreciation: Mo Landi, Picasso, Cezanne and Paul 6 1 Currie. How to draw a creative sketch? Who can give me some creative sketches for reference? This creative sketch is also called design sketch. As the saying goes, design sketch has design elements in it, but don't forget that it will always be a sketch! ! ! Design, you have to understand, just like your sketch, a creative sketch, that is, a sketch with strong sensibility and clear black, white and gray perspective. It is relatively simple and clean, emphasizing the change of lines, and the design taste is much stronger. Then this design sketch is definitely different from still life, plaster and portrait. His subjective color is very strong, but I say he will always be a sketch, and the composition should be comfortable! Black, white and grey! Space! Shape! However, his difference is that the object you represent needs you to deal with a good design sketch subjectively. 0 1 Be creative! If you want something unexpected on the same topic, you need to start with the problem and choose materials from another angle. 2. Have visual impact! ! ! The composition of point, line and plane must have rhythmic beauty//bold and even exaggerated perspective, such as looking down, looking up and perspective. //black and white ash! ! You can use light and shadow effects. The picture must be black, black and white, and there must be clear contrast. //The sense of form needs to be cultivated. Tiles and windows are carriers. 3. The ability to portray modeling must be strong. You must draw what you should. You must have a shabby texture. The creative methods of design sketch are: body structure, light and shadow, texture, light and shade, volume, concrete expression and perspective.

1, physical structure: all parts of an object are combined with each other in a specific way to form a whole internal structural relationship and become a structure. It is the basic factor that determines the appearance form.

2. Light and shadow: The direction and distance of light acting on an object is an important factor in the visual characteristics of the object surface. Objects are clear when they are near the light source, otherwise they are blurred.

3. Texture: In addition to its own external mechanism, the external form of any object has its own unique material texture.

4. Light and dark tones: When representing an object, we can only draw the mechanism, dignity and perspective relationship of the height, width and depth of the object in the form of line drawing. In the absence of shadow, we can also present the sense of volume of an object, so that people can intuitively understand its image.

5. Volume sense: Volume sense is the basic attribute of an object, and any object has certain measurable factors such as height, width and depth in space.

6. Specific performance: Simple institutional sketch performance is rarely used in the exam, and most of them use light and dark modeling method. According to the formation law of light and shade of objective objects, the shape, structure, texture and spatial relationship of depicted objects are accurately and vividly expressed by using the modeling method of light and shade.

7. Perspective: The choice of perspective is also an important part of the paper composition. Candidates don't have to stick to the traditional 45-degree perspective of still life sketch. In contact, you can try to look up and down at various levels. Even feel the strong visual effect of objects from the perspective of insects.