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Or "Croatian Rhapsody"
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Or was it Maksim Maxim's 2005 album, "A New World" that players the new world <
?
Album Description:/show/6HO9gpS0r6i5hCFB.html
Album Name: A New World Player New World
Vocalist: Maksim
Record Label: Baidai Records
Release Date: September 16, 2005
Not every classically trained performer can successfully crossover, with albums and playing and charisma that are repeatedly popular in terms of sales and popularity, but pianist Maksim has proved to be the only crossover superstar of today's crossover scene, with the release of his first solo album, "Piano Player," in 2003. Since the release of his first solo album "Piano Player" in 2003, pianist Michaelson has proved to be the only crossover star in today's crossover music scene whose popularity has endured. Combining the charisma of an icon, the body of a supermodel and the seriousness of a classical pianist, the pianist, who survived the Croatskills civil unrest, now has a double platinum sales record. His charisma is equally high in the Far East and Europe, and he is just as likely to attract the screams and adoration of teenage music fans whether in Kuala Lumpur or Hong Kong, or even Taiwan, Japan, Paris and London.
Michaelson returns in 2005 with a softer, dreamier set of songs. In his adaptations of classical pieces, he went for a more daring approach, taking classical favorites that have never been associated with the piano, and adapting them to a contemporary style, with cool rhythms and energy, a piece from an opera, like the final aria from Purcell's "Dido and Aeneas". "When I return to dust", "Starry sky" sung by Cavaradossi in Tosca in his deathbed reminiscences, the interlude from Masconi's "Cavalleria Rusticana", Wagner's "Valkyrie", and "The Valkyries", all with cool rhythms and dynamics. Wagner's "Ride of the Valkyries" from "The Valkyries", and the "Flower Duet" from Delibes' "Lakmé", De Vozak's "New World Symphony", and so on, were accompanied by the Royal Philharmonic, which gave these masterpieces a new listening pleasure and a different atmosphere.
Besides the classical pieces, Mikkelsen's other works were more tender and sentimental. Like "Deborah's Song," written by Yanni O'Maligne in the movie "The Four Seas Brothers," "Blue Balloon," the theme song from the 1970s best-selling movie "First Love Story," and "The Birds of Prey," which is the title song of the movie "The Birds of Prey" and the title song of the movie "The Birds of Prey. "Blue Balloon", the theme song from "Déjà Vu" starring Jasmine Moore and Christopher Levy, and many more, are well-known tunes that bring tears to your eyes when you think back to your first love or the good old days. With Mikkelsen's playing, these moving melodies take on a more poetic and mesmerizing feel, as well as the elegance of classical music.
Download and listen:
01 New World Concerto
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Selected from De Vozak's "Symphony for the New Century, Fourth Movement," the bold piano sound of the Bohemian grassland winds, the sound of the wind, the sound of the wind, the sound of the wind, the sound of the wind. The sound of the winds of the steppe, in the most unexpected way, in the smoothness of the black and white keys. The bold adaptation of De Vozak's New World Symphony transforms the composer's homesickness for the New World into a magnificent concerto under the modern glass curtain.
02 Nostradamus Nostradamus
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The cold and austere piano solo resounds with the smoke of war in the prophet's head, war is the prelude to a new era. The mechanical rhythm is the pace of a killing machine, stepping into the beacon of the unknown. The fetid odor of blood, as the tornado of a flaming city rolls in, fills the air filled with electronic information. In the middle of the silence, Handel's Passacaglia sounds like a nocturne sung by angels, accompanied by the fire that makes it impossible to breathe, but after all, it's just a hint of light that passes through the night sky. ...... Ninety-hundred hidden prophetic psalms, a hundred psalms that foretell the tumultuous events of the world during the past four hundred years. The French Revolution, Hitler's rise to power, World War II, all in the words, and even the end of the world?
03 Dido's Lament Dido's Lament
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"As I lie in the earth, may the evils that I have done not cause you distress. Remember me, but, please, forget my destiny", in the distant past, standing in the middle of the yellow sandy Sahara, there was Carthage, a city rich from plunder, and Dido, the queen who ruled the city, fell in love with Ignace, a Trojan warrior who had drifted in from afar. The cruel witch could not see the sweet fruit of the world's love food, foreshadowed Ignace's destiny: the construction of the Roman Empire, so the lovers flew apart, Dido cried and sang: "in the Nile River ambush murder, crocodile will actually fall in tears, hypocritical murders, the gods are doomed to be unvariable." It is to this melody that Queen Dido sings this final lament, bidding farewell to the world and to Aeneas. The arpeggios that go up and down, like the tears shed by a crocodile when it strikes down its prey, are merciless and yet evocative: but the tears of penitence shed by the crocodile for the evil it had to commit? The chords of destiny, knocked open this emotional song of finality, Dido with a death to send away Ignace, the achievement of the ancient Roman Empire's hundred years of foundation, the only wish, just, not to be forgotten.
04 Tosca Tosca ★★★★★
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"The stars are twinkling, the ground is fragrant, the garden gates are open, the sound of feet gently falling on the sand, the scent of her hair, she comes, falls into my arms. Oooh, tender kisses, sweet touches, trembling, I see her beauty, taking off her coat. Now all my dreams of love, all faded. I die in despair, I have never loved life like this" This aria appears in the third act of the play, after the hero Cavaradossi has been sent to prison, where he sings this well-known aria as he remembers all the good things he has done with Tosca***. While he was reminiscing, his lover Tosca had bravely struck a deal with Scapia to have him fake the execution of Cavaradossi with a blank bomb, while she further assassinated the Ka.
05 Desert Skies Desert Skies
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A flash of blue light! A shooting star suddenly streaked across the desert night sky. This, however, was not a desert where no one was unusual, it was a desert next to the most colorful Vegas. The neon rainbow stole the show from the night star, and lap dancers dressed as Bond girls twirled their waists on the stage with impunity. The fountains reflect the rainbow of the night with the glow of neon, and it is the piano that occasionally weaves in and out of the cheesy rock rhythms that are pulled by the apprehensive heartbeats of the gamblers. The jumping piano accompaniment, on the other hand, is a dumpling-eating tiger, gobbling up slides of black and white keys.
06 Intermezzo Interlude
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From Masconi's "Country Cavalier," the curtain falls in front of the stage, the lights go dark, the applause echoes in the air of the hall where the crowds have dispersed, and the passions and sorrows, both of which dissipate on the empty stage, are echoed in the air. dissipated on the empty stage. The indistinct music, like a faint mist between the mountains, hanging on the tips of the towering mountains, bearing the baptism of the dawn sun, vaguely glittering with the stained golden light. The birds that were startled by the mountain mist broke through the gossamer ribbons of clouds and mist and greeted the delicate sunlight that was gradually becoming more and more colorful. In Sicily, Italy, there is a tradition that before a duel to the death, men should bite each other's ears to show that they are responsible for their own covenant of life and death. Once, there was such a man, because of the beloved woman married another, wrath and turn to pursue another woman in order to compensate, but do not know this move, for the Sicilian countryside, brought a broken family, and a blood and tears intertwined with regret. Sandusa, the heroine who is used as a tool, the heart of vengeance, so that she leaked the news of her lover's fornication with his old girlfriend, and the heaviness of love, so that she regretted to detonate an irremediable killing. All this happens on just one Easter afternoon, and the sad tale is played out forever in the country knights of Mascagni.
07 Somewhere In Time/The Old Woman Deja Vu
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There's a kind of missing that can go deep and far, through time and across space, and even if it's separated by oceans, mountains, ancient times and modern times, it can still be a meeting of lovers that is, perhaps, not permanent. But it can become a memory that can never be erased in a flash. Rain is like a kind of screen with magic. In the rain, many illusions can become real, and thoughts can be realized. In the rain, a young man, through hypnosis, fell in love with the enigmatic heroine of the painting, a time-traveling love song, in a difficult hot afternoon, stayed in a sleepy tune.
08 Ride Of The Valkyries
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From Wagner's opera "The Valkyries", no longer reminiscent of imposing aerial flight scenes, the rhythm of popular dance. Conductor Karajan was once shocked by this original Wagnerian music while watching the movie "Apocalypse Now". Karajan, who had conducted this piece no less than a hundred times in his life, saw the helicopters flying high in the air and the imposing war scenes, and for a moment he could not recall whose work it was and where it came from. The Valkyries are the sons of the gods, specializing in receiving the souls of the dead heroes and welcoming them back to heaven.
09 Still Water Clarifying the Mirror
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In the park in the fall, migratory birds rising and falling around the watering hole kept calling out to their lagging mates. The people skating their dogs look like the only embellishments under the cloudy gray sky, and color, in this season, seems to be the poorest description. Like the heart of only memories, the empty self in the heart of the lake where the birds fly out, circle after circle hooked ripples.
10 Blue Balloon Blue Balloon
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"I've got a blue balloon, a happy tune, enough to pass an entire afternoon. I have a copy of the New York Times, a dollar and forty cents, and all the answers to deep lullabies at my fingertips. Before the river runs dry, before the last sad goodbye, let's treat each other right, or at least try. Don't throw love away, it's never too late to find out, it's not too late before the hourglass bottoms out. The carnival is here, the clowns are here, the glitterati are embracing. Hopes run high, but when it's all over, all that echoes through the sky is a lonely goodbye. It's too late to hide, it's long since filled all around you and me, oh how I wish you could lie beside me, I just hope there's still time, none of my verses are messed up yet, just let me love you and we can have a nice cold drink." The incessant reverberating piano accompaniment is like every heartbreaking story that is forever repeated in every unfinished first love. It's just a melody, but it's so heartfelt, just like that first love, which was just a period of time, with one person, but can be engraved so long ago. The excitement and shyness of that first love that was always hot in the face, the clumsiness and futile attentiveness that was faintly overwhelmed, the unspoken fondness for you, and the one gift that wasn't given at the end of the day ......
11 Mojito Cuban Cocktail
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< p>The young drag racers who chase through the city, taking advantage of the darkness to ride fast in the narrowest of alleys possible, the sparks caused by scraping against the bumper, accompanied by shouts of excitement, are the most unseen snapshots of the city on a weekend night.12 The Flower Duet The Flower Duet
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"Beneath a dome of white jasmine woven with roses intertwined, the river's banks are full of dainty, smiling dawn flowers. Floating gently above its enchanting waves, undulating with the river, coming and going by the light of the ripples, one hand welcoming the riverbank, the spring sleeping birds singing." This is the famous Flower Duet from Lakmé I's play. It occurs at the beginning of Act I. While the father is admonishing the Brahmins for hating the English, his daughter Lakmé is strolling unemotionally in the garden, whereupon she and her slave girl, Marika, sing this blissful duet to a dome of jasmine flowers. It is famously sung by a soprano and a tenor. It is in this song that Gerhard has to be shocked by Lakmé's beauty and the two of them then evoke some passion.
13 Deborah's Theme Deborah's Theme
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If we could do it all over again, we would go back to the beginning of the world where there was no hatred and no desire to let the simplicity and the laughter fill up the days when we were greeted by every smiling face. The theme song from the movie "The Four Seas" was the last work of Yannick Morrison and his 1960s Italian western partner Sergio Leone, and this movie about Jewish gangsters in New York is tinged with nostalgia, with Morrison's music. The film's yellowed images are a reflection of the composer's most memorable melodies.