Poetry Appreciation of "The Fairy" 1

"The Fairy"

Hold the wine and listen to the sound of water. I wake up from drunkenness in the afternoon and worry about not waking up. When will I be back when Chun Chun is gone? Facing the evening mirror. Hurt the scenery. The past is empty in the later period. It's dark on the sand and in the pond. The clouds break and the moon comes, the flowers make shadows. Heavy curtains cover the lights, and the wind is unstable. People are quiet at first. Tomorrow the red sunset should fill the path.

Appreciation of works

Notes

Original title note: When Jiahe was young, he did not go to the government meeting because he was sick

①Jiahe Xiaowu: Jiahe, the name of the county in the Song Dynasty, now Jiaxing City, Zhejiang Province. Xiaogu: a small official. Wu, deputy position.

②Shui Tiao: the name of the tune.

③Flowing scene: the passing time. Scenery, daylight.

④ Birds in pairs: pairs of birds. This refers to Yuanyang.

Comments

This poem laments the passing of time and the lonely situation through the description of the emotion of cherishing spring and regretting spring. Sighing about old age and being humble is a common content in poetry in the feudal era. However, because the author is good at refining sentences and crafting them carefully, the spring night scene written in this poem is quite innovative. "Looking at the evening mirror, hurting the scenery", the poet's emotion blends with the scenery of late spring, deep and implicit. "Heavenly Fairy" Poetry Appreciation 2

Comments

⑴ "Gold is like" sentence: Gold is like the color of the clothes she is wearing, and jade is as smooth as her skin color.

⑵Xiaqun Yuepei: They are all ancient women's clothing. In ancient times, concubines and noble ladies wore shoulder-length shoulder straps, embroidered with flowers, knee-length and brightly colored. Here, clouds and moon are used to describe the beauty, brightness and cleanness of skirts and crotches. Another explanation: There are pictures of morning glow and moonlight woven on the skirt and belt respectively.

⑶Liu Ruan: Liu Chen and Ruan Zhao, this generally refers to the person he is thinking of. According to the "Biography of Immortals" and "Xu Qixie Ji", during the reign of Emperor Ming of the Han Dynasty, Liu Chen and Ruan Zhao in Ke County went to Tiantai Mountain to collect medicine. They lost their way and suddenly saw a peach tree on the top of the mountain. After eating it, he went down the mountain, got water from the stream, and drank from it. After walking to the mountain, I saw a cup flowing out with water, with flax and rice crumbs on it. The two walked across the water for about a mile, then crossed a mountain and came out of the big stream. They saw two girls with beautiful faces. They called Liu and Ruan by their names, as if they had known each other in the past, and asked, "How late are you guys here?" Because of the invitation! When I return home, the bed curtains and curtains are slow and unparalleled. There were also several fairies who brought three or five peaches and said, "Come to celebrate my son-in-law." Each brought out a musical instrument to play music, and the two stayed at the daughter's house and performed the rituals of husband and wife. After staying for half a year, the weather was warm and warm, like the second day of spring. ,March. I often hear the crow of a hundred crows, and I am eager to return home. The woman said: "The roots of sin have not been eliminated, so you are like this." So she sent Liu and Ruan away from the entrance of the cave. When we got home, there were strange things in the countryside. After searching, we found that they were their seventh generation descendants. The two then wanted to return to the girl's house and looked for a mountain road, but they couldn't find it and returned home lost. In the eighth year of Taikang, the whereabouts of the two men were still unknown. From then on, "Liu Ruan", "Liu Lang" and "Ruan Lang" were often used in poetry to refer to the beloved man who had not returned for a long time. 曛: Sunlight and fragrance are striking. Also interpreted as warmth.

Appreciation

This poem is an ode to "Tian Xian Zi"'s ability to write poems. It tells about the immortals waiting for Liu Lang and Ruan Lang. The first part describes the image of the immortals, and the last part writes about looking back at the cave entrance all day long. .

When Tang Xianzu commented on Wei Zhuang's five poems "Heavenly Fairy", he said: "The above four poems are all excellent. How can the final chapter be such a good idea? Is it possible that at the end of the strong crossbow, Jiang Yan's talents are exhausted?" And Li Bingruo said in "Xu" "Zhuang Man Ji" points out: "This poem fits the title. The meaning of the poems in the Tang and Five Dynasties is that many people use this title. It seems that it is not the end of a strong crossbow." This seems to make sense. Although this word has no deep meaning, the image is soft and graceful, with two "like" and two "ru", and it is as handsome as one can see. It is difficult to say that he has exhausted his talent.