Wang Xianzhi.

"Luo Shen Fu thirteen lines", referred to as "Luo Shen Fu", the Eastern Jin Dynasty Wang Xianzhi's small-case calligraphy masterpiece, the original ink on hemp paper, the content of the Three Kingdoms period of the famous literati Cao Zhi's famous essay "Luo Shen Fu", but circulated to the Tang and Song dynasties have been damaged and lost.

"Luo Shen Fu thirteen lines" original traces of hemp paper, into the Song Dynasty mutilated, the Southern Song Dynasty Jia Sidao first got nine lines, and then continued to get four lines, engraved on the jasper like a good stone, the world known as "Jade version of the thirteen lines". After the stone anonymous, to the Ming Wanli, in Hangzhou Ge Ling half idle hall old site to get back, to Lu Menghe, Weng Songnian. Qing kangxi into the house, the eight allied forces captured Beijing, this stone into the folk.

Luoshen Fu thirteen lines of style:

Wang Xianzhi's book "Luoshen Fu" (thirteen lines of) the body of the potential for showy, free style, the Qing Dynasty, Yang Bin, "Tiehuanzhai book number" that "the word of the show of strong garden, the line of the world's lowercase without its right". From the Luo Shen Fu (13 lines), it can be seen that Wang Xianzhi's Regular Script brushwork no longer carries the meaning of scribe, and the shape of the characters has changed from horizontal to vertical, which is a fully mature work of Regular Script.