In fact, Stephen Chow has a lot of works with excellent acting skills, and his acting skills are also very extensive, but later comedies became too famous. For example, in the early dream edge, Stephen Chow played a schizophrenic whose dream and reality could not be separated, and his acting skills were scary. In metropolis, Stephen Chow plays the son of the villain played by Adam Cheng. He is even more ruthless than his father, and he even kills people. At that time, the Hong Kong media called him the successor of Wu Qihua, because Wu Qihua was a representative actor of the villain at that time, and even interviewed Stephen Chow and asked him if he was afraid of being stereotyped as a villain. Stephen Chow plays a younger brother in the underworld, who is dead set on following the big brother, designing harm, and even deliberately injuring pregnant women. Finally, he was designed by the big brother to die in a prison, and he was stabbed to death with a toothbrush; Stephen Chow plays an undercover policeman in the same road, misunderstood by his girlfriend, and faces many struggles and choices in the face of his boss. Stephen Chow's film debut, Pioneer Thunderbolt, won the Golden Horse Award for Best Supporting Actor in one fell swoop for playing a gangster who was caught by the police stealing a car for the underworld ... Stephen Chow had a lot of non-comedy characters before he became a big hit, but he said, don't shoot the movie if it's not funny, so most of what we saw was his comedy works. However, his comedy works are many types of works plus comedy elements, and his performances are very precise, delicate, rich in levels and unique in rhythm. In fact, many people's performances can be imitated, including Chaplin. Even if the imitation is not ecstasy, it is no problem to imitate the shape, except Stephen Chow's. Who dares to imitate Stephen Chow's performance is basically seeking death. The reason why Stephen Chow's performance is unique is that Stephen Chow's performance is unparalleled in its rhythm and variety. Although Jing Wong was widely rumored by the media to be at odds with Stephen Chow, he repeatedly said that Stephen Chow was the best actor he had ever seen, calling him "the king of acting": "Stephen Chow changed vigorously, and he was so meticulous, and he really made the second person come out. That is not Stephen Chow. If you have seen his Moonlight Box, it is The Journey to the West. There is a scene in which he looks at the lens of a demon mirror and he changes several expressions in a few seconds. "Stephen Chow must be the best actor I have ever met in my acting life. He is a king of acting, becoming very mature, and then becoming a king of comedy step by step." "When I saw Stephen Chow for the first time, I was really surprised. When he came out, everyone noticed that he was already brilliant and already thought he was a superstar of tomorrow." "At present, Stephen Chow is the first person who has seen actors from the mainland, Hong Kong and Taiwan. He is the best actor I have ever seen. His acting skills are perfect and comprehensive, and the tragic evidence can be controlled. He is definitely not the comedian in your heart. He can play art films and tragedies, but no one is looking for him to play. " "In my eyes, the acting list has been constantly adjusted for many years, but among the male stars, even though the Chinese mainland actor has a strong impact, I still think that Stephen Chow is the first person in the Chinese film industry. His acting skills are like his own, but the organs are very aura, and the layering is surprisingly rich. I think that in" A Chinese Odyssey to the Moonlight Box ",he saw in the mirror that Karen Mok is Bai Gujing, which is his pinnacle, and it is He should play a non-comedy, and I believe he can reach the same high level. " Huang Qiusheng often shoots at insiders, but he highly praises Stephen Chow, who has a bad popularity: "Stephen Chow is definitely a master and a genius, and his acting method is definitely a precedent in that year. I dare say that I was the first person to study his nonsense phenomenon. Although some predecessors said that what Stephen Chow played in the TV series "He Comes from Jianghu" didn't know the so-called, he was still popular because it was really funny. " He added: "Stephen Chow lived in an age of anti-intelligence, and successfully expressed his disrespect and rudeness to authority. Before he appeared, there were too many moral restrictions in society, and he mentioned this age to strive for his release. No one can imitate his cynicism in the play and his' e-e-e-e-e-e-e-e' when he speaks. Stephen Chow once said that he was better than Robert De Niro. Why? Because if Robert De Niro comes to Hong Kong to film, he will definitely call for help in the face of Hong Kong's system! Only Hong Kong actors can make it, and the films they make can still have a box office. " Although Stephen Chow was criticized by many people for being difficult to get along with, Huang Qiusheng saw the other side: "Only others have ever said that he was difficult to get along with, but I have never seen him say that he was difficult to get along with. I have heard him say before:' Just do your own thing. Why do others succeed, and you don't understand!' I think his character is quite good. Xiaogang Feng, who worked as an actor for Stephen Chow, thinks that Xingye's acting skills are excellent. He observed that Xingye in life and Xingye in the movie are two completely different personalities, which shows that Xingye's performance in the movie is all from superb acting skills, which has a particularly large room for development. Chen Jiashang, the director, recalled filming Su Qier, the top martial arts scholar, and said, "I told A Xing that I needed a lonely shot, so he stood in front of the camera and looked at it ... He went over and sat on a big smoky bed, and without thinking about it, he began to sing Nanyin. I was shocked at that time. It turned out that the most lonely thing was not to hammer my heart and beat my lungs, not to cry ... He also sang, and Nan Yin was a little squeal ... He sang while I watched it through the lens. I think I saw a talented actor. He is really the best, and I think it is the best until now. " Du Qifeng said that she hated Stephen Chow because his plays were so good. She also said, "I don't like him the most, but I think he is very good, and I like him, and I don't like him. The person who is very confused is called Stephen Chow, and there is only one genius in the whole circle." The following is a typical clip of Stephen Chow's performance: Wang Fu Cheng Long: This film was shot by Stephen Chow 1990, when he was not a big hit. He and Wu Junru were married and very warm and loving. Wu Junru also said in his autobiography that he fell in love with Stephen Chow because of this film. This film is very peaceful, calm as water narrative, very gentle and quiet, delicate and moving. At the end, A Shui, played by Stephen Chow, goes back to their old home to find A Di, played by Wu Junru. However, some things are different. After returning to my old home from Ashui to see the feeling and loneliness of thinking about things, and sorting out the worn-out wedding couplets, I saw Auntie with my eyes, full of twists and turns of surprise, loss, now, nearing my village, meeting people, courage, embarrassment, final joy, etc., and I can see a series of expression changes of Stephen Chow, which are very delicate and moving. It is worth mentioning that the soundtrack here is Lu Guanting's Dream Heart, and the combination of Lu Guanting's music here and Stephen Chow's acting skills is similar to the ending of a Chinese Odyssey. Su Qier, the champion of martial arts: In front of him is a romantic and willful constantly chauffeured man, and behind him is a beggar who has experienced the world's cold and warm, afraid to face the woman in his heart. Especially when the property was stolen, director Chen Jiashang made Stephen Chow feel lonely. Stephen Chow sang "Red Candle Tears" in his chair. Red Candle Tears is a southern sound, with a little loneliness and sadness. Chen Jiashang saw Stephen Chow behind the camera. He said that he saw a talented actor: King of Destruction: There was a plot in the King of Destruction. A Yin went to the black bear theory and was humiliated by the black bear in front of the goddess. A cowardly and pitiful little guy jumped out of the screen. Looking here, I think that Stephen Chow's back is so good at acting. There is another place in the King of Destruction that impressed me deeply. When the devil muscular man played by Ng Man Tat first cheated He Jin, they had a game. Here, the game is shown only by clapping hands, which is particularly vivid, and the cooperation between them is simply: there is another place in the King of Destruction that impressed me deeply, that is, when the devil brawny man played by Ng Man Tat first cheated He Jin, they had a game, and here, the game is shown only by clapping hands, which is particularly vivid and the cooperation between them is simply: A Chinese Odyssey: There are too many remarkable places in a Chinese Odyssey. For example, what Jing Wong admires most is that the Supreme Treasure opened the door and saw Bai Jingjing. In less than ten seconds, he changed seven expressions, which is very powerful. Maybe we are not that the director can't see so many expressions, but at least we can see Stephen Chow's expression change from joy at the beginning to fear and disguise, to fear and almost cry before closing the door. Of course, the most classic ending of a Chinese Odyssey has to be said, because the movie is switched, the Sunset Warrior and the Monkey King are cross-edited. Then let's look at Stephen Chow's acting skills from a single character: Of course, the most classic ending of a Chinese Odyssey has to be said, because the movie switch, the Sunset Warrior and the Monkey King cross-edited, then let's look at Stephen Chow's acting skills from a single character: the change of the Sunset Warrior: The Sunset Warrior stubbornly refuses to admit that he loves a woman when questioned by a woman. A gust of wind and sand blew, and the samurai in the sunset was possessed by the Monkey King. He waddled towards the woman who looked so familiar, and spent his whole life kissing here. He blazing with anger said to the woman, "I will never leave in my life, I love you". He hugged the woman for the last time with all his strength and suddenly pulled away. Facing the woman in his arms and the people under the city wall, the Sunset Warrior is at a loss. However, since it has become a fact, please accept this woman. Sunset warriors and women looked at the strange figure in the distance, but somehow they seemed to feel something, but they didn't know what it was, and their eyes were a little blank. "He is like a dog." This sentence seems to be what the Supreme Treasure said to himself. Sunset warrior, the Monkey King, are supreme treasures, but his fate is ultimately not up to him. Once upon a time, now, never come again, the red leaves are buried in the dust, and the end is always the same. Another day, you are wandering outside the white clouds. Changes in the Monkey King: Changes in the Monkey King: the Monkey King saw the men and women on the wall, and everything was so familiar. He recalled his unfulfilled love, and tears swirled in his eyes. He decided to help the man and the woman, and said his love words through the man's body. After pulling away from the body of the Sunset Warrior, the Monkey King resolutely turned away and decided to accept everything that fate had arranged for him. However, can he forget all this? I'm afraid not. He ate bananas and looked back at the man and woman. Maybe he was unwilling, but the fate was over. What else could he do? He can only catch up with the big army and accept his fate to learn from it. It's hard to escape the fate of blind date in the world, or I should believe it's the fate of the god of food: Stephen Chow not only plays a good man, but also plays a disgusting big boss easily. Stephen Chow, played in the first half of Stephen Chow in the god of food, is very arrogant, cursing casually, never showing mercy, and cheating consumers with no regard for conscience. After he was trapped on the street, the chicken sister gave him barbecued rice. He ate it clean and licked his hands clean. At the end of the election, the god of food appeared with white hair, calm atmosphere and full of compassion. When he learned that Sister Chicken had died, he had white hair all night and cried. Stephen Chow put the arrogance of the god of food, down and out, see through the world, and become white-haired overnight for love, with great ups and downs. It is worth mentioning that although Stephen Zhou is arrogant, he still shows the innocent and mischievous eyes of a child from time to time, which can show that the god of food is either bad in his bones, and also paves the way for his epiphany. King of comedy: I think this performance of Stephen Chow is absolutely wonderful. He was thrown away by audience sitting, played by Ng Man Tat. From embarrassment, forcing a smile, to turning his head and trying to hold back his tears, the very delicate mirror is an important prop in king of comedy. Looking at the mirror three times before and after, I was confused and confused for the first time. Summon up the courage to find Liu Piao Piao for the second time; Looking at the mirror for the third time, the opportunity is in front of me, and my heart is turning upside down. Looking in the mirror three times, three different states: The mirror is an important prop in king of comedy. Compared with looking in the mirror three times before and after, I was confused and unsure for the first time; Summon up the courage to find Liu Piao Piao for the second time; Looking at the mirror for the third time, the opportunity is in front of me, and my heart is turning upside down. Three times in the mirror, three times in different states: Then there is king of comedy's classic plot of "I raise you". After Yin Tianchou went out, he saw the intoxicating willow fluttering in the Shanghai wind on the windowsill, but he remembered his poverty. He dared not show it to Liu fluttering, because he felt that he was not worthy of such a beautiful willow fluttering, and he was deeply entangled. After arranging the money, he pretended that he didn't know that Liu Piao Piao came back. Liu Piao Piao said, "Thank you, boss". After going out, he looked back and hoped that he would come out, but he was afraid to go out. Looking at himself in the mirror, he finally got up the courage to go out. When talking to Liu Piao Piao Piao, he still dared not confess. Finally, in the sea breeze, Yin Tianchou struggled for a long time, and finally got up the courage to say the four words "I support you" to Liu Piao Piao Piao. The sadness, struggle and courage of the little people were all shown. I'm sorry I can't stop talking about king of comedy, because Stephen Chow's acting skills in king of comedy are completely what Jing Wong said, which is too delicate. There was a scene in which Yin Tianchou went to audition. The scene was that Juaner was dying. He burst into tears holding Karen Mok's sudden emotional catharsis. Yin Tianchou integrated his life persistence and suffering into the audition role, and at that time people and drama were separated. After the audition, he sat silently in front of the mirror and was at a loss. When Sister Juan told him that he wanted him to play the leading role, he sat there dumbly in the face of the opportunity he had been waiting for, surprisingly calm, and asked the crew, "There must be a box lunch, right?" For such a long time, the box lunch represents the reward for his persistence. Stephen Chow, as an actor, showed Yin Tianchou's quick and emotional input, the state of indifference between people and drama after he entered the play, the overwhelming sorrow, and the sudden loss in the face of sudden opportunities. After that, Yin Tianchou was deprived of the opportunity of the leading actor, and the director grabbed the script from him. He clung to the script as if he were holding his life. After the script was robbed, he seemed to have exhausted his last strength in his body and collapsed into his chair for a long time. When Juanjie said sorry to him, he pretended to be calm, but he was extremely sad. Stephen Chow's performance was so distressing that I didn't dare to watch it for a long time. After that, Yin Tianchou was deprived of the opportunity of the leading actor, and the director grabbed the script from him. He clung to the script as if he were holding his life. After the script was robbed, he seemed to have exhausted his last strength in his body and collapsed into his chair for a long time. When Juanjie said sorry to him, he pretended to be calm, but he was extremely sad. Stephen Chow's performance was so distressing that I didn't dare to watch it for a long time. Kung Fu: In fact, Stephen Chow's performance, especially in the later period, is getting more and more back to basics. Let's look at a classic passage in Kung Fu, that is, "Just Live for You One Day". A Xing's psychological change has gone through the following process: "I want to kill someone". With this belief, A Xing summoned up the courage to rob the ice cream girl and pretended to be fierce, hoping that he could be a bad guy, but the tears shed by the girl suddenly softened his heart. He robbed the money and was about to leave, only to see the girl take out a lollipop and gesticulate at him in familiar sign language. A Xing remembered the past of his youth and his initial intention to maintain world peace, but this made him unacceptable, because he wanted to be a bad guy and kill people. He knocked out the lollipop and broke it to the ground, and ran away from that place. He vented his inner contradictions and dissatisfaction on the fat man, but how can he face his initial heart? A Xing sat on the ground, looking particularly tired. Stephen Chow played out A Xing's contradiction and his unchanging initial heart. Although he hasn't changed fundamentally at this time, we can feel that his initial heart has always been there, and it has never changed, but he just refuses to admit it. Changjiang No.7: On Changjiang No.7, he simply left stubble to tan himself and played the father of a migrant worker. There is a scene where Zhou Tie proudly shows off to his foreman that his child got a hundred points in the exam. The foreman said that his child cheated, and the smile on his face suddenly disappeared, replaced by anger and incomprehension. She went back to ask Xiao Di if he cheated, and Xiao Di admitted that he cheated, but he also repeatedly appeared. Zhou Tie was completely disappointed, looking at the distance and helpless, and finally made up his mind to crush the test paper and robbed Xiao Di's seven sons. Stephen Chow played out the helplessness, anger and hatred of a migrant worker's father. "Are you kidding! I provide you with education, so hard! "I can feel the sadness of his words very much. Although I think I am still very good, isn't my father so hard to provide me with education? Stephen Chow really played a father who was down and out at the bottom of society. It is also said that Stephen Chow's performances are all the same and there are no acting skills. I simply don't know what to say. Stephen Chow's characters span quite a lot. There are young people from the mainland, diaosi in the countryside, the first killer of the Flying Tigers pretending to be a student, the second ancestor reduced to a beggar and became the king of beggars, the classic Wei Xiaobao, the lawyer with a lotus tongue, the charming Tang Bohu, the pork guy and agent, the mountain thief, the Monkey King, the prodigal young master, the arrogant Stephen Chow, the down-and-out god of food, the ghost catcher with abnormal spirit and the frustrated crazy inventor. It can only be said that he acted so well and naturally that he didn't even think he was acting, but people were really acting. Is it a sin to act too well? PS: When watching Stephen Chow's movies, you must watch the original Cantonese sound, because Stephen Chow's voice is low and a little cold. Even in noisy comedies, his cold voice creates a contrast. His deep voice is incomparable to the expression of emotion in Mandarin dubbing, and his original sound is very rich in levels and the sense of rhythm is just right. I'm afraid watching only Mandarin will cause some obstacles to the appreciation of Stephen Chow's films. PPS: In fact, discussing Stephen Chow's acting skills is inseparable from Stephen Chow's screenwriter and director. Stephen Chow is a comprehensive filmmaker, and acting skills are only one part. PPPS: Actually, Stephen Chow's acting skills are not only reflected in himself, but also many classic supporting roles in his early days were taught by Stephen Chow. In the movies directed by Stephen Chow, almost everyone was possessed by Stephen Chow's acting skills.