Don't let your female ticket have a confidante. If it is blue, you will be green.

Interstellar tells us that love is very important, and Penguin in Madagascar tells us that cuteness is very important. Then I went to see "The Best Life of a Spoiled Woman" on a dark night in a month, and the awl-faced sisters told us that it was also very important. But if the current female ticket of a good sister-the man you like-is a younger sister, then she is either a green bitch or a slut. I don't know where this stamp came from. I haven't seen many films like this kind of cannon fodder that return to true love. I watched love in the buff in about 12 years, and I may not love you in TV dramas. I wonder if it is a real girlfriend with beautiful young breasts. No matter whether you come first or not, you can't compete with the memories, mutual understanding and past time of the hero and heroine. But what should I do? In the face of those innocent, beautiful, brave or charming incumbents, I really can't share the same enemy with the protagonist.

I remember that there is a plot in "I may not love you", in which the current female ticket Meng Meng said to Cheng Youqing, a beauty, that I want to marry Brother Daren. Cheng Youqing sneers, "get married? Do you know him? Do you know what the natural enemies of Li Daren are? Do you know that Li Daren's mother always squeezes her sister when she meets her? You know ... "------The implication is that you don't know him as well as I do. What qualifications do you have to be his girlfriend and marry him? However, the current female ticket is still courageous as a supporting role. God said to the right, "Then Sister Qing, you know him so well, and you are not together."

I can't help clapping my hands and applauding. Unfortunately, the protagonist always hangs up, while the online GM is never online, and the supporting actor complains of incompetence. No matter how witty she is, her destination can't escape cannon fodder, cannon fodder or cannon fodder.

I can't understand it while watching the charming girl. Gong Zhiqiang and Zhang Hui's library review is called memories, human vouchers are called memories, and Zhu Ming's illustrations are called memories. These subtle and beautiful memories gradually accumulated and destroyed the weak city cast by "coquetry", and Beibei was defeated. But doesn't she have any memories? The company that flew in at night when she forgot to buy an electric card is not a memory. The sweet and greasy snuggling on the plane is not a memory. Isn't the crisp and soft coquetry not a memory? Her memories are just a little late, a little late. Although the revolutionary friendship is strong, she is still a "love" friendship of the revolution. Why not say that the nature is different and the fame comes first? But the current revolutionary "friendship" of Beibei is due to Gong Zhiqiang's sentence "Do you know why Lin Chi-ling talks less about love? Because it's really tiring to be with a woman like you, "instantly became a burden of necessity, while Zhang Hui's revolutionary friendship realized the eighth sense because of Lan Yan's confidant," I see that I am a GAY! I just like (female) men! " -Instant sublimation, quantitative change ushered in qualitative change, happy ending.

Zhou Gongzi's acting skills are still superb, and her appearance is too pleasing, which leads me to keep thinking that Zhang Huicai is the one who is involved, while struggling with her sadness and fragility in the rain. Gong Zhiqiang, the leader of the school, put aside his erratic role setting, generally speaking, his performance was very pleasing, especially when he appeared, his hormones were quite sufficient. As for Sui Tang ... I have prostrated myself under her long legs, and the showdown with Zhou Xun was full of anger, sadness and stubbornness, full of emotion.

Peng Haoxiang's detailed layout is as exquisite as ever, and the housing decorations that embody the characters are as paranoid as beyond our ken, Chunjiao and Victoria One. The semi-finished sculpture of Zhang Hui's room, the red-painted bedroom wall of Gong Zhiqiang, the attic where Beibei rides around Taichung Island and coquettes again, as well as the small objects with grass ash and snake lines, guillotines, Zhang Hui's scarf on her neck, graffiti notes, and tomato mume in Taipei night market, all of which won't be concerned at first, but these daily materials are just right to connect every ups and downs, meticulous and ingenious.

unfortunately, the score was not brilliant this time, and finally "Suddenly I miss you" sounded like a play. Compared with Mozart's flute quartet in D major in beyond our ken, Amandoti wandering in the streets, BGM in Latin style and Spanish interludes in Isabella, "Spooky Woman" did not reflect the sadness of this situation.

to be honest, PS can't say right or wrong about the connotation embodied in this film. Everything is just a choice. The overall story is smooth and the jokes are fresh. Sui Tang, the founder of Zhou Xun, is excellent in face value, so it is not too true to watch a movie. "You are not my cup of tea, but you can enjoy it."

PS, compared with Zhang Hui, who tried hard to learn to be coquettish and lose her temper in order to save a man's heart, still loves the chic look of Zhou Gongzi's "flying swords of dragon gate" in which she proudly raises her chin and holds the reins alone.