Eighteen palms of dragon-a brief introduction to moves

The first type of the eighteen palms of the dragon-Kang Long has regrets;

Its action is that the left leg bends slightly, the right arm bends inward, draws a circle with the right palm, and pushes outward with a whimper.

The second type of the dragon's eighteen palms-Long Zaitian;

This trick must jump up in the air and hit high before it can show its extraordinary power. We must combine the skill of flying jump to give the enemy a blow from top to bottom. It should be very martial arts.

The third type of the dragon's eighteen palms-the dragon fights wild (fighting wild dragons);

This is a very mysterious kung fu in the eighteen palms of the dragon. Both the left arm and the right palm are virtual and real, and are not limited to one pattern. Disturb each other with the method of virtual reality and yin and yang, and you can take advantage of yourself. This is a trick to lure the enemy.

The fourth style of the eighteen palms of the dragon-don't use the hidden dragon;

Is the right hand bending two fingers in the food, half fist and half palm, hit the enemy in the chest. At the same time, the left hand hooks and the right pushes the left hook, so it is difficult for the enemy to dodge. This is an attack from left to right, which makes people have nowhere to hide and are under their control.

On land, Longli Dachuan and Hung-chien took the fifth and sixth forms.

These two moves were used by Guo Jing and Mei Chaofeng when they returned to Trang Van. These two moves are both technical moves to force the enemy to retreat, which are intended to keep the enemy away from himself and protect himself.

The seventh and eighth styles of the eighteen palms of the dragon-sudden and shocking;

These two moves were used by Guo Jing when he forced Mei Chaofeng to hand over the antidote after being injured by Mei Chaofeng's nine yin bones and claws. It can be seen that these two moves must be unique skills for close combat, and their power can be imagined naturally.

The ninth style of the dragon's eighteen palms-or jumping into the deep;

Take a breath before performing this trick, then explore with the gasification palm and the left palm, and the right palm roared out from under the left palm and hit the opponent's abdomen. It belongs to a frontal offensive and is a righteous Yang.

The tenth style of the dragon's eighteen palms-the dragon wags its tail;

This is the trick to save the lives of the eighteen dragons. The reaction intensity of any living thing when its survival is threatened is very serious.

The eleventh style of the dragon's eighteen palms-the more fish there are;

This trick is used for self-defense in a small space, or to buffer the host's constant offensive.

The twelfth style of the dragon's eighteen palms-seeing the dragon in the field;

This move is from defending to attacking. When the wrist is caught by others, this trick can be flipped along the wrist and hit the enemy's shoulder with a heavy and fast palm. This is a trick to turn defense into attack.

The thirteenth style of the dragon's eighteen palms-Shuanglong takes water;

This bottom-up attack on the enemy is just the opposite of the dragonfly in the sky, and it is a kind of defeat to win.

The fourteenth, fifteenth and sixteenth styles of the dragon's eighteen palms-when riding on six dragons, clouds don't rain, and happiness is lost;

These three forms were all used by Guo Jing at the Beggars' Guild Conference to help Huang Rong regain the position of Wang. At that time, the three elders of the "Clean Clothes Sect" of the Beggars' Sect were confused by Yang Kang and refused to appoint Huang Rong as the new leader. Guo Jing used these three tricks to compete with Elder Jian of the Beggars' Sect in "Eighteen Palm of the Dragon", with the intention of letting Chen Bing show his strength. It can be considered that these three moves are "eighteen palms of the dragon".

The seventeenth style of the flying dragon's eighteen palms-frost and ice;

This move must be "breathing, elbow slightly raised, palm of left hand hitting right hand, straight hitting and horizontal pushing, quick hitting and slow hitting." The combination of rigidity and softness in the palm method and the complementarity of positive and negative are endless. It is a more feminine skill in "The Eighteen Palm of the Dragon"

The eighteenth style of the dragon's eighteen palms-reaching the sheep and touching the Francisco;

This move is a kind of body balancing technique, which is intended to balance the weight of the whole body with the palm of your hand, so that the enemy can quickly avoid the inevitable shooting. Its posture is like a stimulated sheep, desperate to rush out of the fence, and its power is quite amazing.