1. Qi Baishi's Ink Shrimp Essay Book

Master of Ink Painting - Qi Baishi Narrative Essay 6th Grade 700 Words He, is a strange man.

He is over the age of old, but his elegance is still the same. His hair has long been white, but his eyes are still shining.

He was silent, but the beard on his chin still showed that he was talkative. He loved life, and an ordinary peasant woman even put down her farm work to scrutinize his works.

His teacher was a strange man, and he was no exception. It is said that every artist "runs out of steam" when they reach their prime - and this is inevitable.

But he clearly broke this fate. In his old age, the more he lives, the more flavorful he is.

He was dressed in white, reflecting the image of a great artist. He is penning a rough outline in just a few strokes.

The simple ink drawing is interpreted by him to the extreme. The crayfish playing in the water are so vivid that they want to take off the paper and turn into reality.

Good painting! Good painting! He strokes the brush freely, his demeanor is focused and serious, but also relaxed. The grass, the trees, the mountains, the water, as if all into his spirit.

It's amazing that such a spiritual work was done in a moment! He calmly showed his previous works. The painting was presented to the worshippers in a messy manner.

Seeing his puzzled gaze, he smiled slightly and took out another painting - this one less natural. When he came to the last painting, he was stunned - this painting is fresh and simple, there is a return to basics.

This is a generation of everyone's painting? Childhood, youth, old age, until old age, but can make such a painting, this is true? What kind of realm is this? Look at his face, suspected to be "Peach Blossom Garden" people. I'm not sure if I'm going to be able to do that, but I'm going to be able to do it," he said.

Look at his painting, the birds are jumping, lobsters are playing, frogs are singing. He is Qi Baishi, a great master of ink painting.

China's modern attainments in ink painting, no one can be compared to him. Qi Baishi, Qi Lao, has left unforgettable memories.

His paintings, his life, his realm, let a person for a long time can not own. Unforgettable that life, unforgettable moment.

Qi Baishi, a love of life, an old man, an important revelation to life ...... Qi Baishi, immortal, simple truth ah! Wenzhou City Longgang Town, the second primary school six Shangguan Fucheng This article is a composition library (zuowenku) users original article, without permission prohibited reproduction.

2. Chinese painting shrimp mention word

First, carefully observe the structure of the body of the shrimp, a deep understanding of the shrimp's life allegory

God created all things, each with its own spirituality. Shrimp, born in the water, delicate as a shuttle, many kinds of gestures, shrimp body transparent, antennae sharp and long, black and pointed eyes, scales, bowing, shrimp is mainly composed of head, abdomen, tail, three pairs of tentacles, abdominal segmentation, five to six sections, shrimp dynamics is mainly manifested in the ability to stretch and flexion, swimming freely.

The symbolism of shrimp is profound, the north refers to it as the "dragon", which has the meaning of good luck in the house, and the south refers to it as the "silver", to take the meaning of long-term wealth and prosperity. Shrimp on the same family never invasion and harm, harmony, although the body is small, clean and transparent, indifferent to fame and fortune, has a noble character and pure and honest bosom, shows the cleanliness of the life of the trust. In addition, the shrimp body wear jade armor can be peeped, implying that people should be honest and transparent, tenacious vitality, the will to dare to get the tide, but also the spirit of the dragon like soaring, its tentacles can be touched by the sand, you can look at the clouds look at the moon.

Second, with the most suitable tone to express the shrimp's sense of reality and transparency

The use of color is exquisite, through years of research and experimentation, their own modulation and shrimp close to the tone, reflecting the shrimp's sense of reality, the ink is divided into seven colors, light, elegant, rich and comfortable, in the abbreviation of penmanship appears to be crystal clear, the texture of the shell is obvious, wet and clear, giving a sense of mild and fresh picture.

Third, with the most beautiful humanized body language and dance of the kinetic chords, the vivid symbolism of shrimp

Breakthrough the traditional painting method, with the most beautiful body language and dance of the kinetic chords, the vivid symbolism of shrimp, shrimp pincers with the hold, each other, there is a playful surfing, there are with the waves, there is a love Department of the waves, there is a group of shrimp tidal wave, there is a stretch, curved, and there is a call back, you chase each other, vivid and extremely. You catch up with me, vivid and extremely present, a variety of postures, there is Chang'e to the moon, the water sleeve floating, there is Mu Guiying break into the heroic and unrestrained, both soft and strong, to humanize the most beautiful body language, with the dynamics of the dance and the rhythm of the strings, the performance of the picture of the essence of the spirit, gas, God, painted shrimp the essence of life and the soul.

3. Qi Baishi painting shrimp essay (450 words)

Today, my mother showed me the shrimp painted by Qi Baishi, at first I did not understand what is good to paint shrimp, how to paint to appear alive? Later, after seeing the painting, I realized that the use of ink and brush is very relevant to this.

And we usually paint, use so many colors, are not such an effect. Later, we found the following information on the Internet: Qi Baishi grew up living in the pond, often fishing shrimp to play; youth began to paint shrimp; about 40 years old after copying Xu Wei, Li Fudang and other Ming and Qing painters painted shrimp; 63 years old when he painted shrimp has been very similar, but not enough to "live", they raised a few long-armed shrimp in a bowl, placed in the case of the painting, the daily observation, the method of painting shrimp is also due to the "live", then raised several long-armed shrimp, placed in the case of the painting, the daily observation, the method of painting shrimp is also the same, the shrimp is also the same. Observation, the method of painting shrimp also changed, his shrimp has become one of his representative art symbols.

Qi Baishi shrimp painting has entered the realm of realization, in the brief ink in the performance of the group of shrimp swimming in the water. The contrast between the thick, thick zygote and the transparent, light and delicate nature of the shrimp reflects the maturity of Qi Baishi's painting in his later years.

Mr. Qi's representation of the shrimp form, lively, sensitive, vigilant, vitality. It is because of the mastery of the characteristics of shrimp, so painting with ease.

In a few strokes, with shades of ink, showing a sense of movement. A pair of thick ink eyes, the center of the head with a little bit of burnt ink, the left and right two strokes of light ink, so that the shrimp's head varied.

Hard shell transparent, from dark to light. And the waist of the shrimp, a section of a stroke, several consecutive strokes, forming a shrimp waist rhythm from thick to thin.

Qi Baishi pen changes, so that the waist of the shrimp show a variety of heterogeneous, bowed forward, there are straight waist wandering. There is also a bent waist crawling.

The tail of the shrimp is also a few strokes, both elastic and transparent. The shrimp's pair of front claws, from thin to thick, between several sections up to the two chelae, shaped like pincers, open and closed.

The tentacles of the shrimp with a few lines of light ink. Trade-offs: the shrimp in the water, in order to show the sense of perspective, Qi Lao's lines are virtual and real, simple and appropriate, seemingly soft and real rigid, seemingly broken and real, straight in the curved, chaotic small and orderly, the shrimp on the paper seems to be in the water to play and swim, the tentacles also seem to be moving non-moving.

4. painting "shrimp" appreciation

Qi Baishi "shrimp" appreciation

Qi Baishi after decades of artistic exploration, know that painters must be able to grasp the object of the living form, the sense of quality, the way the movement, the relationship between the environment and the personality traits, otherwise the painting and then like, but also like a dead thing. He painted shrimp is through a lifetime of observation, and strive to y express their physical and mental characteristics. Qi Baishi grew up living in the pond, often fishing shrimp to play; youth began to paint shrimp; about 40 years old after copying Xu Wei, Li Fudang and other Ming and Qing painters painted shrimp; 63 years old when he painted shrimp has been very similar, but not enough to "live", they raised a few long-armed shrimp in a bowl, placed in the painting case, the daily observation, the method of painting shrimp is also due to change, his shrimp has become one of the symbols of his representative art. His shrimp has become one of his representative art symbols.

This is the work of Baishi 89 years old. At this time, Baishi shrimp painting has entered the realm of realization, in the simple ink and brush performance of swimming in the water of the group of shrimp. The thick, thick zygote contrasts with the transparency and lightness of the shrimp, reflecting the maturity of Qi Baishi's painting in his later years.

This picture shows the form of shrimp, lively, sensitive, alert, and vital. Because of the mastery of the characteristics of shrimp, so the painting is comfortable. Take the shrimp on the screen as an example: three strokes on the head of the shrimp, there are shades of ink, showing a sense of movement.

The left and right pair of thick ink eyes, the center of the head with a little bit of burnt ink, the left and right two strokes of light ink, so that the shrimp's head varied. Hard shell transparent, from dark to light. And the waist of the shrimp, a section of a stroke, several consecutive strokes, forming a shrimp waist rhythm from thick to thin.

Changes in the pen, so that the waist of the shrimp show a variety of heterogeneous, bowed forward, there are straight waist wandering. There are also bent over crawling. The tail of the shrimp is also three strokes, both elastic and transparent. The shrimp's pair of front claws, from thin to thick, between several sections up to the two chelae, shaped like pincers, open and closed. Shrimp tentacles with several light ink lines drawn.

It seems easy, but it is extremely difficult: painted alive, the life of the shrimp since the emergence; painted stiff, but also lost their lives. The lines of the shrimp whiskers seem to be soft and rigid, seem to be broken and connected, straight and curved, chaotic small and orderly, the paper shrimp seem to be playing in the water and swimming, tentacles also seem to be moving non-moving.

5. Which expert can appreciate the works of Qi Baishi "shrimp"

Qi Baishi shrimp, vivid, fun.

Qi Baishi know how to manipulate the ink and brush, he was painting shrimp, not only the clever use of ink and brush marks to show the structure and texture of the shrimp, but also rich in Jinshi flavor of the brush to depict the shrimp whiskers and pincers, so that the structure of the pure ink color is also rich in meaning, with a high degree of skill. (Baishi Weng painting shrimp, is a river shrimp and shrimp two cozy "combined image.

-- Li Kuchan) (the state of mind of the shrimp, the shrimp's elasticity of the transparent body, the shrimp in the water floating momentum. Artistic modeling of the "shape", "quality", "movement" of the three elements of the complete performance, such a rich content, Mr. Qi Baishi used and concise ink and brush, not more than one, not less than one, one brush can be counted, not more than one, not less than one. Not less than a stroke, a stroke can be counted.

-- Ye Qianyu) Qi Baishi after decades of artistic exploration, able to grasp the object of the living form, the sense of quality, the way of movement, environmental relations and personality traits, otherwise the painting again like, but also like a dead thing. He painted shrimp is through a lifetime of observation, and strive to y express their physical and mental characteristics.

Qi Baishi grew up living in the pond, often fishing shrimp to play; youth began to paint shrimp; about 40 years old after copying Xu Wei, Li Fudang and other Ming and Qing painters painted shrimp; 63 years old when he painted shrimp has been very similar, but not enough to "live", they raised a few long-armed shrimp in a bowl, placed on the case of the paintings, daily observation, painting shrimp method is also due to the change! His shrimp has become one of his representative art symbols. Qi Baishi shrimp painting has entered the realm of realization, in the brief ink in the performance of the group of shrimp swimming in the water.

The bold, thick zygote contrasts with the transparent, light and slender nature of the shrimp, reflecting the maturity of Qi Baishi's painting in his later years. Mr. Qi's expression of the shrimp form, lively, sensitive, vigilant, vitality.

It is because of the mastery of the characteristics of shrimp, so the painting is comfortable. A few strokes, with shades of ink, showing a sense of movement.

A pair of thick ink eyes, the center of the head with a little bit of burnt ink, left and right two strokes of light ink, so that the shrimp's head varied. The hard shell is transparent, from dark to light.

And the waist of the shrimp, a section of a stroke, several consecutive strokes, forming a shrimp waist rhythm from thick to thin. Qi Baishi pen changes, so that the waist of the shrimp show a variety of different states, there are bowing forward, there are straight waist wandering.

There are also bent over crawling. The tail of the shrimp is also a few strokes, both elastic and transparent.

The shrimp's pair of front claws, from thin to thick, between several sections up to the two chelae, shaped like pincers, open and closed. The tentacles of the shrimp are drawn with several lines of light ink.

Give and take: the shrimp in the water, in order to show the sense of perspective, Qi Lao's lines are virtual and real, simple and appropriate, seemingly soft and real rigid, seemingly broken and real, straight and curved, chaotic small and orderly, the shrimp on the paper seems to be in the water to play and swim, the tentacles also seem to be like moving non-movement.

6. Chinese painting shrimp essay outline

1. the origin of Chinese painting and a brief introduction to the history of 2. who painted shrimp is more famous, the characteristics of their respective shrimp painting and the author's background (to do a simple and concise introduction) 3. Chinese painting master Qi Baishi as an example, a brief introduction to Baishi's shrimp characteristics 4. to take the Baishi and a master and then make a comparison to see the same shrimp in the painters' brush in a different era and political, social context. The shrimp in the painter's pen becomes different 5. looking for other painting shrimp painting class varieties, do a brief introduction, for comparison 6 summary of the above examples and comparison, a separate shrimp in a famous painting evaluation, which explains what characteristics of shrimp, or there is something to attract the painter to paint the reason, inspiration, and so on 7. summarize all of the above, a summary of the national shrimp painting.

7. which masters can appreciate the works of Qi Baishi "shrimp"

Mr. Qi in the painting shrimp has an important three-stage change: the first stage is the actual painting, realistic, Zongfa nature, more like sketching; the second stage is the most important, not counting the "fragmentary", shrimp body main body simplified into nine strokes. The so-called "bits and pieces" a **** is eight: two eyes, short beard, long beard, pincers, forefoot, gastropods, tail, there is a deep ink hooked out of the inner cavity, this structure is Qi Baishi's shrimp unique and important style; the third phase of the painting on the ink is not uniform, the pen dipped into the ink, and then another pen in the belly of the pen with water, the shrimp "Transparent" painted, shrimp all of a sudden came to life.

Qi Baishi's shrimp from life in six segments into five segments on the drawing paper, which contains an extremely important artistic principle: must be five segments of shrimp, in proportion to the picture in the picture poses a reasonable, the most beautiful, the most beautiful. Finally, the five segments soared from the six. This soaring, too important, very great, because five segments is the real of art, is a kind of transcendence, is a very, is more beautiful than the real radiance, this is the profound Qi Baishi change. Mr. Qi must have experimented that six sections could not be achieved, nor could four, not five; thus, five sections became an artistic necessity, and derived an aesthetic principle with universal artistic laws.

8. Appreciation of Qi Baishi's "Shrimp Fun"

Qi Baishi "Shrimp Fun" Appreciation

Qi Baishi (1864-1957), the name Juan, the word Weiqing, the number of the Lanting, near the birth of the alias White Stone Mountain people, so the name of Qi Baishi in the world; and Qi Dai, wooden people, wood dwellers, red beans, Xingtang old house descendants, the borrowed mountain Weng, the borrowed mountain gin pavilion masters, send the garden, the Ping Weng, sent the owner of the Hall of Ping, the Dragon Mountain president, three hundred stone prints rich, rich man, the red bean, Xingtang old house, borrowing the mountain Weng, borrowing the mountain Yin Hall, sending garden, Ping Weng, send Ping Hall owner, Longshan president He was also known by his pen name and his own name, such as Three Hundred Stone Marks Rich Man, Hundred Trees and Pear Blossoms Master, and so on. Hunan Xiangtan people, the twentieth century master of Chinese painting, he is a cowherd boy and carpenter born of a great painter, a life of thrift and simplicity, not forgetting the rural life, the fish and shrimp, flowers and birds, bamboo and other common things in rural life when children are particularly affectionate, and these have become the subject matter of his paintings, reaction in the works appear to be full of vitality, especially the fish and shrimp, to reach a point of realization.

Qi Baishi "shrimp fun" figure, created in 1948, is now collected in the Hunan Provincial Museum, is its later years of painting mature representative works. Qi Baishi grew up living in the pond, often fishing shrimp to play; youth began to paint shrimp; about 40 years old after copying Xu Wei, Li Fudang and other Ming and Qing painters painted shrimp; 63 years old when he painted shrimp has been very similar, but not enough "live", they raised a few long-armed shrimp in a bowl, placed in the painting case, the daily observation, the method of painting shrimp is also due to change, his shrimp has become one of his representative art symbols. His shrimp has become one of the representative symbols of art. Whitehead shrimp painting has entered the realm of realization, in the simple ink in the performance of the group of shrimp swimming in the water. The following from the "shrimp interesting" ink, shrimp form, shrimp brush three aspects of this painting for a brief appreciation.

First, from the ink method, using light ink to draw shrimp body, with thick ink, ink, water and rice paper combined with the chiaroscuro effect is well grasped, so that shrimp look transparent, vivid image. The depth of the ink color is thick and light, showing a sense of movement. A pair of thick ink eyes, the head of the center with a little bit of burnt ink, increased the weight of the shrimp head, in the left and right point a few light ink, shrimp head in the crystal clear in the seemingly varied. The waist of the shrimp and then point out with light ink, and the head of the heavy ink to form a clear contrast, the transparent, swimming, living shrimp image of the best performance. The perfect combination of form, spirit and ink can be said to be unprecedented, pioneering the use of realistic Chinese ink and wash, a large number of Chinese ink and wash realistic painters have a huge impact.

Second, from the form of shrimp, Qi Baishi shrimp, mostly "long-armed shrimp", late Qi Baishi shrimp painting "white shrimp" as a model, the pursuit of both God and form, "Shrimp play" in eight shrimp in different forms, some playful, some look to the right and left, some head and ears. Some look to the right and left, and some talk to each other. A few shrimp in the middle of the seemingly crowded, but busy but not chaotic, a closer look at each shrimp are clearly identifiable, painted in a perfect way. Shrimp is a kind of group living animals, the favorite is in a piece of play, the shrimp in this painting is exactly when they play with each other scene in the present, no wonder this painting is called "shrimp play". Painting as a response to the inner world of man, about the old man, we can also be traced from this painting. Shrimp extremely ornamental, need a very high cultural literacy can appreciate its beauty, Baishi old man has a very high cultural literacy. Shrimp is active, energetic, from which we can see an optimistic, self-sufficient, full of vigor and interest in the image of the old man.

Third, from the author of the changes in the pen, a simple few strokes of light ink side stroke pen, so that the waist of the shrimp show a variety of heterogeneous, bowed forward, straight waist wandering, but also bent over crawling, adding the transparency of the shrimp and the sense of dynamics, so that people feel that it is resilient and breath of life. The tail of the shrimp is also through a few strokes of light ink, so that the shrimp performance of both elasticity and transparency. Shrimp's pair of front claws, from fine to thick, between several sections until the two chelipeds, shaped like pincers, open and closed, with rounded and strong light ink to make the shrimp appear more dynamic. The tentacles of the shrimp are drawn with several lines of light ink. In addition, in order to show the sense of perspective, with a combination of real and virtual, simple and appropriate, seemingly soft and real rigid, seemingly broken and real, straight and curved, chaotic small orderly lines, so that the paper shrimp seem to play in the water and swim, tentacles also seem to be like moving non-movement, and strive to deepen the expression of their form and character.

Whitehead is the old man from the folk painter into the literati painters, he will be rich in peasant life flavor of folk art interest into the literati paintings, which not only expands the literati painting performance of the subject matter, but also renewed the literati paintings of the artistic realm, creating a new chapter with the spirit of the times.