The sameness-repetition in creation
Ever-changing-changes in creation
The sameness and ever-changing-the repetition and change of artistic creation in the persistence of time, space or the comprehensive persistence of time and space.
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Teaching design ideas
This teaching design is based on the premise that students consult Mr. Liang Sicheng's relevant materials before class and retrieve and understand some knowledge of architecture and architectural history. Only after students grasp the writing background can they understand and grasp the connotation of the article more deeply.
This article is a self-reading text. Teachers should give students enough time to read by themselves, and only do a little instruction. It is necessary to guide students to clarify the structure of the article and summarize the main points of each paragraph. In addition, it is necessary to organize students to discuss and let them list specific examples of repetition and change in artistic creation and appreciate the laws of artistic creation.
Teaching objectives
(A) knowledge objectives
1.Understand the artistic law of repetition and change in artistic creation.
2. Understand the rigorous and dialectical analysis method of things in this paper.
(2) Ability objectives
1.Train students to master the reading method of Tiaogouxuan.
2. Train students to summarize and analyze the content of the article.
(3) Emotional goals
1.Appreciate the author's love for human civilization, traditional culture and architectural civilization, and guide students to evaluate the city around them, care about their hometown and pay attention to society.
2. Understand the implicit beauty of music, painting and architecture in taste of china traditional culture, and understand the artistic laws revealed by the author.
Teaching Emphasis, Difficulties and Solutions
Key points and difficulties
1.Meaning of the text topic
"sameness" refers to repetition in artistic creation, and "variety" refers to changes in artistic creation. "sameness and ever-changing" refers to the repetition and change of artistic creation in the persistence of time, space or the comprehensive persistence of time and space. Architecture is an art of time and space, and a successful architectural creation is a dialectical unity of repetition and change. "Synaesthesia among music, painting and architecture" means that music, painting and architectural creation all pursue repetition and change in the duration of time or the comprehensive duration of time and space, that is, the artistic law of communication between different artistic categories.
2. The dialectical unity of repetition and change in artistic creation.
Any continuous artistic creation needs both repetition and change. Only by repetition without change, the work will be monotonous and boring; Only by changing without repetition, it is easy to fall into sloppy and messy.
solution
1.According to the content of the text, let the students find some examples from their familiar songs (music) or buildings, and specifically talk about their understanding of repetition and change.
2. Sort out the structure of the article, find out the main idea of the full text, summarize the main points of each paragraph, and analyze and discuss how the text embodies the artistic principles of sameness and ever-changing.
Class arrangement
One class hour
teaching method
Self-reading method and discussion method
Teaching aids
Blackboard and chalk
teaching process
First, clear objectives
Clarify the structure of the article, grasp the main idea of the article, and understand the dialectical law of repetition and change in artistic creation.
Second, the overall perception
1.Import new lesson
From the title, it seems difficult to understand the two contradictory words "sameness" and "ever-changing" together. What should the article write? But as long as you look at the subtitle, you can know that the article is about "synaesthesia between music, painting and architecture" So, what does "synaesthesia between music, painting and architecture" mean? Is this synaesthesia the synaesthesia in figures of speech? Read the article carefully, and the answer is in it.
2. Introduction of the author and related background
Liang Sicheng, the eldest son of Liang Qichao, was born in Xinhui, Guangdong, and was born in Tokyo, Japan in 190 1. After the founding of the People's Republic of China, he served as deputy director of the Beijing Urban Planning Commission, vice chairman of the China Architectural Society, member of the Chinese Academy of Sciences, deputy to the first, second and third sessions of the National People's Congress, member of the Standing Committee of the third session of the National People's Congress, and Chinese People's Political Consultative Conference. 1972 1 month died in Beijing. He is a master of contemporary architecture in China, an architectural theorist and educator. He is the main designer of the national emblem of the Chinese people and the monument to the people's heroes. He founded the architecture departments of Tsinghua University and Northeastern University. Liang Sicheng also made outstanding achievements in architectural theory. In recent years, in the 1950s, his proposals and calls for the transformation of Beijing's urban areas and the protection of cultural relics attracted much attention, which made people sigh and thought-provoking.
Third, the key and difficult learning and the process of achieving the goal
1.Read the opening paragraph and find out the meanings of "sameness" and "variety" in the title.
[Clear] "sameness" refers to repetition, and "ever-changing" refers to change. The meaning of this paragraph is that any continuous artistic creation needs both repetition and change. Only by repetition without change, the work will be monotonous and boring; Only change without repetition, it is easy to get into a mess. "Synaesthesia among music, painting and architecture" refers to the repetition and change in these artistic creations. This paragraph is the outline of the full text.
2. Read paragraphs 2~7 by yourself and summarize the main points.
[Clear] These paragraphs mean that as a continuous artistic creation, music, dance and painting are the unity of repetition and change. Paragraphs 2 and 3 talk about music, paragraph 4 talks about dancing, and paragraphs 5, 6 and 7 talk about painting. Music is an art that lasts for a long time. The repetition of music refers to its theme, and the change refers to its rhythm. The author takes Schubert's "Trout" quintet as an example to illustrate it. Dance is mostly an art of comprehensive and continuous time and space, and almost all dances are repeated in changes, which means the repetition of actions. The "hand scroll" in painting is also a comprehensive and continuous art of time and space, with the unity of repetition and change. The author takes Zhang Zeduan's "Riverside Scene at Qingming Festival" and Li Gonglin's "Grazing Scene" as examples to illustrate.
3. Read paragraphs 8~ 15 by yourself and summarize the main points of these paragraphs.
[Clear] What these paragraphs mean is that as an art with continuous space, most buildings are the organic unity of sameness and ever-changing. The author lists the Great Hall of the People, the Forbidden City, the humorous garden and the promenade of the Summer Palace and other buildings, which strongly proves this point. The author explained in detail the corridors of the Forbidden City and the Summer Palace. From Zhonghua Gate to Tiananmen Square, the Forbidden City is a thousand-step corridor arranged in one breath. From Tiananmen Square to Wumen Gate, there are repeated courtrooms, and after entering Wumen Gate, there are similar halls. Every group of buildings in the Forbidden City are all built in a unified specification and form, and even the colored paintings and carvings are the same. The same repetition shows the atmosphere of royal weather. However, there are changes in the unification, that is, the change from the facing room to the main hall, and the difference between the main body of the main hall and the corridors, buildings and doors on both sides is also a change, and the change does not make people feel single. The promenade of the Summer Palace is the same, all of which are endless repetitions, but the flower window on the lakeside cloister in front of the promenade is a change. The change of the flower window is the prelude to the promenade, and repetition and change are harmonious and unified.
4. Read the last paragraph by yourself and make clear the purpose of writing.
[Clear] The last paragraph criticizes the disadvantages of some of our residential designs, which are either dazzling or repetitive, so that children can't find a home, that is, a single sameness or ever-changing, without combining the two, reminding architects to pay attention.
5. When talking about repetition and change in artistic creation, why should the author emphasize "continuity"?
[Clear] Without continuity, there can be no repetition and change.
6. When talking about the long corridor of the Summer Palace, the article comes up with a bold idea, trying to analyze the repetition and change of the language in it.
[Clear] Twenty "One Root" gives people a sense of boredom in language, which is unacceptable. In a repetitive way, it strengthens the so-called "ever-changing" and "absurd" of "square", "circle", "eight" and "hexagon". In other words, the pillars of the promenade don't need so many different shapes at all, and the uniform columns can give people a special feeling. The promenade needs repetition, not change.
7. Ask students to find examples from familiar songs or buildings and talk about the dialectical law of repetition and change in artistic creation.
Fourth, summarize the expansion
There are differences, connections, repetitions or changes between various parts of a work of art, and they are organically integrated into a whole according to certain laws. It is the law of organic unity to turn many messy things into unity and seek certain changes in unity. It is of great significance to use this law to guide our artistic creation.
V. Homework after class
1.Finish "Thinking Exercise" II after class.
2. China culture pays attention to the beauty of implication, and writes a short article with the subtitle of "Synaesthesia among China's Poetry, Drama and Architecture".
blackboard-writing design
The same and ever-changing
The sameness-repetition in creation
Ever-changing-changes in creation
The sameness and ever-changing-the repetition and change of artistic creation in the persistence of time, space or the comprehensive persistence of time and space.
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