First of all, let's appreciate the beauty of Moonlit Night on a Spring River.
Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide.
I drift with the tide for thousands of miles, and there is no moon by the river.
The river flows around Fangdian, and the moonlight shines on the flower forest like graupel.
Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.
There is no dust in the sky on the river, and there is a lonely moon in the sky.
Whoever sees the moon at the first sight by the river shines at the beginning of the month.
Life is endless from generation to generation, and Jiang Yue is only similar year after year.
I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
White clouds have gone and the breeze is endless.
Who will go boating tonight? Where do you miss the Moon Building?
Poor people wander upstairs for the moon, so they should leave someone to fill the mirror.
The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil.
At this time, I don't know each other. I hope China will shine on you every month.
Hongyan flies in the sky, and fish Long Qian jumps in the water.
Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned.
In spring, the river flows away, and the pond falls in the moon and the west.
The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite.
I don't know how many people return home every month, and the moon is full of rivers and trees.
Let's take a look at why Moonlit Night on a Spring River can cover the whole Tang Dynasty in isolation.
Juanjuan believes that there are four main reasons:
First, the language is beautiful and the artistic conception is unsurpassed. The whole poem shows us a beautiful and ethereal picture, full of poetry. This is a seven-character ancient poem with Sui Chen Yuefu as its theme. With the moon as the theme and the river as the background, it combines the beautiful scenery of spring, river, flowers, moon and night. If ordinary people write so many landscapes at the same time, it will not be chaotic! But Zhang brings us unparalleled beauty. Beautiful, broad, ethereal, affectionate and beautiful. The scenery in the poem is a fairyland far away from the world. Even people who don't know poetry can appreciate an indescribable beauty.
Second, this poem contains profound natural philosophy and life philosophy. Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year? Life is endless from generation to generation, and Jiang Yue is only similar year after year. Who first saw the moon on the river? In what year did Jiang Yue begin to shine on mankind? This is an ancient and profound question about the formation of primitive universe and the origin of human beings, covering too much. Ordinary people can't control it, but Zhang can control it with ease and beauty. Human beings have been handed down from generation to generation, and they are endless. The moon is still that moon, but it's not that person anymore!
Life is endless from generation to generation, and Jiang Yue is only similar year after year. The hymn of this life was sung in the Tang Dynasty more than 1000 years ago and will continue to be sung with the eternal moon.
Thirdly, there is a blend of scenes in the poem, which not only has the ethereal and quiet beauty of the moonlight on the riverside, but also has the sincere and touching parting feeling of the wandering wife. The most rare thing in "Moonlit Night on a Spring River" is. Connect the natural scenery, philosophy of life and people in reality. The three are perfectly connected and unconventional. When I first read this poem. I don't understand the meaning of poetry at all, but I feel a kind of beauty that shocks my heart.
Fourth, the unique rhythmic beauty. There are 36 sentences in the whole poem, and * * * is changed to nine rhymes. Pingsheng Geng rhyme starts from the beginning, followed by Pingsheng, Pingsheng Zhenyun, Pingsheng Paper Rhyme, Pingsheng Youyun, Grey Rhyme, Wenyun and Ma Rhyme, and finally ends with Pingsheng. The whole poem is alternately high and low: in turn, it is loud (Geng, Shuo, Zhen), implicit (paper), soft (especially, gray), loud (Wen, Ma) and implicit (encounter).
The whole poem "Moonlit Night on a Spring River" changes with the alternation of rhymes, with a sense of rhythm of music and poetry.
Why did Zhang Canxu Ruo's Moonlit Night on a Spring River cover the whole Tang Dynasty? Even the title of this poem has surpassed that of two famous poets, Li and Du Fu, mainly based on the above four points.