Judging from the movies broadcast now, the basic law of genius transcends the usual sense of genre fusion. If we must sum up, it is probably a synthesis of four dramas: a school drama that grows in series with mathematics learning; An inspirational drama that combines genius with hard work, opportunity and love; A suspense drama paved with double time and space; A philosophical drama exploring the possibility of life through parallel worlds.
The most striking thing at the beginning of the basic law of genius is the successful structure of strawberry world (main time and space) and cheese world (parallel time and space).
Watching TV plays is different from reading novels. The text is highly hypothetical and has a large imagination space. As long as the author is labeled as "double time and space", readers will generally enter the situation soon. However, the "double time and space" in TV series can not be decided by logic alone, and visual persuasion is as important as feeling the same frequency.
Lin (Zifeng Zhang), the heroine of main time and space, is in her twenties. She is a worried and hesitant university philosophy graduate. Her old father Lin Zhaosheng (Lei Jiayin) is worried about her at home, and some leaders in the internship unit always ask her to go on blind dates. In parallel time and space, she returned to primary school, not only to the sixth grade, but also became an orphan living in a welfare home.
There is a time difference of 10 years from the main space-time to the parallel world. To digest the setting of two worlds in one episode, each protagonist has to recognize two actors, and a little distraction risks confusion. However, the basic law of genius has done a solid job in connecting the two worlds. There are no magical special effects, and the protagonist's "crossing" is clearly explained by the clever scheduling.
Take the first scene after Lin entered parallel time and space. First, a subjective shot shows her inner confusion and confusion. At this time, the protagonist did not show his face, leaving suspense. In the subsequent scenes, the young Lin (played by) walks out of the orphanage every day. At this time, she was only in her twenties.
Then, she saw her reflection on the glass of the streetcar-a little girl in her teens 10. When the camera came back, she became a childhood Lin Zhaori starring Wang. When watching this drama, the first word that comes to mind is "crossing" in reality.
No matter where the protagonist is, his words and deeds are completely in line with the logic of life, without the blessing of surreal elements. This is a great contrast with the bridge that emphasized the fantasy of wearing books, scripts and even ancient and modern times.