Walking on the Mountain is a poem written by Du Mu, a poet in the Tang Dynasty. This poem depicts the scenery seen when traveling in the mountains in autumn and shows a touching autumn color map of the mountains. Mountain roads, people, white clouds and red leaves form a harmonious and unified picture, which shows the prosperity and lofty thoughts of Gao Huai in the author's works. The author controls the scene with emotion, quickly and accurately captures the image that can reflect the natural beauty, and integrates his own emotions into it, so that the emotional beauty and the natural beauty are integrated and the scene is blended. The whole poem is novel in conception and exquisite in layout. It absorbs gorgeous autumn colors in the bleak autumn wind, competing with spring, pleasing to the eye and making people more energetic.
Mountain trip (1)
As far away as Hanshan, the stone path is oblique, and people are in Bai Yunsheng.
Stop and sit in Aifenglin (4), and the frost leaves are red in February (5). [ 1]
Annotation translation
Vernacular translation
The winding stone road extends to the top of the mountain in late autumn, and there are several places where white clouds rise.
I stopped the carriage because I like the late autumn scenery in Fenglin. The bright red of maple leaves after frosting is better than that of spring flowers in February. [4]
works appreciation
"Far away from the cold mountain, the stone path is inclined", writing about mountains and writing about mountain roads. A winding path winds to the top of the mountain. The word "far" describes the length of the mountain road, and the word "oblique" echoes the word "up" to write a high and gentle mountain. In this way, from the perspective of the title, it describes the characteristics of "walking", while from the perspective of composition, by outlining the characteristics of Panshan Highway, people's eyes are naturally attracted to people's homes in Bai Yunsheng, which is deep and gentle.
There are people in Bai Yunsheng, which is about clouds and people. The poet's eyes have been looking up along this mountain road. Where the white clouds float, there are several stone houses with walls made of stone. The "people" here take care of the "stone path" in the previous sentence, which is the channel for those families to go up and down. In this way, the two landscapes are organically linked. The poet is only describing these scenery objectively. Although the word "cold" is used, the following words such as "late" and "frost" are just sorted out, which does not show the poet's emotional tendency. After all, it only prepares for the following description-an overview of LAM Raymond's environment. "Stop and sit late in the maple forest" is different, and this tendency is very obvious and strong. Mountain roads, white clouds and others did not impress the poet, but the evening scenery of Fenglin surprised him. In order to stop and enjoy the scenery of this mountain forest, I don't care to continue driving. The scenery written in the first two sentences is already beautiful, but the poet loves the maple forest. Through the background, I have made a good preparation for describing the maple forest, so it comes naturally and leads to the fourth sentence, pointing out the reasons for loving the maple forest.
"Frost leaves are redder than flowers in February", adding the third sentence, a beautiful view of maple forest in late autumn is displayed in detail. The poet was pleasantly surprised to find that under the sunset glow, the maple leaves were about to drip and the forest was dyed. It's full of colorful clouds, such as bright rosy clouds, which are more fiery and gorgeous than the spring flowers in February in Jiangnan. What is commendable is that the poet saw the vitality of autumn as spring through this piece of red, which made Lin Qiu present a warm and vibrant scene.