1, art in literature, performance, music, singing, gongs and drums, makeup, facial makeup and other aspects, mutual restraint, complement each other's metrical and standardized procedures.
2. The artistic means are very rich and the usage is very strict.
3. Development and growth are different from local operas.
4. Peking Opera has to show a wider field of life, more types of characters to be created, stricter requirements for its comprehensiveness and completeness of skills, and higher aesthetic requirements for its creation of a stage image. Accordingly, its folk local flavor is weakened, and its simple and rough style features are relatively weak. because
5. The performing arts tend to combine the virtual and the real, which transcends the limitation of stage space and time to the maximum extent to achieve the artistic realm of "expressing the spirit with form and having both form and spirit".
6. The performance requires exquisiteness and exquisiteness, and it is played everywhere; Melodious and euphemistic singing is required, and the voice is full of emotion; Martial arts do not win by being fierce and brave, but by "singing martial arts".
Extended information "Peking Opera into Campus" activity enters colleges and universities
The activity is divided into two parts: "learning while chatting" and "singing while acting". Wu Yu of China Opera Academy and Ma Zhixiang of Tianjin Peking Opera Theatre used humorous chat to popularize Peking Opera knowledge. At the same time, in order to make the audience understand the stage form of Peking Opera more intuitively, the actors of the four professions of "Life, Dan, Clean and Ugly" appeared in turn, and invited students from the University of International Business and Economics to experience it together.
Saina, a Russian student, took the stage to challenge the old man to dress up, imitating the fragment of "being defeated and fleeing" and performing the male role of the old man with a unique flavor; Zhang Yueyi, a Peking Opera special student, performed the Hua Dan action of "opening the door" with graceful demeanour. Dong Fang Qi, a black boy from Togo who studied abroad, dressed up with a painted face and participated in the experience of the "wow" segment in the "net" corner.
Xie Hao, a young martial arts actor in Beijing Peking Opera Theatre, and Bi Jiawang, an ugly martial arts actor, brought the audience the traditional martial arts drama Sanchakou. Zheng Xiao brought classic Peking Opera repertoires "Drunk Imperial concubine" and "Champion Media", whose elegant singing and exquisite performance won the audience bursts of applause.
"I didn't expect Beijing opera to be so attractive. It is really a' small stage, big life', and a scene is floating." Liu Zhuolin, a foreign trade and economic cooperation 16 class, said at the end of the activity. This activity reappeared the abstract, freehand and implicit Peking Opera, deepened the understanding of teachers and students on the quintessence of Chinese culture, promoted the classical art of Peking Opera, and enhanced the self-confidence of national culture.
It is reported that the "Peking Opera on Campus" activity will also go to other colleges and universities to present wonderful opera performances for teachers and students.
Baidu Encyclopedia-Peking Opera