At the end of the Tang Dynasty, due to the Anshi Rebellion, a large number of northern Mo Gong moved southward, which led to the southward movement of the ink-making center. In the Southern Tang Dynasty, Li Yu, the late ruler, got the Mo Bao of Xi. As a result, his son Ting was appointed as an ink official, and the national ink making center moved south to Zhangzhou.

During the Song and Yuan Dynasties, Mo Gong added drugs to become medicinal ink on the basis of predecessors. People not only used ink, but also began to hide ink, so ink began to develop in the direction of handicrafts.

After the mid-Ming Dynasty, the ink-making scene of "Huizhou people's learning" appeared in the whole Huizhou area, making Huizhou the center of China's ink-making industry. In the Qing dynasty, with the development of social economy, the output surged.

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There are many kinds of Hui ink, mainly lacquer smoke, lampblack, pine smoke, whole smoke, clean smoke, glue reduction and seasoning. High-grade lacquer smoke ink is made of tung oil fume, musk, borneol, gold foil, pearl powder and other materials 10.

Hui ink integrates painting, calligraphy, sculpture, modeling and other arts, making ink itself a comprehensive artistic treasure. Hui ink has the characteristics of falling paper like paint, deep color, lasting color, non-stick paper and pen, rich fragrance and greasy skin. Known as light touch, clean grinding, fragrance, hard as jade, silent research, a bit like paint, and it will last for thousands of years.

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