The Riptide of Jin Ju Ligustrum lucidum not only reflects the ugliness of chastity, but also symbolizes the awakening of new morality.
The reaffirmation of man's self-worth, the call for humanitarianism and the return of humanity, and the exploration of the mystery of man's free mind constitute the ideological core of the whole poem.
Goddess peak is a lyric poem written by Shu Ting to express women's awakening consciousness.
Extended data
Creation background
Goddess peak is located in the east of Wushan County, Chongqing, and stands on the edge of the Yangtze River. It is one of the twelve peaks in Wushan and has an ancient and moving legend. In the legend of Wushan Goddess from generation to generation, people have endowed the prototype of "Goddess" with the characteristics of loyalty, sadness and affection, which implies the requirements and norms of traditional concepts for women.
The writing age of this poem is 198 1 year. From the social background, China has ended ten years of turmoil and entered a new era. Goddess peak was created by a poet after seeing the beautiful scenery of goddess peak on the Yangtze River. Facing the mountain goddess who has been praised for thousands of years, the poet remembered the beautiful legend handed down from generation to generation, and she expressed deep doubts: "Can the heart really turn into stone?"
Famous comments
Scholar Chen's On China's Vague Poet: Her romantic lyrical tonality is mixed with some classical beauty. The romantic core driven by emotional imagination has the charm of classical feelings, and the development of modern feelings, especially emotional emotions, has many polyphonic ways in the past. This infiltration of classical beauty, romantic style and modern technology marks the first integration of opposing traditions and modernity.
Li Lizhong's Hundred Comments on New Generation Misty Poems is named goddess peak, which reflects the national subconscious accumulated for thousands of years. Through goddess peak, a stone regarded as a female chastity card under the cover of myth, the poet saw the part of the national subconscious that had become inert, and also saw that the heart covered by the veil of God was not a stone.
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