First, long-distance vocal music practice:
When dubbing, the voice of the voice actor is too small and too loud, so the voice actor must exercise the sense of space distance and use the voice very accurately.
1, suppose you are a conductor, use "Attention!" "Align to the right!" "Look ahead!" "Count off!" "Turn left" and "March in haste!" Wait for these passwords to instruct one person, five people, ten people, fifty people, one hundred people, one thousand people … to practice voice control.
3. When the practitioner tells a story, the dubbing teacher first stands face to face with it, then gradually moves away from it step by step, ten steps, fifty steps and one hundred steps, and then gradually approaches it step by step. No matter where the dubbing teacher goes, he should send every word to his ear and control the sound through exercise.
4. Give the recitation to a lamp indoors, on the treetops outside the window and on the moon. Sound can only be concentrated and powerful if it can be aimed at certain objects and targets. When practicing, the farther away you are, the more you need to feel confident.
Practice reading aloud on the stage or indoors or outside the classroom behind the set, because the role sometimes needs to speak outside the door.
Second, obstacles to vocal music practice:
1, talk or laugh in your mouth with half a mouthful of water for one minute, so as not to let a drop of water leak. This exercise is to eliminate the problem of spitting when dubbing.
2. Run 50 meters outdoors, and then go back indoors to watch a piece of literary material. When practicing, you should be good at controlling your breathing, so that your face will not change color and you will not breathe.
3, master the speech characteristics of stutterers, but you must read a literary material, then close your eyes or block your ears, bend down or lie down and read the above material.
Three, air sound practice:
1, use air to count or pronounce phonetic symbols.
2. Two practitioners told a secret story, and the voice-over teacher could hear it clearly wherever he went in the theater.
Fourth, vocal practice of ventriloquism:
Learn to master the chirping of cows, sheep, chickens, ducks, cats and dogs, as well as the approximate sounds of thunder, wind, trains and steamboats.
If we find the above-mentioned phonological image, that is to say, we find the characteristics and laws that conform to its pronunciation.