Then, the poet expressed his admiration for Xu You, a hermit in the Tang Yao era. "In Yang Ying, stick up the trace of enterprise, and in He Lin, all ears." "Stick up" means to lift your feet. "Enterprise" is admired and yearned for by enterprises. "Angelababy" in northern Shui Ying. According to Huangfu Mi's Biography of Gao Shi, Xu You refused Tang Yao's abdication and fled to Yangyang, Shui Ying, where he lived in seclusion at the foot of Ji Mountain. And because I heard that Yao wanted to call him the head of Kyushu, I felt that his words were not nice, and I deliberately "washed my ears." This allusion is used in the word "washing ears" in poetry. "When you come to the southwest, the submerged waves are scaly. Ling Fei smiled at me and suddenly opened his teeth "Hu He", short for Hu Hefeng, is West Wind. "Historical Records" says: "The wind of Weihe River lives in the west". Ling Fei, Fu Fei, is the legendary goddess of waterinfo. In ancient mythology, rivers and streams were mostly controlled by male and female water gods. The poem "Ling Fei" seems to refer to the goddess Narcissus. "embarrassed", smile. These four sentences mean that the west wind blows, the spring water in Qingxi ripples and fish scales appear; Fairy in the water, looking around, smiling, bright eyes and jade teeth, unforgettable. The above six sentences are the second level. The author praised Xu You's noble virtue and elegant appearance with romantic artistic techniques. Once again, it shows the heart of advocating Gao Shi and loving fairies.
After expressing his feelings of seclusion and yearning for the immortal, the poet turned to show his distress that he could not find the immortal in reality and could not find it. "If you don't save it when you repair it, who will build it?" "Jian Xiu", the name of an ancient sage, is said to be the minister of Fu, who is in charge of media affairs. "Time" refers to modern secularism. "Want", invitation, request. Qu Yuan's Lisao: "I asked Feng Long to ride the clouds and seek the land of Fu Fei. I am sorry to end my speech, but I will make you feel that this is reasonable. " These two sentences almost came out, saying: there is no room for such a saint in the world. There is no such suitable matchmaker in real life. I don't know who to send to ask the goddess to reveal my admiration. These two sentences are the third level. From the sigh that there is no chance to seek immortality, there is a sense of generosity and injustice that is worried about health and illness, arrogant and arrogant. Xin Qiji, a poet in the Southern Song Dynasty, wrote "Who is money? You call a red scarf and green sleeves, and tears are heroes" ("Shui Deng Jian Kang Tian Xin Ting"), which has the same meaning and is similar to what heroes sigh.
The thought of Guo Pu's poems about immortals comes down in one continuous line with Laozi and Zhuangzi. He expressed his feelings by wandering immortals and was depressed, but there are many similarities with Ruan Ji's nostalgic poems. Praising the immortals and longing for seclusion not only represents an ideological tendency to cherish the value of life, but also reflects a mentality of denying official career, despising the secular and despising wealth in the late Western Jin Dynasty. Although his praise of Taoist priests and Gao Shi's seclusion are sincere, his admiration and pursuit of sages and immortals are sincere, and most of his poems about immortals are against reality by praising seclusion, but the poet's life-long actions have not divorced from reality, left his official career and jumped out of vanity fair. This contradiction, which tries to be detached but cannot be detached, not only reflects the limitations of the times, but also reflects the multiplicity of the poet's personality and the profundity of the theme of his works. This is what readers have to pay attention to when they appreciate it. In addition, this poem is artistic, which not only embodies the overall style of Guo Pu's poems about immortals, but also has its own personality in the layout of the poems. The three levels of poetry not only have their own emphasis on content, but also have changes in techniques. For example, the first layer focuses on writing the environment, drawing pictures first, and then meticulous painting. The second layer focuses on writing characters, only points out the spirit of Xu You, and at the same time draws a description of Ling Fei, highlighting her voice and smile. The third layer is mainly lyrical, ending with questions, lamenting that there is no chance to seek immortality, which means endless. These three layers are independent and unified with each other, giving people a complete and harmonious aesthetic feeling.