The story in the play is small, but it is also complete. For example, the adapted unit "Fish Song Rice" is also describing the depravity of young singers. The screenwriter team can connect the masterpieces of Teresa Teng, Asan and Tom Chang who died young, and sublimate the memory of the beautiful early soul in sadness, thus arousing the audience's resonance. In other remake cases, we can see that blind "takenism" will only be presented on the screen with a strong sense of disobedience, while China elements will be "four unlike" if they cannot be well integrated into the plot. On the basis of retaining the "midnight food store" mode, the play gives full play to the story. Although the 24 stories have different levels, they have made useful explorations in the localization and adaptation of Japanese IP, the re-creation of stories according to the characteristics of China, and the narrative of unit dramas.