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Guzheng music with Guangzhou music style is the representative work of China national musical instrument Liu Tianyi.
Liu Tianyi, a guzheng player with Cantonese music style, is busy spinning. "Busy Textile" is a Guangdong music style. The music was composed on 1955. The author draws on all others' strong points, combines the musical styles and playing techniques of Guangdong, Chaozhou and Han, absorbs the variation form of Chaozhou music, the gliding skills of Chaozhou and Han guzheng and the playing characteristics of Guangdong dulcimer, and depicts the picture of peasant women working hard and happily.

/kloc-started to work as a music teacher in Guangzhou Zhixing Musical Instrument Store in 0/9. Amateurs participate in radio performances, and music programs take justice from nature, peace from land, spirit from people and essence from things, so the name of the stage is changed to Liu Tianyi. Liu Tianyi pioneered the combination of Gao Hu and piano performance, which was innovative and deeply loved by the audience. During this period, his Gao Hu skills became more and more mature, and gradually formed his own style, reaching the level of a professional musician.

Song appreciation

Many techniques such as rubbing, trembling, sliding, scraping and pinching strings are used in the music, and they are played with both hands at the climax of the music. This is a great innovation in the era when the works were produced, and naturally it was warmly sought after by the Zheng community after it came out. The music structure is variations. The music absorbs the variation form of Chaozhou music, the gliding skills of Han Dynasty guzheng and the performance characteristics of Guangdong dulcimer, and the melody is simple and beautiful.

Smooth and layered rhythm and quaint charm vividly depict the picture of peasant women working hard and happily. The value of this piece of music lies in the following aspects: the author draws on all others' strengths and combines the musical styles and playing techniques of Guangdong, Chaozhou and Han, which makes the whole piece have a strong Lingnan guzheng style, but it doesn't belong to any specific one.