Who can tell me the names of all the songs written by Hong Kong lyricist Lin Xi? I want a full point, thank you!

Lindsay can be described as a ghost writer, and I feel that if Luo Dayou is the Jin Yong of the lyrics industry, Lindsay is Gu Long. His words are always off the beaten path, unexpected, and pressure rhyme pressure risk, how can you not expect him to rhyme in this word, but also reasonable, can be played again and again. It's no wonder that Hong Kong's most famous lyricist, Wong Wai Man, has named him the God of Lyrics.

Lin Xi's words have reached a high level of Chinese lyricism in terms of the combination of imagery and literature. His works are often sonically catchy and formally beautiful. Many of his works have a preemptive effect. Firstly, it is reflected in the titles of his works. The titles of many of Lin Xi's works are applied to the literary works of some famous writers, so that people's eyes have imaginative associations even before they look at the whole picture of the work. For example, "A Hundred Years of Loneliness" written for Faye Wong is a masterpiece of Marquez, "Open to Confluence" and "Asura" are the titles of Yishu's books, "Watching the Wheat Field" is obviously influenced by Salinger, as for "Laughing to Forget the Book" is a masterpiece of the Czech writer Kundera, "The Back Shadow" reminds people of Zhu Ziqing's prose, (Lin Xi also helped Huang Yaoming to write "Ming Ming is not an angel" as the title of Yishu's book, and "Thickness of Love" for Herman Hsu's prose title, and so on). for the name of Xu Zhimo's prose, etc.), the lyrics themselves are formally very seductive, even though they don't have much to do with literary writings.

Lindsay's superiority in imagery comes from his literary accomplishments. A graduate of the University of Hong Kong with a degree in Chinese, Lin Xi is good at using all kinds of rhetoric to depict the lingering emotions, and he rarely expresses his feelings directly, but more often uses the euphemisms and meanderings of a secret passage. Prose, simile and metaphor are the most commonly used techniques, and the use of euphemisms, twists and turns, and even obscurity, to describe complex and changing emotions, gives people unlimited space for imagination.

Lindsay's words are often brilliant because of his sensitivity in capturing details. "I'm wearing your clothes today/I haven't kept you but I'm still warm" ("Ambiguous"), "I still remember the hotel's door plate/I still keep the smiling demeanor" ("Promise"), "Don't peek at you for a second/I'm afraid that I'll suddenly sneak a smile/I'll suddenly love you all the way through. Don't peek at you for a second/I'm afraid I'll suddenly smile/I'll suddenly love you" ("DI-DAR"). These details of life are either playful or sad, lingering or solemn under Lin Xi's pen, all of which express the mood of the song very well.

The strong sense of tragedy, insecurity, and fatalism is also one of the reasons why Lin Xi's lyrics can touch people's hearts and have a heart-warming charm. Backstory", "Know Yourself and Your Enemy", "Cold War", "Fireflies", "Red Beans" and "I Don't Want to Be Like This" are all works with a huge sense of tragedy, which make the readers sink in the lonely sorrow and move them beyond words.

Fitting the soundscape is also one of the keys to Lin Xi's success. For example, the two works mentioned above, "Guardian Angel" and "I Want". The smoothness of the lyrics reads as a staccato meshing of teeth, which naturally adds points to the lyrics. For example, in 1999's "Watching the Wheat Fields", the chorus, "Empty two hands come waving back to read through the mountains and water/who in the water may not need to go in and out together," here, go, water, who, need to go, go back, in Cantonese, press the same rhyme, so it seems to be in the repetition of homophonic words in the song will be the passion of the song to the climax, listening to the sound of the sound of a full-blooded.

Lin Xi's lyrics for Faye Wong, though not perfect, are outstanding, and most of them are excellent. It's worth noting that Lin Xi is not only a quality lyricist, but also extremely prolific in terms of quantity. In addition to Faye Wong, he also wrote songs for almost all Hong Kong singers, including Lin Yilian's "I'm Sitting Here" and "At Least There's Still You", Damien Yipai's "Ten Thousand People" and "Late in the Day", Karen Mok's "Floating Sands", "Believer", "Phantom Hearing", "Winter Solstice", and "The End of Childhood", and Jacky Cheung's "Moaning with a Sickness" and "All Along the Way", which are all outstanding works.

1. The evolving coastline grows, the most mournful daffodils.

From The Face. The entire lyrics are filled with perfection, the beauty of the people sympathetic, in fact, this song is not the Chinese music industry lyrics of a most mournful daffodil it? Pick this line to sort of fetch it, it's worthy of being the oddest of the oddballs.

2. The heart blossomed with fervor, and it blossomed into a confluence.

From "Gracilarization". People have said that the flowers have been confluence, in Lin Xi's writing, it seems that even the heart flowers can not be spared, and after the fury of the confluence, it is really a strange peak, a sharp turn, to achieve the most full of artistic tension.

3. It may be around me that you pursue the freedom of solitude

From "Red Beans". This is my personal favorite line, sweetness gives way to determination, closeness metamorphosed into harm, yet all this may be simply because of his pursuit of freedom of solitude, Lin Xi and Faye Wong together to find a reason for despair ---- perhaps our existence is only to hurt each other, perhaps people really are by nature lonely.

4. Darkness, brushing white hair, holding tight, I torch.

From "Flowers on the Other Side". Gu cheng wrote "the night gave me black eyes, but I have to use it to find the light", really is not less Tang high place, Lin Xi this sentence is not less Gu cheng, it seems that the darkness and the light is born to be used to contrast.

5. To fall in love with a serious pastime, use the time of a blossoming flower; to meet a fireworks show, use the time of a cycle.

From "The Years". The moment subverts eternity, the silence embraces splendor, and it's not really necessary to know what Lindsay is talking about, you just have to use your mind and body to religiously experience that grandeur. The first time I heard the lyrics I couldn't help but think of "a world in a grain of sand, a paradise in a flower, a lifetime of destiny bound in the palm of your hand, a moment of time rather than an eternity of time." (Oh, it seems a bit wrong, long time no read poetry, memory is not very good)

6. I've seen a tsunami, not seen your smile; I've captured a bird of prey, not touched your feathers

From "The New Tenant". These four lines can be completely summarized in four words ---- "fool's errand", completely "irrational" association, fortunately, art needs "irrational".

7. The first bite of cake, the first toy brings comfort, the sun goes up, the sun goes down, ice cream tears; the second bite of cake, the second toy brings comfort, the wind blows, the wind blows, popcorn is beautiful.

From Hypnosis. Anyone can write a sentence like that, but who can really capture it? Floating in the mundane world, we will still go back to the face of the first bite of cake and the first toy when the most pure and quiet feelings? Li Zhi said that those who do not lose the heart of a child do not lose their heart, so how much of our heart do we still have? In fact, the most wonderful or the second half, people for what has been obtained is always disdain, the second time there is also taste and comfort, but and the first time is more or less different, this small difference has doomed us to fall ---- for the pay we have felt tired, for the cherished we have learned to forget ---- far away from the era of that legend!

8. Don't think that his hair can't bloom roses.

From "Lust and Caution". People say that roses have many thorns, but roses are not? Lin Xi's use of imagery is perfect, hair on the rose can be and the shore of the daffodil to two contrast, so beautiful color ring really someone is willing to abide by it?

9. Until the first linden grew in the Garden of Eden, we learned to be alone.

From Cambrian. Another Lindsay-esque sense of fatalism. Bodhi is originally a Sanskrit word that refers to wisdom, and Buddha once realized the Way under the Bodhi tree, but for us, wisdom points to solitude, and it turns out that solitude has to be learned too. All everything, even the Garden of Eden is just a mirror, love, hate, obsession, may be just from our imagination, only loneliness and darkness is truly indestructible, love than gold. So gloomy on love is enough to make people feel despair, let alone on other places?

10. You are a thousand piles of snow, I am a long street, afraid of the sunrise, disintegrate each other

From "The Postman". Disintegration of each other is not the sun's fault, who made you close to each other? Needless to say, Lindsay is a lyricist who is afraid of the sun.

Darkness

Even if the sky is deeper and you can't see the cracks, your brows are still full of dense clouds, even if the dark light in the room can't penetrate my body, it can still reflect your heart and let the smoke jump N My body is sinking, and I've always wanted to get close to your heart and eyes, mouth and ears, and there's no destiny, I can't even grasp it tightly for fear of repeating tragedy, and I'm afraid of my fate, and the more beautiful the things in my life, the more I can't touch it, and history repeats itself, and I don't think there's any reason for falling in love in this hassle-ridden city. There is no darkness, what is the use for me to love you anymore? This time I hold you tightly, I may not be disappointed, but I am still waiting for you to tell me not to use God wrongly, I have a premonition of everything, then I can't open my eyes to see destiny coming, then the sky is full of dense clouds again

Springtime light is shining

You feel it with your eyes, the universe of romance and serenity

Never as much as with two hands, gently roaming all over the body

Bye bye to the daytime after the light has melted away. After the desire melts away

Will the look be as tender

The passion is so easy to pass, it's hard to bear the waste of this night's springtime

Could you cover your body to share everything

The more you look forward to it, the more beautiful it is, to make this night come to life

Springtime instead of it, should we wait for our youth to wither away, to get it all back

Do we wait for the 1,000th time to comfort each other?

You and I are waiting for the dawn or brewing in silence

To unveil with our lips the reverie that cannot be told

You and I are either the same searching for the right image day and night

But delusional night and day, thinking of a long time to come

Beautiful view as such, the romantic suffocates people, hating that I can't die here.

The night will be long

(Woman)

It's the memory that can't carry it

It's the yesterday that can't dare to look forward to

It's the future that is vaguely described

I realize that this illusion is called a love affair

(Man) It's just like the rise of the tide of the life

The coast is slowly expanding

That's why we meet quietly

This is the first time that you have ever met with a woman who has been in the world for a long time

There is no need for you to be a woman. >I can use love to prove that things are unpredictable

* (M) Like a shooting star changing direction (F) Let me and you fall in love

(M) Like a miracle catching up (F) Catching up at last

(M) Like the earth and the sky are long (F) Ah...

(Woman) How can I believe that the night will be long (Man) Hm...

(W) The slow flow of water changes its direction (M) It makes you and me fall in love

(W) I finally catch up with the sea (M) I finally catch up with it

(W) I can't think of anything I've seen before my eyes

(Together) But this softness makes the sea and the sky meet *

(W) It looks like it rains on my eyes

I can't hold it with my hands.

With tears in my eyes, I search for joy

Are you like a meteor shower

(M) It's those happy hours

that have kept you locked between my eyebrows

No matter how dazzling the world is

It's hard to match the sparkle of your turning around

No matter how dazzling the world is, it's hard to match the sparkle of your turning around

This should be considered as a boy's best friend to a girl's best friend, but it's a boy's best friend to a girl's best friend. This is the highest compliment a guy can give to a girl.

Appointment

Remember the hotel's door plate on that day

Remaining the look of smiling away

The whole city on that day was so light and fast

Walking along the road for half a mile

Remembering that the street lamps shone out a face of yellow

Also lighting up the slightly warmed bento

The silhouette of you is too good to be true

Shortcutting your profile is too good

There is no doubt that you will be able to see your face when you are in a hurry, but you will be able to see your face when you are in a hurry.

It's not until I hold back my tears that I dare to take a closer look

* Forgetting the world and the earth, I'm afraid I won't be able to remember myself

Still, I've never forgotten our promise to watch the yellow leaves fly far away in the sky

Even though we'll be separated from you, in a poignant play

If I'm determined to forget, I'm afraid that I won't be able to recall myself

Still, I've promised to make a promise if I don't die

If I'm not dead. ? Even if you're too big for the weather

I'll be able to take you seriously when I'm gray at the temples

I still remember the chords of the guitar that day

I still know the rhythm of every melody

Your voice flowed around the corner that day

And the journey along the way is like a song that's fading

Repeat

If you're too big for the weather

I still remember the promise that if I didn't die.

The gray sideburns can recognize you

For some reason, many people like Zhou Hui's version, personally, I think that the sea withered stone, until death unswerving emotion can only be felt in this song.

Red beans

haven't had a good feel for the climate of the snowflakes blooming, we shiver together will better understand what is tender;

haven't walked through the deserted sand dunes with you holding hands, may learn to cherish the sky and the earth from now on.

Sometimes I will believe that there is an end to everything, get together and leave sometimes there is nothing that will last forever;

But I sometimes prefer to stay in love and not let go of the scenery, until the scenery are to see through, perhaps you will accompany me to see the fine water always flow.

Not yet for you to boil red beans into lingering wounds, and then share together will better understand the sorrow of lovesickness;

Not yet to feel the tenderness of waking up and kissing, may be in my left and right before you pursue the freedom of solitude.

Sometimes I will believe that there is an end to everything, get together and leave sometimes there is nothing that will last forever;

But I sometimes prefer to stay in love and not let go of the scenery, until the scenery are to see through, perhaps you will accompany me to see the water always flow.

When the scenery are seen through, maybe you will accompany me to see the water always flow. The rhyme scheme of the whole song is simply brilliant, and this line is a perfect example of what true love is all about.

Like an old friend

The same road with the same dream should have been a pair

People in the teenage dream do not realize that after waking up to go

Three meals a night also **** a pair in the end who will be

But wherever you do not get but wherever it is in the past is always the most on the pair

Off-stage you look at the stage I do you want to do the play

Past lives of the old man to forget the sadness of You ever remember

Joy and sorrow, old age, sickness, life and death are not legendary

Hate to be on the stage, or off the stage, I am not me and you

The dust of the world is vast, the will of the heavens is vast, and it separates you from me

Broken hearted words, dotted with the sound of the wind and the rain, seems to be the same as the old man

When will you get together again, and say that this night is really warm

No part of it, there is a fate, memories, and life is short.

One kind of love, two kinds of love, half a lifetime to say nothing

Looking at the moon in the abyss of the year and imagining your sorrow from afar

Leaving you or leaving me to grow old in the world

Parting from the unknown before and relative to the day is so good

Holding on to your hand and then breaking up with the love of the same

Ten years later the pair of 10,000 years later to the right, only to hate to not see it

These are the things that make the world go by

This is the first time I've ever seen a person who has been in the world for so long.

'The dust of the world is vast and the will of heaven is vast will you **** me apart, the broken hearted word dot dot wind and rain sound again and again seems to be the old man to come'

A lot of superimposed sentences will be the application of the poignant parting of life and death is rendered to the extreme, is worthy of the word of God!

K_King of Songs

I'm not singing enough to move you e eyebrows

I'm willing to make a pact with you to the death

I just want to play and sing [to the next life o

Please e smacked me to dedicate this sensation to you

What else can be done

Hugging if you can't get you to fight with

Cheaply sung Written in the sexiness of the love song

What else could it be if love doesn't move people

Cheesy songs that stir you up

*Who believes in the superficiality of a lifetime

Come on, here's a song that's brought millions to tears