AAA: When it comes to learning guitar, the first thing is the coordination of the left and right hands. You can start by climbing the grid, not fast, but slow. However, speed is not the most important thing. The most important thing is the coordination of the left and right hands and the accuracy of the beat. The posture of the piano body and hands must be correct. If you don't form good habits at first, it will be very, very difficult to change them later. Then you can practice the independence of your fingers. This is very important and difficult to practice, but you must remember that when your fingers are tired, stop immediately and don't continue practicing to avoid muscle strain. In addition, sometimes when a practice clip has not been captured for a long time, you can put it aside and practice other clips first, and then come back to practice the clip, which is believed to be much easier.
I suggest practicing Kobayashi's self-denial textbook in the future. This textbook avoids the misunderstanding that the current guitar learning only focuses on speed, but strengthens the training of skills. At the same time, if you are a friend with a poor foundation in music theory, you can carefully understand some knowledge of music theory mentioned in this book, but this is far from enough. It's best to study music theory, but it can't be forced. Don't worry, get to know it first. If it's no use just remembering, you should combine them.
When learning Kobayashi's self-denial intermediate level, we should also pay attention to the knowledge of guitar, speakers and effects, because it is useless to play well in order to become an excellent guitarist. Every great guitarist has his own unique timbre. For an electric guitar player, your skills are not only reflected in playing well, but also in your understanding and mastery of timbre and taking it as a reality.
At this time, you have a certain understanding of guitar, effects and speakers. You can consider saving some money to buy some ideal equipment. At this time, you can play a lot of things, and your piano skills will temporarily stagnate, because you have mastered the basic skills, and more things you can play will take up a lot of time to learn new things, so your interest may be inhibited to some extent. A good set of equipment will stimulate your interest in guitar and motivation to learn at this time, and also let you.
In the meantime, another important thing is to spend time forming a band. At first, forming a band should not be too demanding of the band. This is just to exercise your cooperation with other musicians and help you find your place. I believe that after rehearsing with the band several times, you should have a new understanding of timbre, and you should also understand that playing the piano at home and practicing with the band are two fundamentally different concepts. Sometimes when you play the piano at home, the timbre feels very good, but when you play with the band, it becomes very bad, because when we play with the band, the volume is much louder than when we play the piano at home, and the timbre sounds very different. Besides, there are bass and drums, as well as the voice of the lead singer of rhythm guitar, which is likely to be "drowned" by others. At this time, we should consider making new adjustments to EQ. The adjustment of emotional intelligence also needs to focus on learning, but it depends on the usual thinking and cannot be forced. Usually, when we play the piano at home, we are used to turning the low frequency a little higher, so that the timbre sounds delicate and stable. However, when we play with a band, we should turn the middle frequency and high frequency a little higher because of the bass and rhythm guitar, and the low frequency can be lowered appropriately to ensure that your solo sounds so prominent, and the rehearsal and performance are different. When performing, because there is an audience, the crowd will absorb part of the low frequency, so the low frequency will be higher than usual. These are all accumulated experiences of a musician. For a musician, experience is a very, very valuable asset. When you have rich experience, it will make you stand out among many guitarists and affect your stage temperament. To play the piano well, you must listen more, not only in quantity, but also in variety. Blindly listening to a type of concert makes your material scarce and your music monotonous. You don't even have to listen to guitar-related music blindly. No matter what kind of music or what kind of music you play, you should absorb it widely. Besides, you'd better know something about guitar. I recommend you to subscribe to Modern Musician-Guitar magazine, which is really good and comprehensive. It can not only tell you what guitarists around the world are doing now, but also introduce some classic guitar heroes. I believe my understanding of the equipment can be greatly improved, and the exercises inside are also good. By the time you finish learning Kobayashi's intermediate level, you can already be regarded as a qualified amateur musician. At this time, you can collect some old versions of Kobayashi's self-denial textbooks. There are some classic songs and advanced articles in the appendix. The following study depends on your own efforts.
Besides, although it's easy to find guitar scores now, GTP is such a convenient software, but I suggest you use it yourself, because it is very beneficial to your sense of music and understanding of guitar. If you want to see the score, you'd better try reading the staff. At first, if you are in trouble, you can compare it with a guitar score of 6, but you must gradually get rid of it. Don't rely on it. Kobayashi's self-denial textbook does not pay much attention to speed. If you finish practicing Kobayashi's self-denial, I think the speed is beyond my power. I suggest you practice Joey's textbook a little, but you must be careful not to blindly focus on speed. When you practice step by step, the speed will come sooner or later.
Now, you can try to do some creation. It is very convenient to have a computer now, but it must be noted that as a musician, although technology is essential, the musicality of a work is always more important than technical performance. Technology is just a tool to express music. When you need music, you can express it with your perfect technology, but when you don't need music, the accumulation of redundant technology is not much better than a few simple notes. If music is only regarded as a form of showing off skills, then your music is doomed to be unpopular. How far a guitarist can finally go depends on whether the foundation is solid or not. So every step should be slow and steady, don't worry. Every time you play the piano, you should do half an hour's hand opening and checkered finger training. No matter how superb your skills are, this good habit should still be maintained. It can help you get into the state quickly before playing the piano and let you practice.