Furong Inn broke up with Xin Jian (Don Wang Changling)

Misty rain enveloped Wu's day overnight; Send you in the morning, lonely and sad in Chushan!

Friends, if my friends in Luoyang invite me; Just say I'm still Bing Xin Okho, and stick to my faith!

It's autumn in the south of Danyang, cloudy and deep in the north of Danyang.

High-rise buildings should not be drunk, lonely and cold.

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one

I came to Wudi on the night when the cold rain dripped all over the river. After seeing my friends off at dawn, I only left the lonely shadow of Chushan.

When I arrive in Luoyang, if any relatives and friends ask about me, please tell them that my heart is still as pure as the ice of a jade pot and has not been defiled by worldly things such as fame and fortune.

Secondly,

Looking south at Danyang, I saw the rainy and boundless autumn sea; Looking to the north of Danyang, I saw the deep clouds in Chutian.

Seeing guests off in high-rise buildings and seeing friends off, I feel sad and can't enjoy drinking. The quiet and cool river is cold, and the bright moon in the sky is my most sincere heart.

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The farewell time and scene recorded in these two poems is "flashback". The first song is about seeing my friends off by the river the next morning. The second is about the farewell dinner of friends in Furong Building on the first night.

The first song is to see Fujian off in a plain and clear way. "Cold and rainy nights enter Wu", misty rain hangs over Wu (Jiangning, the hometown of Sun Wu in the Three Kingdoms), weaving an endless network of worries. Rainy nights add to the bleakness of autumn, and also render the gloomy atmosphere of parting. The chill not only filled the misty rain, but also penetrated the hearts of two parting friends. The characters "Lian" and "Jin" describe the continuous rain. People can clearly perceive the dynamics from the river rain, so it is conceivable that the poet stayed up all night because of his feelings. And this picture of the night rain on the Wujiang River, which connects the water and the sky, just shows an extremely lofty and magnificent realm. In the middle and late Tang poetry and graceful Song poetry, the sound of rain is often written on trivial matters such as the phoenix tree under the window, the iron horse in front of the eaves, and the residual lotus in the pool. But Wang Changling didn't really write the details of how to perceive the coming of autumn rain. He just summed up the hearing, vision and imagination in the rain of Lianjiang as Wu, dyed a lot of misty rain with a large piece of light ink, and set off the broad artistic conception of "seeing guests off in a flat and bright way" with great boldness of vision. Early in the morning, it was already dawn, and Xin gradually was about to board the ship and return to the north. Looking at the distant mountains north of the Yangtze River, the poet felt lonely when he thought that his friends would soon disappear outside the Chushan Mountain. On the vast river, of course, it is not only the lonely Chushan that enters the poet's field of vision, but the mighty river is the most likely to arouse the association of watery feelings, and the famous sentences obtained by the Tang people are countless. However, Wang Changling did not pin his sadness on the river that went with his friends, but focused his parting feelings on Chushan, which stands in the vast Ye Ping. Because friends can get together with relatives and friends when they return to Luoyang, the poets who stay in Wudi can only stand by and watch the river flow away like this lonely Chushan. A word "loneliness" is like a fuse of feelings, which naturally leads to the last two parting words: "Luoyang relatives and friends are like asking each other, and there is a piece of ice in the jade pot." The poet holds a crystal clear and pure ice heart from the crystal clear jade pot to comfort his friends, which can express his deep affection for relatives and friends in Luoyang better than any words of acacia.

As early as the Six Dynasties and the Song Dynasty, Bao Zhao, a poet, used "as clear as a jade pot of ice" ("Poem on a White Head") to describe the noble and innocent character. Since Yao Chong, the prime minister of Kaiyuan, wrote Curse of Curse, poets in the prosperous Tang Dynasty, such as Wang Wei, Cui Hao and Li Bai, encouraged themselves by curling, praising the aboveboard curling. The message that Wang Changling gradually brought to relatives and friends in Luoyang was not the usual peaceful bamboo newspaper, but conveyed his belief that he was still honest and clean, which was of great significance.

The poet's self-description here is based on the true understanding and trust between him and his relatives and friends in Luoyang. This is by no means a confession of whitewashing slander, but a boast of despising slander. Therefore, the poet holds a bright and clean ice heart from the flawless empty jade pot to comfort his friends, which can express his deep affection for Luoyang relatives and friends better than any words of acacia.

Emotion comes from the scene and emotion is contained in the scene. This is also a feature of Tang poetry, but it is profound, soft and soothing. "Thanks for the hammer marks" (Hu Yinglin's poems) is another unique style of Wang's poems. The boundless river rain and lonely mountains in this poem not only set off the sadness and loneliness of the poet when he bid farewell, but also showed the poet's cheerful mind and strong character. The lonely mountain standing in the middle of the river and the image of Bing Xin placed in the jade pot form a kind of intentional or unintentional care, which naturally reminds people of the poet's arrogant, pure and clean image, and blends exquisite ideas and profound intentions into the empty and clear artistic conception, which is naturally muddy, traceless, implicit and memorable.

The second song is about the poet's farewell to Xin Xian in Furong Building the night before. Let's start with Autumn Clouds and Chu Shenyun to cheer up the scenery. The first two sentences are intertextual, not that the poet stands upstairs to see the sea in the south and the clouds in the north, but that the poet stands on the high building of Danyang City, looking around, the river is boundless, the smoke is vast and the clouds are heavy, as if the poet's mood is as heavy. The third sentence is the key point: the poet bid farewell to the guests in the high-rise building and said goodbye, so that his heart was so bitter that he didn't enjoy the wine. The last sentence is based on the scenery: the cold river is silent and melancholy is like an endless river; The bright moon shines in the sky, and friendship is as pure as the bright moon. The whole poem is in harmony with the scenery, mainly lyrical, and it is a must.

Brief introduction of the author

Wang Changling was a poet in the Tang Dynasty. Shao Bo was born in Zhao Jing Chang 'an (now Xi, Shaanxi). One is from Taiyuan (now Shanxi). In the 15th year of Kaiyuan (727), he was a Jinshi, and was awarded the commandant of Surabaya (now Xingyang County, Henan Province). Later, he moved to Jiangning Cheng, hence the name Jiangning Wang. In his later years, he was demoted to the secretariat of the Dragon Label (now Qianyang, Hunan). After the Anshi Rebellion, he returned to his hometown and told the story that he was killed by Qiu Xiao, a secretariat official, in Bozhou. His poems are good at seven wonders, and his frontier poems are vigorous and lofty; There are also works that are indignant about current politics and depict palace grievances. The original collection has been lost, and Wang Changling Collection was compiled in the Ming Dynasty.