The first film was directed by Yuan Xiangren and Liu Jiarong, and directed by Tsui Hark. From this film, Tsui Hark started a new era in Huang Feihong. Compared with Kwan Tak-hing's Huang Feihong and Jet Li's Huang Feihong, he paid more attention to the inner world of the characters. In the era of the collision between Chinese and Western civilizations, inferiority and pride, as well as the ambition to serve the country and the people, have increased the tolerance of a generation of masters relative to Huang Feihong and Jet Li in Yu Chenglong. In the second half of the film, Yuan Heping participated in directing, and some wonderful movements were set by Yuan Heping, but they were not reported.
The screenwriter should be Cheung Tan and others, and Cheung Tan is a friend of the martial arts novelist Wen Ruian (the author of the four famous arrests). Wen Ruian also wrote about him in the martial arts novel Who is the Hero? He is called the king of rice. This film is the most profound portrayal of the characters in these six films. Master Yan's depiction of this character is extremely three-dimensional, which makes people feel sad, and how powerless the struggle in the big society is.
The second film is Huang Feihong's masterpiece, which also reflects the strength of the Hong Kong film industry in its golden age. This film is the top configuration at that time in every way. Director Tsui Hark, martial arts director Yuan Heping, starring two action superstars, Jet Li and Donnie Yen, can be called Shuanglong Club.
The role of Nalan Yuanshu is also very successful. His martial arts are superb, and he is the strongest among Huang Feihong's opponents. He was a tragic hero, loyal to the monarch and patriotic, but he didn't reach a higher level like Huang Feihong. The final cloth is a pioneering work. At that time, Zhang Tie-Lin Emperor Amar was just a walk-on, and Jiugong was a ghost. Xiong Xinxin and Huang Feihong fought off the stage. Since then, Foshan has become famous all over the world, as well as the eighteen palms of the Dragon.
The third one is also called classic. The director was Tsui Hark, and the martial arts instructor became Yuan Bin. Yuan Bin is one of the seven little fools. His action style is more style than Cheng Xiaodong's, but not as elegant and bold as he is. But because Jet Li is the leading role, his outstanding figure makes up for the deficiency. Although it has some shortcomings compared with the previous two films, it is still a classic film. The biggest highlight of this film is the appearance of ghost feet, and those colorful legs that are played are dazzling.
The second highlight is the dialogue between Huang Feihong and Li Hongzhang at the end of the film, which has been ignited in recent years, expounding the way of strengthening the country in his eyes. In Huang Feihong's three films, Huang Feihong's vision keeps pace with his pace. The first one is in Foshan, the second one is in Guangdong, the third one is in Beijing, and the last one is even in America.
The fourth part has gone from bad to worse for many reasons. First, the director was changed to Yuan Bin, and the martial arts director was also Yuan Bin. Tsui Hark became the producer and the starring role was changed to Chiu Man-Cheuk. Of course, these can be the reasons for weakness, but the overall environment can not be ignored. The golden decade of Hong Kong films is coming to an end. The highlight of this film is that monsters in the G8 countries are endless and lively, but the pattern is very small.
The fifth film is rarely mentioned and many friends have never seen it. The director of this film is Tsui Hark, the martial arts instructor is Yuan Bin, and Huang Feihong's apprentice is the most comprehensive one. The film Huang Feihong went out to sea to fight pirates and met Zhang Baozai. This film has a strong political meaning, and Zhang Baozai represents an old rule, so it is necessary to break it.
The sixth film is the last film in Tsui Hark's Huang Feihong series, starring Jet Li, directed by Sammo Hung and directed by Wu Zhi. Tsui Hark is a producer, but he is also full of excitement. Different from previous movies, it has become an action movie named Huang Feihong. The highlight of this film is Huang Feihong's arrival in the western United States. The highlight of this film is the reflection on the westward movement of the United States, the description of the living conditions of early China workers abroad, the summary of previous Huang Feihong films, and finally Huang Feihong's gentle smile.