First chicken or egg

First woman or man

Adults don't have time to think

Children can't think of an answer

(First chicken or egg, first woman or man?). The beginning of the song triggers thinking. Adults have no time to think because they are busy with all kinds of things, and children can't think. (The same goes for Hsu Song's songs, how many people will think seriously?)

The spotlight shines on his head

The heat activates his brain

He gets nervous when there is a large audience

He gets anxious when there is a small audience

(When Song Xu stood on the stage and the spotlight was all on him, maybe something new would come out of his mind at that time, but he got nervous when there was a large audience and he was afraid that he would fail to perform. Failure. (With a smaller audience, he'd be uncertain, maybe thinking, "Did I do a bad job?")

The stage of youth is full of comings and goings

People are like people

Prejudice and arrogance come to visit

Methods unknown

(The stage of youth is full of comings and goings, and in your youth you will always meet a lot of people, and there are a lot of people who are like people, and there are all sorts of prejudice and arrogance, and they always come to you in a way that you don't know how they are going to visit you. (If you compare music to youth, there are good and bad, some people will be prejudiced against your music, some people will be very arrogant and disdainful of your music, everyone treats it in a different way)

If all the childhood flashbacks

Only a few voices are left to cry

A person is scattered in heaven and earth

No one loves the despair

(If a person's childhood. If a person's childhood is spent only being scolded and in your cries, then you will gradually go to autism, no one cares about you and no one loves you, and you are left with nothing but despair. (If you spend your childhood crying and shouting, then you'll grow into an autistic person who cares for you and loves you, and you'll be left with nothing but despair.)

Oh, the carrot whiskers grabbed the mole and threw it up into the air, and then they stared at it

and stared at it until its arms and legs snapped off

and it convulsed and rolled over and its head exploded

Oh, the carrot whiskers weren't brutal enough

and they shook their hands and hot tears fell down. Fell too

Could he escape

Where is the in and out

He never had a home

(The author thinks of himself as the carrot whiskers and the mole as the music. Mulls over the music, bad, tears up the written manuscript and starts over. Always wanting how to write a song that the audience will be happy with, the music gradually twisting and blurring in his mind, laboring to write what he wants. But can he escape what the audience thinks? Music with melody but no substance doesn't express what he wants to say, and music with substance but no melody, who will listen to it? And who likes it? Combine this with the fact that no one wants to think about the first four lines, and you have a hard-earned friend of the music who is facing total rejection from the audience. Where's the in and out? (He's never had a stage on which to fully express his thoughts.)

The red-haired teenager in the French noir fairy tale "Carrot Whiskers" stares at the mole he's broken with his own hands and lets its blood splatter in the air ......

You may not be without a secret release - twisted, absurd, violence that lies beneath your moral veneer.

Because you must have secretly received - arrogant, parochial, looks that made you resentful but also made you grow.

Who can remember a few old childhood dreams

Who has hidden a few broken youths

Who can say he is not a carrot whisker

"Carrot Whisker" is written, composed, and produced by Xu Song, and is the opening prelude to his fourth work. As an up-and-coming benchmark among mainland musicians, Xu Song has always been known for his uninhibited writing style and unique perspective. This new song takes the protagonist of the French literary masterpiece "Carrot and Whiskers" as the starting point, weaving in and out of dream-like fairy tales and cold reality, switching back and forth between "self" and "carrot and whiskers", which makes people laugh and cry when they read it. In terms of music, the creative integration of tango rhythms, accordion and saxophone echo naturally exudes exotic flavor; the iconic "lazy singing" is also interpreted to the extreme, sleepwalking like lazy and full of playful unique interpretation, so that the black humor of the "carrot whiskers" in the short more than three minutes of unlimited expansion. The unity of lyrics, music, singing and production gives his work a distinctive personal mark. Acclaimed director Billie Ja helmed the music video, which showcases the spiritual world of Carrot Whiskers in a clever visual language