Pre-Qin - Unknown
Mi Li Li, the seed of the millet. The rows are endless, and the center is shaking. Those who know me say that I am worried; those who don't know me say what I want. The first thing I'd like to say is that I'm not sure I'm the right person for you.
Their millet is far away from the ears of their grain. The first thing I'd like to say is that I'm not sure if I'm going to be able to do this. The first thing that you need to do is to get your hands on some of the most popular products and services in the world, and then you can get your hands on some of the most popular ones. The first thing I want to do is to get the best out of the world, and I want to do it right.
Their corn is far away from the grain, and the grain of their grain is solid. The first thing I'd like to say is that I don't know what I'm talking about, but I do know what I'm talking about. The first thing that you need to do is to get your hands on some of the most popular products and services in the world, and then you can get your hands on some of the most popular ones. The first thing I'd like to say is that I'm not sure if I'm going to be able to do this.
The whole poem **** three chapters, each chapter ten lines. The structure of the three chapters is the same, taking the same object at different times to complete the three aspects of the development of the passage of time, the transformation of the scene, and the depression of the mind, and in the meandering back and forth to show that the protagonist is not able to overcome the melancholy, "three chapters only change six words, but a deep love, and infinite low back" (Fang Yu-run, "Poetry Primitive").
The first chapter of the poem writes that when the poet traveled to Zongzhou and visited the palace of his former clan, he saw a green landscape, the prosperity of the year was gone, and so was the luxury of the past, and it was hard to find any traces of the war that he had just experienced, and behold, the green landscape was full of millet, and the Jik Miao was in a miserable state. "All scenic language are emotional language" (Wang Guowei, "words on earth"), the seedlings of millet and grain is not emotional, but in the eyes of the poet, is to evoke infinite sadness of the lead, so he walked slowly on the desolate path, can not help but flicker, full of frustration. Disappointment can still bear, unbearable is this kind of sadness can not be understood, "know me that I am worried, do not know me that I do not want". This is the embarrassment of all the people who are drunk and I am awake alone, and this is the sadness of those who have a higher mind than normal people. This great sadness to the earth is difficult to get a response, can only be questioned in the sky: "long the sky, this who is it?" The sky naturally did not respond, at this time the poet depressed and melancholy will deepen another layer.
Chapters 2 and 3, the basic scene remains unchanged, but the "Jik seedling" has become the "Jik spike" and "Jik fruit". The process of growth of millet is quite symbolic, with which the poet deepens from "center shaking" to "like drunkenness" and "like choking". And although the exclamations and cries in the second half of each chapter are exactly the same in form, they are repeated over and over again to deepen the melancholy atmosphere, which is singing, and even more so when crying after a long song of pain and reflection. It is no wonder that people have sung and cried over the Kibei poem during all the dynastic changes since then: from Cao Zhi's "Love Poem" to Xiang Xiu's "Thinking of the Past", from Liu Yuxi's "Wuyi Lane" to Jiang Kui's "Yangzhou Slow", all of them reflect this kind of Xingxiang wind and spirit.
In fact, in the poem, in addition to millet and millet is a concrete object, are ethereal abstraction of the situation, the lyrical subject "I" has a strong uncertainty, based on this, the appreciation of their own different experiences from which they can find the emotional **** Ming point with the soul. Such as the feeling of things are not the same, the regret of hard to find a soulmate, the sigh of the vicissitudes of life, can not be used to vent. On a higher level, through the figurative provided by the poem, the reader can see a lonely thinker, facing the spiritless but full of vitality of nature, on the pretentious but unable to grasp their own destiny of the future of mankind's infinite worries, this kind of sadness only "know me" will understand, but this " But what kind of person is this "one who knows me": "What kind of person is this?" The reader sees the shadow of another poet in the cry of disappointment. "I don't see where I've been before, I don't see where I'll be after, I miss the loneliness of heaven and earth, and I feel sorry for myself." Chen Zi'ang, who chanted "Song of Ascending the Youzhou Terrace", was harboring in his heart precisely this kind of worry about the fate of mankind that is difficult to be understood by the world. Readers of this poem should think twice.