Mei Lanfang 1894 was born in Beijing. He was born in a Beijing opera family. 10 years old, performing "A Fairy Match" in Beijing Guanghe Building, doing Hua Dan. At 1908, he has a class with Lian. 19 1 year, Beijing held a Peking Opera actor selection activity and posted a chrysanthemum list. 19 13 performed in Shanghai for the first time, and performed such plays as Colorful Houses, Yutangchun and Woodcut Zhai. AtNo. Dangui 1 at the Daxin intersection of Sima Road. When he first came to Shanghai, he became popular in Jiangnan. At that time, there was a saying circulating in the alley: "Please be like Mei Lanfang and have a son like Zhou." He absorbed the improved elements of Shanghai civilized opera, such as new stage, lighting, makeup and costume design. After returning to Beijing, he created a new fashion drama "Rough Sea". The following year, he came to Shanghai again, and performed such famous works as Five Flowers Cave, True and False Pan Jinlian and Drunken Lady, and sang for 34 days. After returning to Beijing, Mei Lanfang continued to rehearse the new plays "the Goddess Chang'e flying to the moon", "Spring fragrance makes snow" and "Dai Yu buries flowers". 19 16 came to Shanghai for the third time and sang for 45 days. 19 18 and then moved to Shanghai, which was the pinnacle of his dramatic art, and he performed on the Tianchan stage many times. Combining the performances of Tsing Yi, Hua Dan and Beijing Opera blues, it created a mellow and beautiful singing voice and formed a unique Mei school. 19 15 years, Mei Lanfang rehearsed a large number of new plays, and made unique artistic innovations in singing, chanting, dancing, music, clothing and other aspects of Beijing opera, and was called the master of Mei School.
The origin of stage name
Mei Lanfang, a Beijing opera master, was born in a Beijing opera family. His grandfather Mei Qiaoling was a famous actress in the late Qing Dynasty, and his uncle Mei Yutian was a Peking Opera and Huqin player. The father's name is Mingrui, the word Zhufen, the son's name is Hua Dan, and the mother is Zhang Yu, the eldest daughter of Yang Longshou. At the age of 8, he studied under the famous young student Zhu Suyun's brother Zhu, 1 1 and took to the stage. He studied hard and practiced constantly, inherited and developed the traditional art of Peking Opera, and formed a unique "Mei School", which became the first of the four famous artists. His performing arts have long been well-known at home and abroad, but it was not until 16 that he got the stage name "Mei Lanfang". Mei Lanfang is one of the "Four Danish Famous Danes" in China! In the autumn of Guangxu thirty-four years (1908), Ye Chunshan, the squad leader of Xilian, led a class to perform in Jilin. One morning, Niu Zihou, an enlightened man from Xi Liancheng, organized by Ye Chunshan, went for a walk in Beishan, Jilin. When they climb the mountain, they chat. Suddenly, they found a man practicing sword in the Woods. But seeing that he is light and agile, the sword is dancing with cold light and the wind is whistling, and he surrounds himself in an arc aperture that can't splash water. Niu Zihou was completely stunned. He loved Peking Opera all his life, and he also saw many performances by martial arts masters. But there are not many unparalleled swordsmanship like this, and he can't help clapping his hands again and again. Hearing the applause, the sword dancer quickly put away his sword, blushed, wiped the sweat on his forehead with a handkerchief and bowed respectfully: "Boss Niu, I like to make a fool of myself." At this moment, Niu Zihou stepped forward and looked at it carefully. He saw the young man in front of him, handsome and dignified. He is really a leading role material and asks, "Have you ever had a stage name?" Ye Chunshan replied: "I gave him a stage name' Xiqun'." Niu Zihou pondered for a long time, and said, "This child has good looks and good conduct, and it won't be long before he succeeds. How about changing his name to Mei Lanfang? " Ye Chunshan and his disciples readily agreed. Since then, I have been using Mei Lanfang, a famous stage name at home and abroad.
Edited on 20 19- 12-06.
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Mei Lanfang (1894101October 22nd-1961August 8th) was born in Beijing in the 20th year of Guangxu in Qing Dynasty (1894), and his ancestral home was Taizhou, Jiangsu. Master of Chinese Peking Opera Performing Arts. Mei Lanfang studied drama at the age of 8, took Wu Lingxian as her teacher at the age of 9, and took to the stage at the age of 10. Later, he asked Qin Zhifen and Hu Ergeng to learn from Hua Dan. 1965438+April, 2005 to1965438+September, 20061/official tide, Yuanyang in prison, Fanfan, etc. Before 1949, he performed in Japan, the United States and the Soviet Union, and received honorary doctorates in literature from Pomona College and the University of Southern California. 1950 was the president of China Peking Opera Theatre, 195 1 year was the president of China Opera Research Institute, 1953 was the vice chairman of Chinese Dramatists Association, 1959 joined the China * * * Production Party,1965433. At the age of 67. Extended data:
Introduction to Mei Lanfang's Representative Works: 1 Farewell My Concubine is one of the classic plays of Mei School performed by Beijing Opera master Mei Lanfang. The protagonist is Yu Ji, the beloved princess of Xiang Yu, the overlord of the Western Chu Dynasty. This drama is also known as Jiulishan, the battle between Chu and Han, and Wu and the house of flying daggers. Qingyi Jushi was written according to Kunqu Opera "A Thousand Jin Ji" and "Historical Records of Xiang Yu". A total of * * * four books. First broadcast by Yang Xiaolou monk Xiaoyun. 1922 February 15, Yang Xiaolou cooperates with Mei Lanfang. Qi Rushan and Wu Zhenxiu revised the dispute between Chu and Han and renamed it Farewell My Concubine. 2. the Goddess Chang'e flying to the moon The Peking Opera the Goddess Chang'e flying to the moon has a history of nearly a hundred years. It is the first costume song and dance drama created by Mr. Mei Lanfang in 19 15, which plays an important role in laying the artistic style of Meipai Peking Opera. This play is based on the famous China classical folk fairy tale "the Goddess Chang'e flying to the moon". Mei Lanfang ingeniously combined China's popular fairy tales with the artistic expression of Beijing Opera, realizing the perfect unity of classical literature content and artistic expression of Beijing Opera.