Matsuko is not a woman with a high degree of consciousness. Her passion for life comes from her own intuition rather than perception. She longs for her lover to be loved, and for the world around her to be harmonious. When I was a child, I was a father and a sister. When I worked, I was a colleague and a student, and then I was a man. She tried her best to make each other happy, hoping to make all the troubles disappear, and even more, she hoped that people could take the initiative to skip the troubles in exchange for a happy life. The most obvious example is that she admitted the theft only because she wanted to end it quickly so that she could take a bath.

We have only one life, and we are either happy, mediocre or defeated. Matsuko's life is actually the last one. No matter how enthusiastic Matsuko lives and how fearless he is in love-in fact, this kind of enthusiasm and fearlessness is more of an escape-such a life is also something we don't want. So we don't actually praise pine nuts. The spirit we praise is actually the most resilient reason why Matsuko can live. The reason why her upward spirit is an escape is because she can't live alone. She chose one man after another to love and give, even though she was scarred, and never retreated, because that was the reason she could find for herself about the beautiful side of the world.

The world is not enthusiastic or even cold about pine nuts, but the instinct of pine nuts as human beings is to live. Society, groups and even families don't give her a gap to integrate into, so she creates a gap by herself. It's better to love someone than to be alone, and it's better to quarrel and fight than to be moldy. There is no lofty ideal in Matsuko's life, and there is no place for her to live and be brave. But riddled love can. Every man in Matsuko is in the middle and lower classes of society (a talented writer who has not yet made a fortune, a married man with low talent, a barber shop owner who is honest but lacks affection, and a student who is a hooligan), and his personality has obvious defects (bad temper, betrayal of his wife, stupidity and recklessness), which are not accessible to ordinary women. However, they constitute the only and most important reason for Matsuko to tide over the difficulties every time. She hinted that she lived not for herself, but for the person she loved deeply. It is those men who let her continue to find a reason to breathe every time she feels that her life is over.

Even if in the end she becomes a sloppy and smelly pig-like woman, she can still be inspired by the delicate and pretty Junior Idol, and write a warm love letter like a first-love girl-although it is nothing more than an introduction of her life, which is something that Matsuko will repeat every time she falls in love. Trust a person and tell him all about herself. Fortunately or unfortunately, such a disgraceful life has given such a glorious lover the ability. Her passion for life is innate, and maybe she doesn't understand it, but her personality has helped her to live well.

Abandoned pine nuts, if such a woman really lives by your side, maybe she is your girlfriend, and maybe you won't want to see her like A Sheng in the movie. There are really unbearable factors buried in her character (thinking without brain, living blindly, and even occasional neurotic love without reservation), and her light can only be felt after watching her life.

No, or, if you have glimpsed her tears, she may not be what I thought, so she is not conscious of life. At the moment when she saw the diary left by her father, at the moment when she returned to her hometown to meet her young Asheng, and at the moment when she was crying in the face of the same river as her hometown, I have reason to believe that at that moment, she was sober, calm and extremely sharp to see the tragedy that happened to her. It's just that she is used to face the world with grimaces and funny faces, so we ignore her efforts to make people happy, but remember the strangeness of this woman.

We all love our childhood, and when we were young, we were inlaid with Phnom Penh. We imagined that life would be so stretched in the future. At the end of the film, when everyone in their own world sings the same song-"reach out your arms and stand on tiptoe, you can reach the blue sky ... goodbye, everyone, see you tomorrow ... go home if you are hungry"-it is not a pity to cry into tear gas. How long ago was it that you didn't have to take care of yourself by pulling your parents' shirts? How long ago was it to play like friends in jingle bells? Life can't be played backwards, and children don't necessarily grow into people's attention. Protecting a person from the harm and erosion of life is something that parents can't do. If you have someone who wants to protect, please stay with her, and please be blessed with her and have a tough self-protection personality.