Who is the master of Jiang Baolin?
Who is the master of Jiang Baolin, a famous crosstalk performer, and Mr. Jiang Baolin died in Tianjin at 11: 55 pm on December 29th, 221, at the age of 95. Mr. Jiang Baolin was a national first-class actor before his death, and who was the master of crosstalk Jiang Baolin? Who is the master of crosstalk master Jiang Baolin? 1
Qiu Yingjun, a young crosstalk performer, wrote a post in Weibo on January 4th, and his master Jiang Baolin died at 11: 55 pm on December 29th, 221.
According to Mr. Jiang Baolin's instructions, I don't want to disturb the audience because of my death, so I will make it public after all the funeral arrangements are finished.
Mr. Jiang Baolin is a versatile old artist who can perform and write. When I was young, I studied Peking Opera and Pingju, and later I studied with Chen Ziquan (some said that I followed Ji Pingsan). After finishing his studies, he performed in various cross talk tea houses in China, including Qiming, Lianxing and Chenguang.
As one of the four famous treasures along with Hou Baolin, Jiang Baolin has also made a unique contribution to cross talk. Hou Baolin made crosstalk replace drums as a corner to save money, while Jiang Baolin set a precedent in crosstalk tea house.
Jiang Baolin's cross talk is lively and vivid in style, crisp in tone, and particularly fragile in baggage. Both tradition and new cross talk can be grasped, and he does not stick to the so-called tradition and innovation, but comes as effective as possible, so he is highly praised by his peers. In addition, Mr. Jiang Baolin's image is particularly handsome, and his audience is very good. He served as the bottom of the Nankai District Crosstalk Team, and he was opened by Huang Tieliang, a famous Tianjin crosstalk artist (Hou Baolin apprentice), which shows Mr. Jiang's artistic level.
Jiang Baolin has also made a unique achievement in the innovation of cross talk. In addition to creating and performing popular new jokes such as "Training the Army" and "Mu Sanhuo", he has also made new edits to traditional cross talk, such as changing the mouth-to-mouth cross talk "Newspaper Name" and "Selling Cloth Head" into stand-up. You should know that many places need to hold hands to promote the plot.
As an old artist who has devoted his life to cross talk, he has been controversial by his peers on the issue of his own learning. It was not until his death that disciple Qiu Yingjun used a resume of Zhang Shengping to correct Master's name "He is a disciple of Ma Sanli".
Jiang Baolin studied with Chen Ziquan, and later worshipped Li Jiechen as his teacher, but it was never officially known that Ma Sanli took an apprentice in Yanchunlou in 1988.
At that time, it was originally Mr. Jiang Baolin's acceptance ceremony, but Ma Sanli became the protagonist of the ceremony. Ma Lao spoke alone for more than 2 minutes and attacked several colleagues by innuendo. The main target of "shelling" is Jiang Baolin's master Li Jiechen.
Mr. Ma said that Li Jiechen's human nature was bad, which brought trouble to Jiang Baolin, a disciple. When Jiang Baolin went to Chenguang Tea House to visit the cave, Sun Shaolin, the squad leader, deliberately refused to give Jiang Baolin the whole copy, just for the sake of poor Li Jiechen.
Of course, Ma Lao also stuffed a lot of bootleg goods when he said these words. Li Jiechen and Sun Shaolin did have some unpleasant past. The main reason was that Li Jiechen, who had been performing in Chenguang Tea House, later went to Jinan in Liu Baorui, Zhang Shouchen to set up * * * Le Tea House and worked with Chenguang Tea House in gallants. As a result, Li Jiechen ran to the * * * Le camp and became a competitor of Sun Shaolin's mentoring.
But it's not too big a contradiction. After all, Liu Baorui shook hands with Sun Shaolin's master and pupil, and Jianghu people pay attention to the word "He", so they won't hold a grudge for life. Besides, Li Shouzeng has always been the only one who can get the whole copy in Chenguang Tea House. Even Sun Shaolin takes less than Li Shouzeng. It's very good that Jiang Baolin can get seven cents. Does he want to stand shoulder to shoulder with Li Da, a foreign monk?
Therefore, this can be regarded as Ma Lao's "sabotage" on Li Jiechen, or to find some reasons for taking an apprentice for himself. Just listen and have fun, and don't be biased.
Even so, Ma Sanli officially accepted Jiang Baolin as an apprentice in Yanchunlou, and many colleagues witnessed it with Tianjin leaders, and the whole process was recorded by the media. This is a very formal ceremony of putting out knowledge, and no one planned it in any era.
However, Jiang Baolin never claimed to be a disciple of Ma Sanli in public after this. Including his apprentice, Qiu Yingjun, and others, never mentioned this quarrel when they were doing programs with Ma's disciples. Ma Zhiming went to Qiu Yingjun for many times to host the program. Qiu Yingjun always called him Little Master Ma, but he didn't talk to Ma Zhiming as Ma Sanli's disciple. You know Liu Wei, who is not door of people, called Ma Zhiming "ShiShu". Qiu Yingjun also called Ma Sanli "Ma Lao" instead of "Ma Sanli tout", and Jiang Baolin also called Ma Sanli by his first name instead of "My Master Ma Sanli" on the show.
And when Jiang Baolin received Qiu Yingjun Yu Dan and others at Nankai University, Yin Xiaosheng was present as a guest, boasting Jiang Baolin from head to toe, and also cooperated with Jiang Baolin in a small joke. It is reasonable to say that the younger brother of the same school should accept his apprentice, so he should make a good plan and talk about the friendship of the same school. But Yin Xiaosheng called Jiang Baolin "Sir" all the time, and so did Jiang Baolin. They didn't mention a word about Ma Sanli's apprentice.
The reason for this may be related to disputes among peers. After all, Jiang Baolin's door jumping is an upgraded door jumping, which is relatively taboo in the industry. If Jiang Baolin didn't have Li Jiechen, the former master, and always followed Chen Ziquan's theory, then even if Ma Lao accepted him, the controversy would be much less.
In addition, in his later years, Jiang Baolin took in a bunch of apprentices born after 198s. If Qiu Yingjun people regard themselves as literary generations, they will be junior wherever they go. This kind of behavior of acting like a senior is very taboo in the industry, especially some feudal scum that pays special attention to seniority. Anyone who sees it hates being superior to others will try to pull down. Because of this kind of person's existence, Qiu Yingjun Yu Dan and others never mention this crop in public, and talk to anyone according to their age.
Jiang Baolin kept this humble and low-key attitude with his disciples, not only to live in harmony with his peers, but also to be indifferent to feudal generations.
Finally, I wish Mr. Jiang Baolin, a disciple of Ma Sanli, a good journey ~ Who is the master of crosstalk? 2
Mr. Jiang Baolin, a famous crosstalk performer, died in Tianjin at 11: 55 pm on December 29th, 221 at the age of 95.
Qiu Yingjun, the host and actor of Tianjin Crosstalk Radio, wrote in Weibo: "In accordance with my husband's last wish, leave the laughter to the audience, and don't disturb everyone too much. Everything is simple and everything has been taken care of. I am grateful to my hometown elders and friends from all walks of life for their love for my husband over the years. "
From an old apprentice to a military artist
Mr. Jiang Baolin was a national first-class actor and a visiting professor at seven universities, including Nankai University and Tianjin University. Famous passages of cross talk, such as Family Meeting, Training Military Horses, Mu San Gang, Playing Deaf and Learning Dumb, Mother-in-law and Daughter-in-law Dialogue, created by him are still widely read by cross talk fans.
"I studied art when I was 8 years old, and I started to study Peking Opera in Jigu Society. If I can't learn it well, I will fight. It really scares me." Jiang Baolin told reporters: "Once, Master asked me to buy rice. At that time, I was young and playful. On the way, I was attracted by the old artist who" painted pots "and said cross talk. When I stood still, I couldn't walk. Master is waiting from there. Where did you buy this meal? " The result must be another beating. Mother was distressed and never let him learn drama again. At the age of 11, Jiang Baolin officially stepped into the cross talk door, taking Chen Ziquan, a senior artist, as his teacher. That year was 1938.
Since then, Jiang Baolin has been wandering around with Master, performing in Beijing, Tianjin, Tangshan and other places. At the age of 16, I started my career and began to wander the rivers and lakes by myself.
In 196, Jiang Baolin was transferred to Jilin Radio and Rap Troupe. By chance, he was recruited by the Cultural and Art Troupe of the Political Department. "I was born in Tianjin, studied in Tianjin, studied in Tianjin, became famous in Tianjin, and then dedicated all my talents to the soldiers of the army." Jiang Baolin said. There is of course a difference between telling the soldiers about cross talk and the traditional cross talk mentioned before. "You have to talk about the things around the soldiers, be close in humor, really tell the soldiers about their life in the military camp and pull their thoughts into the program."
Dig out the recording "Training the Army Horse" of that year, and listen to it. The long passage runs through in one go, and the conversation turns, and the theme is immediately introduced. First, the performers compared the mechanized artillery with the mule-horse artillery, and then the battle materials related to the soldiers blurted out, and Bao Yaner was buried between this and that, which made the soldiers present laugh. The crosstalk show "Training the Army Horse", which was created and performed by him in that year, won the "Double Champion" in the creation and performance of the military performance.
Tianjin is the place where dreams began
Many people thought that Jiang Baolin would stay in Beijing after retirement. In fact, the old man returned to Tianjin and lived in an apartment on Wandezhuang Street in Nankai District. In his view, this land of Tianjin is full of humorous genes. If you want to speak cross talk well, you must constantly learn from it.
Tianjin is not only a fertile ground for the growth, reproduction and development of Quyi, but also a veritable hometown of Quyi. Quyi is prosperous and brilliant in Tianjin, and has produced many master artists.
Hou Baolin and Jiang Baolin perform
Why do famous Quyi artists need to be "recognized" by Tianjin audience before they can become famous? Why does Tianjin have such a great influence? Is its influence still there? Faced with this barrage of questions, Jiang Baolin was lost in thought.
"Tianjin is not the birthplace of cross talk, but if you want to become famous and become a family in this field, you must come to Tianjin for gilding." Why do you have to come to Tianjin to plate this layer of gold? Jiang Baolin said: "Tianjin people are responsible for the actors."
"Are you good at this job? Right? Is this large section smooth from beginning to end? Tianjin audience has a ruler in their hearts, and you may not know better than Tianjin people if you bring a few experts to sit there. Not only do crosstalk artists have to be certified by the audience in Tianjin, but Li Huiliang, a famous Peking Opera artist, also had to go to Tianjin. Why? Singing and playing, one stroke and one style, the applause of Tianjin people will definitely give you a shot! "
It is such an atmosphere that attracts the military crosstalk performer to choose to return to Tianjin after retirement. "Leaves fall to the roots, return to the field, stay comfortable in Tianjin, and there is nothing like home." The old man said.
Mr. Jiang Baolin was interviewed by this evening news reporter in 218
In October, 218, a commemorative performance was held at Tianjin Jinwan Grand Theatre to commemorate the 8th anniversary of Jiang Baolin's art career. Jiang Baolin, who is 91 years old, still stands on the stage and talks stand-up for 3 minutes.
Jiang Baolin has published the first and second series of Selected Crosstalk of Jiang Baolin and Selected Humorous Jokes. Who is the master of cross talk Jiang Baolin? 3
In fact, it is not difficult to judge Mr. Jiang Baolin's seniority, mainly because there are many voices on the Internet and various mistakes abound.
For example, in a certain degree and a certain subject, it is impressively written that Jiang Baolin was born in 1938, so many Erdao used this time from the media to judge that his father, Chen Zizhen, who was an apprentice to Chen Yongquan, was wrong, because Chen Zizhen died in 1941.
If Jiang Baolin was really born in 1938, then in 218, his disciples will celebrate his eightieth anniversary as an artist. Isn't this the rhythm of performing on stage as soon as he lands? Therefore, it is a big mistake to study a certain subject. In fact, Jiang Baolin was born in 1928, and began to study art at the age of 11, so it is reasonable for him to hold the 8th anniversary of his graduation in 218.
It is also wrong for other Erdao to say from the media that Jiang Baolin once studied with Chen Zizhen. The teacher in Kaimeng, Jiang Baolin is called Chen Ziquan, which is a word difference. However, if you really look for this old man with longevity in the cross talk genealogy, you can't find him, because his name is Chen Ziquan in the cross talk genealogy, and he is the apprentice of Li Ruifeng, a German artist.
Chen Ziquan is an artist of the longevity generation, so Jiang Baolin is a treasure generation? At least not at this time. They are just enlightened teachers and students, and they have no apprentices.
Jiang Baolin studied art with Li Boxiang's father Li Jiechen after enlightenment, and most of his abilities were learned from Li Jiechen. However, the relationship between the two is extremely poor, and there is no knowledge. In Ma Sanli's words, Li Jiechen has a bad human nature. He is not accepted anywhere, and several tea houses in Tianjin don't want him when Li Jiechen hears it. Later, Jiang Baolin went to Jinan Chenguang Tea House to talk about cross talk, and the scene effect was very good. As a result, Sun Shaolin, the class leader of Chenguang Tea House, only gave Jiang Baolin half of the money because he was Li Jiechen's apprentice.
From this memory, we can explain several things. First, why did Li Boxiang and Ma's father and son have conflicts and didn't deal with them? Second, why did Jiang Baolin have a low opinion of Sun Shaolin when interviewed in his later years? Third, it seems that when Liu Baorui and Sun Shaolin were in conflict, gallants might really be Liu Baorui who was wronged.
After liberation, Tian Lihe was a disciple of Zhang Shouchen. He was afraid of being junior, so he deliberately became sworn brothers with several literary peers. Of the five people, the eldest Jiang Baolin, the second Tian Lihe, the third Wang Wenjin, the fourth Li Boxiang and the fifth Wei Wenliang. Everyone said that it was Tian Lihe's upright character that took the initiative to become sworn, and no one mentioned the eldest Jiang Baolin. It seems that it was because the crosstalk circle still counted him as Li Jiechen's apprentice at that time. Later, when Xue Baokun wrote a book, he was also included in Li Jiechen's disciples.
However, the reversal of events was at the Jiang Baolin's apprentice-receiving ceremony in Yanchun Building, Tianjin in 1988. Jiang Baolin came from Beijing specially for the purpose of getting Ma Sanli to attend the ceremony. Ma Sanli said a lot at the scene, about his acquaintance and familiarity with Jiang Baolin, and the history of Jiang Baolin's apprenticeship, etc. Finally, Ma Sanli gave a conclusion: From today on, you will be my apprentice. Jiang Baolin bowed and presented flowers to Ma Sanli at the scene in front of Luo Yusheng and many other famous people in the field of Quyi. Later, in the cross talk genealogy, Jiang Baolin was included in Ma Sanli's apprentice, ranking behind Chang Baofeng and before Li Wenhua.
judging from these records and history, Jiang Baolin should still be regarded as Ma Sanli's apprentice. First, he has connections and history. Second, there are witnesses from the teacher. Third, mutual recognition. Fourth, neither of them knew before.
In addition, there is another key thing, that is, Li Jiechen has been dead for 19 years at this time, and it is ok for a disciple to jump out of the door after Master's death, let alone a disciple with unclear doors. If Li Jiechen were still alive, this matter would probably have to be delayed.
Anyway, it is certain that Jiang Baolin will learn from Ma Sanli this time. Some people on the Internet say that Ma Sanli is joking, but it is definitely not. In order to accept Jiang Baolin, Ma Sanli shook out all the black history of Li Jiechen, which was definitely not a joke. And there are so many big names in the field of Quyi as witnesses.
Hou Baolin, Yu Baolin, Geng Baolin, Jiang Baolin and Chang Baolin are the five treasures of the phonograph world, so they are all treasure characters.
There are generations, so Jiang Baolin comes first.