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The "carnival" style, which is hot and desolate, wild and beautiful, has created a literary rein and memory of an era. Mo Yan's natural talent is also reflected in another important aspect, that is, a very clear sense of dialogue in rebellion. The significance of the 17-year-old red classics to Mo Yan is not only a negative transcendence, but he once talked about the influence of the love narrative of Kucaihua on his works. The brushwork of the rebellious hero and the legend of unofficial history is also suppressed in the works such as Lin Hai Xue Yuan. His rebellion is a long-awaited and so different presentation within the contemporary literary tradition. When Mo Yan's works have been internalized as a part of this literary tradition, when sex and violence have become a boring and stereotyped writing, where does the new rebellion begin? Who will we talk to today? We often feel confused that the unprecedented richness of literature in this era has made us lose the passion and direction of rebellion. There will be no historical moment like that, and each of us is facing the difficulty and possibility of rebellion alone. For me, revisiting these classic works and their critical history is also to sort out the literary development of our desolate era, and to ask where we came from and where we can go. Always rebel ...