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Contemporary literary school represented by Zhao Shuli. The main authors are,, Rong,, Sun Gan, etc. They are all writers born and raised in rural areas of Shanxi, and they have a deep foundation of rural life. After the mid-1950s, they consciously took Zhao Shuli as the center to cultivate and form schools with similar styles. His representative works include Sanliwan, Registration, Exercise, Uncle Zhao, Watchman, Three Years Early Learning, Sister Lai, Boss Song Entering the City, etc.

Potato School was formed in 1950s, with Zhao Shuli as the representative writer and Sun Gan as the main members, known as "Li Xima Sun Hu". His representative works include Marriage of Little Black Boys, Biography of luliang heroes, and Three Mile Bay. The works of this school adhere to the realistic creative method and colloquial writing characteristics, pursue the truth of life and reflect the contradictions and problems in life. In the history of literature, realism is regarded as the essential feature and soul of "Shan Yao Egg School".

Zhao Shuli

(1906 —— 1970) Qinshui, Shanxi. I like folk literature and local operas since I was a child. 1944 Editor of North China Xinhua Bookstore. After 1949, he was the editor-in-chief of "Talking about Rape and Singing Songs" in Beijing and the member of the Standing Committee of China Federation of Literary and Art Circles. Director of Chinese Writers Association, Chairman of China Quyi Workers Association, etc. After 1957, I returned to the rural areas of Shanxi for a long time. He was persecuted to death in the "Cultural Revolution". His major works include a series of influential works, such as Marriage of Little Black Boys, Banhua in Li Youcai, Changes in Li Jiazhuang, and Three Mile Bay. In addition, there are storytelling, drum words, scripts and so on.

The capital of our political and cultural center is lovely, but so are the rural areas that produce grain, cotton and oil. If you want to ask which aspect is cuter than the other, I think it's the same as asking which is cuter-different kinds of things can't be compared. A writer should not be an interested person, but he must always be interested in the base areas that are familiar with people's lives. —— Zhao Shuli

Ma Feng

1922 was born in Juyi Village, Xiaoyi County, Shanxi Province. Representative works include Biography of luliang heroes, Young People in Our Village (in cooperation with Xirong), Village Complaints, An Embroidery Machine, Early Knowing for Three Years, My First Superintendent, etc. He used to be Party Secretary and Vice Chairman of Chinese Writers Association, Executive Vice Chairman of China Federation of Literary and Art Circles, and President of China Popular Literature and Art Research Association. In the 1990s, Ma Feng came to Beijing to work for many years. Ma Feng died in Taiyuan on June 65438+1October 3 1 2004.

I grew up in the countryside, and after I joined War of Resistance against Japanese Aggression, I was still active in the countryside, whether it was the combat troops or the party and government organs. Later, he worked in the countryside for many years. I have participated in everything from land reform to cooperative movement. It can be said that we have an indissoluble bond with the countryside and have deep feelings for farmers. I found many shiny things on them. I know them well and love them very much. Worry about their worries and be happy for their happiness. I am willing to serve them. When I write, my readers are farmers and rural cadres in China. I don't care whether other readers like reading or not. As long as the readers in my mind are willing to see and listen, I am satisfied. Ma Feng

Sun Xi

Born in 1920. Writer. Wenshui people in Shanxi. Joined the youth anti-Japanese death squads in the early days of the Anti-Japanese War. From 65438 to 0940, he entered Yan 'an to study Lu Yi. He used to be a screenwriter of 120 Division's Fighting Drama Club and Northeast Film Studio. After 1949, he served as a screenwriter of Beijing Film Studio, vice chairman of Shanxi Federation of Literary and Art Circles and vice chairman of Shanxi Writers Association. His main works include Collection of Short Stories, Story of Scar, Light of Nanshan, Screenplay of Film and Television Literature, Pastoral in Northern Shaanxi, When the Grapes are Ripe, Our Veteran, Aunt Huang Tupo (Cooperation) and so on. 1996 died in Taiyuan.

By going deep, we don't mean living in a village, asking about some customs, observing clothes styles and women's hairstyles. That was not the case. The works written in this way are either superficial or "watching the fire from the other side." The so-called in-depth is to regard yourself as a member of the peasants, worry about the disaster, be happy for the good weather, and contribute everything to the collective economy-only with these can the peasants make friends with us and treat us as their own. -Sun Xi

Hu Zheng

Writer. 1924 was born in Lingshi County, Shanxi Province. From 65438 to 0938, he participated in the revolution, and served as a member of Lvliang Drama Club in Southwest Shanxi, a student of Yan 'an Lu Yi and Army Art School, a supplement editor of Jinsui Daily, a vice chairman of Shanxi Writers Association and a vice chairman of Shanxi Federation of Literary and Art Circles. 1953 graduated from the Central Academy of Literature. The main works are the novel Fen Liu Shui, the novella collection Lantern Festival, the short story collection Pumpkin Picking, the Ancient Temple Fair in July, and the prose reportage collection July Rainbow.

"My novels are all inspired by life. For example, "Running Water" was written after I participated in the agricultural cooperative movement for more than a year. "

"Writing rural novels naturally requires familiarity with rural life, farmers and rural cadres. At the same time, it is necessary to understand the rural policies, current policies and past policies, and to stand higher, look farther and think about future development. Because farmers and cadres living in rural areas have to be influenced by policies, the fate of characters and the relationship between people are all related to policies. Writing rural novels will inevitably consider rural policy issues. " Hu Zheng

Li Shuwei

(1918 ——1995) A native of Dongping, Shandong. 1942 Graduated from Lu Yi Theatre Department in Yan 'an. Former Chairman of Shanxi Federation of Literary and Art Circles. His works include Spring and Autumn Map, Between Tenants, Land and Its Owners, Shepherd, Lvliang Serenade, Fishing for River Charcoal, etc.

Mass life is as important to literary and artistic creation as the relationship between the object of labor and labor, and it is absolutely indispensable. It is possible to enter the creative process because of life experience. Otherwise, there will be a phenomenon that heroes are useless. Li Shuwei

Xirong

Writer. Born in 1922. People from Puxian County, Shanxi Province. 1944 graduated from Yan' an Lu Yi Army Art School. He used to be the vice chairman of Shanxi Federation of Literary and Art Circles and the chairman of Shanxi Branch of Writers Association. His major works include the novel Biography of luliang heroes (in cooperation with Ma Feng), a collection of short stories, Boss Song Entering the City, and the screenplay Unforgettable Flame. Xirong died on 200 1 1 6.

I never thought I had any talent. The reason why I can write, as I have said many times, is the gift of life. To make an imprecise analogy, creation is like doing business. Only what you buy can you dare to sell. It is my greatest contempt to engage in a "leather bag company" by shorting. When I write by myself, I often go to life first. Only with accumulation and understanding of life can we dare to write. -Xirong's Fifty Springs on the Road to Literature

They adhere to the creative method of revolutionary realism, are loyal to the rural real life full of sharp and complicated contradictions, are loyal to their true feelings, and pay attention to the complexity and diversity of writing characters. In their new life, the new role is simple, heavy and real, rather than apathy and idealism divorced from the reality of life. Successfully created many backward figures or "middle figures", such as leg pain, insufficient food, Mrs. Lai and other fleshy images. Shan Yao Egg School inherited and developed the tradition of China's classical novels and rap literature. It focuses on telling stories, and the description of characters and scenes is integrated into the narrative. The structure is smooth and distinct, and the character is mainly expressed through language and action. They are good at choosing and using rich details. The language is concise and clear, and their works are easy to understand, with strong national style and local color. Before the downfall of the Gang of Four, Shan Yao Egg School was repeatedly impacted by the left-leaning ideological trend and failed to develop fully. After the downfall of the Gang of Four, a group of young writers in Shanxi consciously maintained and developed this literary form.