Recently, I have benefited greatly from reading the school-based textbook "Appreciation of Imagery in Classical Chinese Poetry" edited by Ms. Sheng and Ms. Liu. I used to love reading poetry without knowing much about it, but now by reading this book, I can really understand the familiar poems. Will its meaning, and did not sleep and eat, but fell into meditation.

The subtle subtleties of the poems will make you realize the romantic talent of the poets. A poem has been passed down through the ages, and it seems to be a wonderful phrase, but it is actually a work of deduction. "Birds sleep in the trees by the pool, monks knock at the door under the moon." Is it "push" or "knock"? The word "nudge" was thus invented, and since then there has been the allusion to nudge in Chinese literary history, and the word "nudge" in our daily language. This has to be attributed to the bitter poet, "nerd" Jia Island, we have to thank this poor and humble scholar.

The production of an excellent work is inseparable from the "I, you, he" three factors: I - is the subjective conditions, you - is the objective object of the work depicted, he --The objective condition is to make sure that you have the right to be able to do the work. The birth of the poem "Push and Knock" could not be separated from the serious and persistent Jia Dao (subjective condition), the beautiful scenery of Li Ning's secluded residence that he visited (objective object), and the guidance of the great writer Han Yu (objective condition). I am afraid that the reason why the allusion to "push and knock" has been widely spread is not unrelated to the celebrity effect of Han Yu. Therefore, in order to understand a literary work, we need to analyze the three aspects of the work, "I, you, and he".

Look at Du Mu's "Farewell": "gracefully curling thirteen more, cardamom tips in early February. The spring breeze of ten miles of Yangzhou Road, rolled on the pearl curtain is not as good as." The description is a young and beautiful, slightly shy songstress (objective object), the poem uses only one word "graceful curls" to describe her beauty, we seem to see a willow waist, lips and face of the girl singing and dancing, her figure graceful, light and soft, like a dream. The word "thirteen" means that she is young, like a budding cardamom flower at the beginning of February, and since then people have used the term "cardamom years" to describe a girl of thirteen or fourteen years old. Du Mu's brilliant idea has created a word and a good poem for us. Du Mu's profound literary skills, rich life experience and sincere and passionate feelings are the subjective conditions for the success of the poem. However, if there is no this "graceful curls more than thirteen" beautiful songstress (objective object), no good time with her, but also the spark of the poet's inspiration.

The beautiful songstress who is named, the poet did not say. The essence of the "Tang Dynasty" said more credible: "These two poems ("Farewell" two) for Zhang good good also. Du Farewell has gifted a good good five-character poem, poem before a small preface said: 'Mak Daho three years with the late Ministry of Justice Shen Gong Jiangxi curtain. Zhang Hao Hao was thirteen years old, and he began to sing well in the music book. After a year, the public moved to the town of xuancheng, reset well in xuancheng. After two years of age, for the Shen writers to describe the division to the two maids. In the second year after that, I saw you again in the east city of Luoyang, and was saddened by the old days, so I wrote a poem to present it to you. According to this poem, there is a line 'gracefully curling up more than thirteen', which was made at the time when she first parted ways with Goody Goody. The first line is about her beauty, and the second one is about her farewell. The lines 'seemingly emotionless' and 'smile is not possible' are just the attitude of the thirteen daughters." Du Mu and Zhang Shaoxiao, a famous prostitute in Huzhou, met at the residence of Shen Chuanshi in Nanchang. At that time, Du Mu was 30 years old, not yet a family man, suave, while Zhang Shao Shao was beautiful and intelligent, and was proficient in music, chess, calligraphy and painting. The two often met at banquets, and Zhang Shaoxiao admired Du Mu's talent, while Du Mu fell in love with Zhang Shaoxiao's colorfulness. The two of them were in a boat in the lake, holding hands as the sun set, a talented man and a beautiful woman, which was infinitely beautiful. This should have left a good story, but what people did not expect is that Shen Chuan Shi's younger brother also fell in love with Zhang Shou Shou, and soon took her as a concubine. Zhang well as Shen Chuan Shi family of a domestic prostitute, simply unable to control their own destiny, Du Mu also low official position, can only be left to the flowing water and empty hatred, this mutual farewell. "Lonely lamp and moon with idle sorrows, a few times miserable a few degrees of autumn. How can I pay for my old promise? I will never thank you for your love. Zhang Shaoxiao left this poem when she got married, and from then on, she entered the Marquis' family. After Du Mu died of depression in Chang'an, Zhang Shaoxiao was overwhelmed with grief and hid his family from him to pay homage to him in Chang'an. Remembering his love for each other and the misery of parting, Zhang Shaoxiao killed himself in front of Du Mu's grave.

The creation of this poem could not be separated from the objective object and the social environment of the time (objective conditions). Life is the source of artistic creation, "the old book of the Tang Dynasty - Mu Zong Ji" said: "the country since the Tianbao has been, the custom of extravagance, the feast to the clamor and indulgence for pleasure." This style of enjoyment was first advocated by the emperor and then flourished among the scholars. An important aspect of sound and color enjoyment is to feast and drink and be intimate with prostitutes and smelting, those who have a beautiful face, can sing and dance beautiful women naturally become the object of attention of the poets. Under the influence of the wind of extravagance, the middle and late Tang dynasties formed a situation in which erotic poetry flourished. It was under such a trend that Du Mu met, met and got to know Zhang Shaoxiao, a courtesan of the Shen family, at the home of Shen Chuanshi in Nanchang. "The spring breeze is ten miles on the road to Yangzhou, and it is always better to roll up the pearl curtains." In fact, it is not that the two met in Yangzhou, here is the poet made a comparison. In the late Tang Dynasty, "Yangzhou was the richest city in the world, and people called it Yangzhou I and Yizhi II." The poet is saying, even in the rich and prosperous, spring breeze, beautiful women like clouds in Yangzhou, there is no one can compare to you.

From this, we can see that Du Mu is not sentimental but affectionate, and not a flirt but a follower of the waves.

When we analyze a literary work, we should grasp the three aspects of "me, you, and him" in order to fully understand the author and his work. Not only that, all our activities, such as teaching, working, business, politics, etc., can only be successful if we grasp these three aspects.

In our work, we often do not have a correct understanding of the objective object, do not comprehensively analyze and make good use of the objective conditions, which leads to negligence and even failure of the work. In evaluating a person, we tend to exaggerate the role of its subject, while ignoring the objective object and objective conditions to give him the power and wisdom. As we grow older, we will find that we are more and more inseparable from and dependent on the objective world, including the objective object and objective conditions: the more comprehensive and in-depth study of the objective world, the more clearly we understand the objective law, our subjective understanding will be more correct, we do things more successful; the more we fully analyze and grasp all the subjective and objective conditions, we can better serve the objective object and achieve the desired goal. The more we fully analyze and grasp all the subjective and objective conditions, the better we can serve the objective object and achieve the desired goal.

The subject and the objective object interact with each other, the subject affects the objective object, and the objective object affects the subject. It's hard to say whether Steve Jobs made the iphone or the iphone made Steve Jobs. Confucius influenced his disciples, and the disciples fulfilled their teacher. It was the disciples who recorded the words of Confucius, and only then did the Analects of Confucius come into being. As subjects, please treat the objective object well. To be kind to others is to be kind to ourselves. With a grateful heart, the whole world will smile at you.

Objective conditions specifically include direct and indirect conditions, favorable and unfavorable conditions, internal and external conditions. We fully grasp all the conditions that can be utilized, not only to pay attention to the direct conditions that are closely related to ourselves, but also not to ignore the hidden indirect conditions. We should seek and develop favorable conditions, suppress unfavorable conditions, reduce mistakes, make up for faults, and constantly realize the leap and development of things. Both the use of external conditions, but also pay full attention to internal conditions.

Philosophically, "I" belongs to the subjective world, "you and he" belongs to the objective world, "I, you and he" add up to the whole world. We in the transformation of the objective world of practical activities, seriously treat the objective object, make full use of all the subjective and objective conditions, in-depth exploration of the objective law, to play the subjective initiative and respect for the objective law of the organic combination, after unremitting efforts, we will be able to create a colorful life!

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