Dream of Roses is a romantic comedy shot by France, Belgium and Britain. It mainly tells the mental journey of Ludovic, a little boy who was born as a man but was pregnant with a daughter.
Dream of a rose garden
This paper mainly tells the mental journey of Ludovic, a little boy who was born as a human being but was pregnant with a daughter's heart. In his view, changing gender is a matter of course. He is a child full of hope and emotion, so he really believes that one day, a miracle will appear. There is no doubt that Ludovici wants to be a girl, and he also falls in love with his classmate, Jerome, the son of his father's colleague. The story begins with two little boys being discovered by their families that they are going to get married. Of course, this incident undoubtedly caused an uproar in their quiet suburban community. Gradually, Ludovic's family was surprised to find that his idea of becoming a girl was not a child's fantasy. So they tried to change his inclination, but it didn't work at all. The film vividly and truly shows the violent reaction of neighbors and their teachers to this deviant behavior, but it finally returns to a happy ending.
Dreaming of a rose-about this movie
Dream of a Rose is actually a cliche, telling us not to care about the gossip of our neighbors and not to be ashamed of being different from ordinary people. Alaine Berliner, the director who directed the feature film for the first time, concluded.
The little hero in the play, played by Georges du Fresne, is a steady and lovely newcomer. He plays Ludovic, who was born a boy, but thinks that he actually has a girl's mind, naively thinking that God who made this mistake will definitely change his gender. Full of hope and influenced by the fairy tales he has read, he firmly believes that there will be divine power to help him realize his misty wish: to return to the daughter he has always wanted to be. When Ludovici said, "I am a boy now, but one day I will become a girl." This sentence is taken for granted for him. It's like saying, "I have to grow up." This is a fact.
Film stills director Berliner explained: "Usually, many films regard sexual orientation as a joke. But I made Dream of Roses because I wanted to show Rudovic's childlike innocence and his determination, and let the audience be moved by his confusion and understand these abnormal behaviors. There are many funny scenes in the movie, but there are also many well-designed drama conflicts. "
Today's pop culture undoubtedly reflects social changes, as Berliner analyzed: "The distinction between gender concepts is not quite the same as in the past." However, even if the boundaries between the sexes become blurred, even if gender characteristics different from the usual sense have been accepted by the public, and even some people are proud of it, gender dislocation for personal nature, especially in children, is still taboo. The director said: "As far as I know, no one talked about this topic before this age, which happened to be the age when gender awareness came into being." But he also said that this film is not to point out which behaviors of young children are right and which are wrong. "When shooting this film, we didn't care what the future of Ludovici would be like. Maybe some of the plots in the film will cause something, or nothing will happen. "
Chris vander Stappen, a Berliner and screenwriter, and Carole Scotta, a female producer, tried to prove how children influenced their parents, neighbors and even their social groups, instead of Dream of Roses. "It takes a lot of courage for parents to accept the abnormality of their children's sexual orientation-because the most terrible thing is to imagine that they are different from ordinary people or be regarded as different by others." Berlin, a father of two children, pointed out, "Neighborhood is like n mirrors: when one of them reflects a distorted image, you will try your best to show it." In order to keep the preset theme of the story, the director hired French actors Michèle Laroque and Jean-Philippe Ecoffey to play the roles of mother and father respectively. During the filming, the former kept reminding himself: "I kept telling myself that if this happened to me, I really didn't know what to do." The film tells the story of the hero's different experience from that of an ordinary growing child: how a child discovers that his favorite behavior is against ethics in the eyes of others. Ludovici found himself different from others, and as a result, he was left out in the adult society. This cold reception is not physical, but more painful. Children grow up in a world full of possibilities. In their eyes, this is a poetic and open world. In this small world, dreams and reality are almost mixed together. Nothing is absolute, and nothing is static. On the other hand, the thinking sequence of adults has been deeply influenced by appearance, social morality and inherent view of right and wrong. Adults always stubbornly believe that boys should like blue and only girls love pink.
It is precisely because girls dressed as men are more acceptable than boys dressed as women that screenwriter Chris Van der Stappen chose to tell the story from the perspective of a little boy. "Men pay a higher price for this behavior (gender dislocation). A little boy who thinks he is actually a girl will scare other men who firmly believe that men should be masculine, "he explained." "What attracts me about Van der Stappen's script is that it successfully depicts an unrestrained, dreamy and magical children's world, in which anything is possible," commented Carole Scotta, a producer who founded the film company Haut et Court by making and distributing short films. Her keen interest in sharing her film talents led her to find a Berliner to co-shoot her first feature film with Van der Stappen. It is difficult to turn around the funds that used to be filmed. One is, of course, because the topics involved in the film are quite sensitive, and the other is because the special effects of creating dreams for the film's protagonist Ludovici are quite expensive. Nevertheless, Scotta compared filming to marriage. He said, "Once you get married, you always want to get married for a long time, so of course you have to find the right person. "
Many viewers of "Dream of Roses" will later find that the gorgeous colors used in the set designed by Veronica Maileri for this film were properly photographed by photographer Yves Cape. At the beginning of the film, what is presented to the audience is a bright color, a celebration to show the bustling life of the city. But when Ludovici realized that he was out of place in this world and others began to judge him and his family, the color of the real world faded. In fact, the visual effect of Dream of Roses is in line with the main story, such as Edward Scissorhands by tim burton (1990). At the beginning of the play, everything is bright, open, cheerful and colorful. Then, what was allowed before was later designated as taboo. As a result, the world in Ludovici gradually became dark. The gorgeous warm colors used in the first half of the film are completely opposite to the cool colors mainly blue and gray used in the second half. When the quiet life of the Ludovici family was broken, the structure of the film gradually became loose. Director Berliner: "I use high-angle lenses a lot because I like the sentence' We are our own audience, watching ourselves come and go', which means condescending to me."
It is difficult to strike a balance between grasping the attention of young actors and performing according to the tight shooting plan, and at the same time avoiding the young actors from participating too deeply in the play and being influenced by the roles in the play (after all, the actor is a normal boy who is still growing up). The fragility and rejection of the little actor George Du Fresnel is exactly what the director wants. "Compared with what he should have thought at that age, he is too mature. He injected what he should have thought as a real actor into his role, and he also tried to find out why his role did that," Berliner appreciated. "Most children who audition are not qualified for this role, because the script is not only close to their real life, but also gives them goose bumps." Dreams and magic, tools given to him by Ludovic's grandmother Elizabeth, a woman who grew up during the climax of the feminist movement in the last century and deeply regretted the proper lifestyle she chose for her daughter, became the most beautiful scenery in the little hero's life. This tolerant grandmother took in her little grandson when Ludovici's family threatened to leave him, and watched a TV program called "Pam" that the latter liked together. At this time, she told him to close his eyes, so that the world would become what he wanted. He fantasizes about being a fairy with magic and beautiful long hair like Pam. "Ludovici escapes from reality by dreaming and imagining. For him, these two things are as natural as breathing. The older people get, the more obstacles that limit the possibilities. I think life is like a funnel in a sense, "Berliner said. "That's why I make movies, because then I can try to create anything." Eve Romboz has done special effects for Peter Greenaway and Brian Dipalma's Mission Impossible (1996) series. He endowed the inanimate puppet with spirituality by using processed synthetic images, and added animated short films to create a fantastic world from Ludovic's perspective. The colorful puppet world created in the film reflects how bright colors fade when reality conflicts with dreams.
Michele Laroque, who plays Anna, Ludovici's mother, in A Dream of Roses, was deeply moved when she read the movie script. She said that she was infected by the relaxed and humorous atmosphere she tried to create in the story. As for Jean-Philippe Acoffi, who plays Pierre, Ludovici's father, there are relatively few roles. He pays great attention to this character and avoids playing the negative role. "Pierre is radical in everything. For example, when his son is abnormal, he is the most intolerable person in the family, because he likes everything to be within the rules and not out of line. But in the end, with the passage of time, he still wants to overcome it, "Ai Kefei explained. "This film reflects family and interpersonal relationships and tells people how to solve conflicts." Another important role in the film is undoubtedly the little hero's grandmother Elizabeth. The role fell to Helen Vincent. She has acted in many French films, which is an old play bone. Liang Hequn herself commented: "Elizabeth is a completely positive female image. She has always adhered to the attitude she believed in since she was a child, and she also tried her best to help her little grandson face the reality. I think the merit of this film is to urge people not to be afraid of heresy, but to understand and accept it through love. "
The story of A Dream of Roses takes place in a quiet community on the outskirts of Brussels. Ludovic's story alarmed the neighbors because it might threaten the harmony of the community. When it comes to Ludovic's little lover, Jerome, he listens to his parents, but he is attracted by the unique charm of Xiao Lu. As for his parents, Albert and Richter Bran, in the face of their son's "cheating", they did not compromise at all. They were not only unfriendly to the Ludovici family, but also alienated and rejected them. The director explained: "The adults in the film overreacted because they were in Where do I belong in the world? Who am I? "There are other puzzling things hidden behind this original question. The film itself doesn't explain why Ludovici acted abnormally psychologically. Of course, there must be a reason behind this, but it is also because the problems involved in the film are difficult to grasp. " Finally, what surprises Berliners most in the play is that the disillusionment of the main dream and the conflict between the characters finally return to a happy road.
Dreaming of a Rose —— About the Director
Director Alain Beligni told George du Verhysni, a young actor who plays Ludovici, that Dream of Roses is the first feature film by Belgian film director Alain Beligni. After graduating with honors from the Belgian National Academy of Performing Arts and Communication Technology in Brussels, Berliners worked for French TV 1 and participated in shooting many TV dramas broadcast by this station. Participated in the filming of France TV 1, including Mr. Victor (1993), War of Privileges (1993), Extreme (1992) and An L 'Om. 1992), les galettes de maimie (1991year). 1990, the short film Casino directed by Berliner (1990) was selected as the relevant unit of Cannes International Film Festival. In addition to his career as a director, he also served as an enthusiastic reader and consultant of the script in the production company founded by the famous Belgian director Erwin Provoost, and taught the script course in Norte-Baja Calais Film and Television School in Lille, France. He has a happy family and two children.
A Dream of Roses-The Main Creation
Director Alan Berliner.
Screenwriter Chris Van der Stappen
Alan Berliner
Producer Carol scotta
Photography Yves Cape
Record LUDOVIC HENAULT
Set VERONIQUE MELERY
Actor and director brigitte Moyton
Karen Mueller Cerro
Editor SANDRINE DEEGEN
Dubbing mixed recording Philip Bao Duane
Thomas Golde
Special effects SPARX
Music Dominique Dalkan
Issued by WFE in Belgium
RTBF
Go to court in France
Lasaipu cinema
TF 1 film production
British highway movies
A Dream of Roses —— Debate about its release
The film was rated R by the Motion Picture Association of America, but there was nothing about "sex" from beginning to end. So such a decision is a bit misleading to the audience, just saying that gender definition and sexual orientation are the same thing.
"Dream of Roses"-Award-winning Works
nominate
BAFTA Award: Best Non-English Film Award
César Awards: Best Virgin Film Award.
Australian Film Critics Circle Award: Best Foreign Language Film Award
Joseph Plato Award: Best Belgian Director Award.
Golden Satellite Award: Best Foreign Language Feature Film Award
S?o Paulo International Film Festival: Best Movie Audience Award
win a prize
Kabul Romantic Film Festival: Kingswang Award
European film awards: Best Screenplay Award.
Florida International Film Festival: Jury Award for Best Film and Best Foreign Language Film
Gay Media Award: Outstanding Film Award
American Golden Globe Award: Best Foreign Language Film Award
Joseph Prato Award: Best Box Office Award.
Karoway Farley Film Festival: Crystal Ball Award
Morodis International Film Festival in Ukraine: Best Feature Film Award
Sarajevo Film Festival: Fabrizio Film Critics Award
Seattle Gay Film Festival: Best Movie Audience Award