As mentioned in the previous answer, the most impressive scene is the sorghum field. It's really wonderful here, but I don't think it's the scene that impressed me the most.
The butcher Hu Ershi and his disciples were forced to skin the soil cannon in Hu Ershi. They are butchers and scalpers, not executioners. It can be said that in the eyes of Japanese devils, China people are animals, and he can't do it. Finally, at the request of Tu San Bao, I gave him a good time and stopped peeling. Hu Er killed Tu Sanbao, turned around, shouted "Fuck your ancestors", and finally died under the machine gun. It can be said that he is brave. He doesn't want to skin his compatriots so cruelly. He knew that if he didn't do this, he would definitely die, so he chose to give Tu Sanbao a pain instead of peeling him. At the end of his life, he shouted "Fuck your ancestors".
In contrast, Hu Er's little apprentice, forced by the Japanese army, chose to surrender. He cried and skinned Grandpa Lohan himself. Hu Er's little apprentice sat in the barren sorghum field, giving a panoramic view of tragic laughter after peeling people's skin, and the empty lens in the silent sorghum field showed a mirror language of wanting to say goodbye. There are more silent complaints than vocal complaints, but more of them fall on the floor!
There are several places in the movie Red Sorghum that impressed me the most.
A group of people carrying a beautiful kannika nimtragol, plus they are naughty, coupled with a large yellow and red background, is very shocking. Jiang Wen was obsessed with love and got a large piece of sorghum. The camera was sideways facing Jiang Wen, leaving room for imagination. When people hold wine bowls together to offer sacrifices, it shows the low temperature of an ancient culture. At the end of the film, Jiang Wen took his son in a pool of blood.
Every picture here is deliberately arranged by the director, leaving a profound impact on people. Perhaps Zhang Yimou created this film with bold colors and photography, making it more beautiful. In addition, in terms of color, it is perfect to take red as the main tone and make use of the feeling of color to people's true colors and the meaning of color to symbols to make people have distant associations and give the audience an aesthetic experience. There are also many red teams, such as Jiu-Er's red cotton wool.
In addition to pictures and colors, movies also have bold art in music. Jiang Wen sings in the film, and your sister moves forward boldly. At the end of the movie, the little boy sang a minor. From music, he can feel a simple and rustic atmosphere, a life that dares to love, hate, do and enjoy.
Jiang Wen sleeps in Gong Lili in the sorghum field. People at that time needed free love most. Parents are arranged marriages. If they are unhappy all their lives, they will end up in our generation.
Red Sorghum is a classic directed by Zhang Yimou, which has been well received by all parties. He also won the Golden Bear Award at the 38th Berlin International Film Festival that year, becoming the first Asian film to win this honor.
I was very young when I saw this film. I saw it on TV by accident. I didn't watch the whole movie at that time, but I still didn't want to watch it from the beginning (there was no abridged version) because one of the clips "hurt" me.
Young people born in 1980s are simple and happy, and watching TV is an important pastime. Just one day, the film was broadcast on TV, and most of it had already been shown. It happened that the Japanese were besieging the villagers. I thought it would be the usual routine. The Eighth Route Army came to the rescue in time, but naively killed me and slapped me hard. After that, I could dream when I slept for a month, and I never ate meat when I ate.
It is said that Red Sorghum is a classic, but it is a nightmare for me.
I am a nobody in the vast sea of people.
The film Red Sorghum is really classic. The first time I saw this film, I was training for an art test. At that time, my understanding of movies was still in a very shallow state. All I know is that I can see what the director wants me to see, which is embarrassing.
What I can't forget most up to now is the clip of Jiang Wen singing in the movie (sister, you go forward boldly, go forward, don't look back ...).
I can't forget this word, and now I can't help singing a few more words. Maybe I was eager for this kind of love at that time.
Stepping on a bed in a cornfield in Jiang Wen.
Seriously, I learned from the stalk of cornfield that this is not a play.
Sorghum sexual intercourse. This passage is not only a TV series but also the most impressive in the novel.