There are three scenes that touch me the most.
The first scene is "Who was killed by Xun Lin, 10 minute palace confrontation";
The second scene is "Fan Idle and Drunk Poems";
The third scene is the "6-minute dinner between the Qing emperor and the third son" that I will analyze next.
On that day, the Qing emperor invited the prince, the second prince and Fan Xian to the palace for dinner, which was euphemistically called "family dinner", but it cut open the fact that Fan Xian was the illegitimate child of the Qing emperor. It was indeed the father who asked his three sons to go home for dinner. It's just that this father has a lot of means. He arranged his three sons clearly by three times, five times and two times, and all of them hanged themselves.
First of all, he came late, leaving his three sons guessing what he really wanted to do. This not only shows his absolute position, but also puts a smoke bomb.
Seeing the children's formality and Fan Xian's excuse that he was "not suitable for this family dinner", he had a little mind to escape, saying "You are thick-skinned, it doesn't matter", which not only made Fan Xian retreat from difficulties, but also made himself active. Don't you think the second prince just kept from laughing? Fan Xian also subconsciously touched his face to see if it was thick!
Next, let three people eat by themselves. The prince has always been cautious. He is passive in front of Nuo Nuo, afraid to move chopsticks. However, the second prince is very handsome. He wolfed down his food, so he was used to "arrogant and extravagant" eating. The Qing emperor left Prince Gu, said to Fan Xian, "Look at him, he is still a log", and then left Prince Er "to eat like this since childhood, and now he still has this virtue".
Awesome! In a word, all three sons are exposed to rain and dew, and a bowl of water is flat. It seems to be criticizing, but in fact it is conveying concern. Born in the royal family, the monarch and the minister preceded the father and son. It is this slightly critical and ridiculous discourse that is grounded and brings the relationship between father and son closer.
What about himself? I can't eat on the pretext that I'm unwell and busy with government affairs. In fact, I'm just thinking about what I'm going to say next and concentrate on "cleaning up" these children.
Attention, there is an important point to knock!
When the Qing emperor told them to eat, he said, "You three brothers eat." This sentence is subtle.
For the prince and the second prince who don't know the truth, in fact, the Qing emperor is implying that he values Fan Xian as much as his own son. So later, when he asked the prince and the second prince what they thought of Fan Xian, they obviously got hints from the Qing emperor and were full of praise. The prince said he was a pillar of talent, and the second prince said he was a talent.
Do you think you'll be all right after listening to the emperor? Pit in the back, because the Qing emperor conveniently asked who Fan idle wanted to take refuge in, deliberately beating the hearts of the prince and the second prince who wanted to be superior, and scared the three sons to get up and kneel and shout "The emperor is in full bloom", and the atmosphere suddenly became tense again.
To the Qing emperor who knew the truth, the three of them were brothers. Yes, he's just hinting at the truth. It is also a foreshadowing for Fan Xian to give up his ancestral business. At the same time, he also told the prince and the second prince that since he recognized Fan Xian's talents, no matter who is in power, he should be kind to Fan Xian and properly pave the way for illegitimate children.
After the Qing emperor cleaned up the prince and the second prince, he immediately cleaned up the naughty Fan Xian. The style of painting has changed from the topic of being an important minister or a virtuous minister just now to whether Fan Xian wants to be a loyal minister or a traitor.
In front of the emperor, Fan Xian has no evil intentions, and of course he will say that he wants to be a loyal minister. Good choice of loyal minister. He chose Di Qing's pit as a loyal minister, because his next step was to make Fan Xian have no choice but to promise to go to Beiqi to exchange prisoners, otherwise he would be a traitor and hit his face backhand. Not only that, the Qing emperor also used his marriage with Wan'er Lin to cut off his rogue's back road and put an end to it completely.
In fact, it is dangerous to stand aside and let his son Fan idle in Beiqi, but it can clear him of the suspicion of betraying ice cloud, calm down the criticism of courtiers, hone him, help him establish his prestige, and entrust him with an important task in the future. In addition, with the protection of Pingping Chen, Fan Jian and Wu Zhu, the safety is sufficient. Comparing the two, the advantages far outweigh the disadvantages. Why not celebrate the emperor?
Parents like to say to their children, "I have crossed more bridges than you, and I have eaten more salt than you have eaten." I think this sentence is just right here. The Qing emperor used his cunning means to keep Fan idle, so that he could only give in easily and go to Beiqi. It's funny to think about it. Lin Xiang warned Fan Xian that the trick of not agreeing to anything as long as the emperor didn't understand was broken by the Qing emperor in one second. Lin Xiang is no more cunning than God.
You see, this 6-minute dinner is not a family dinner, but a banquet hosted by an old fox for his three sons. Every move is a routine, and every sentence has great meaning and traps. I really sympathize with these three sons of the Qing emperor. Even Fan Xian, who traveled through the past, can't escape the arranged fate. It is no wonder that after the Qing emperor left, all three sons looked "Who am I? Where am I? What am I doing? " A state of emptiness and compulsion.
It is said that the four men's plays in "The Life of Three Women" and "The Joy of Life" are not inferior. This scene was completed by Chen and his three younger generations. In the play, the old fox hanged his three sons, and the old play bone performed with three younger generations outside the play. In short, it is to make the audience addicted.