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Su Dongpo's Mid-Autumn Poems
Su Dongpo's Mid-Autumn Festival poems are as follows:

1, Five Wonders of Watching Tide on August 15th, the 5th Stone Festival

Hebo, the river god, had two chickens, and Hai Ruo was angry from the east. Andrew Chashui rhinoceros hand, 3000 strong crossbows shoot low tide.

2. Stone, "When will there be a bright moon?"

Chen Bing Mid-Autumn Festival, happily drank the next morning, drunk, wrote this word, and missed my brother Su Zhe. When did the moon begin to appear? I take my glass from a distance.

I don't know the palace in the sky, and I don't know the month and time. I'm willing to ride the wind to the sky, I'm afraid I can't stand the cold for nine days in a pavilion of fine jade.

Dance to find out what shadows look like on the earth. The moon turned into a scarlet pavilion, hanging low on the carved window, shining on the sleepy self. The moon should not have any resentment against people. Why is it round when people are gone?

People are sad and happy, and they are separated and reunited. The moon will darken or shine, and it will become round or round. Nothing is perfect, even in the past. I hope people will live for a long time and have a good scenery thousands of miles away.

3, "Mid-Autumn Festival in Yangguan District" stone

The Mid-Autumn Festival is called Xiao Qin Wang, and when it enters the cavity, it is Yangguanqu. The twilight clouds are cold, and the silver-haired people silently turn to the tracts. If you don't meet a good night in this life, where will you see the bright moon next year?

4. "Xijiang moon, a big dream in the world" stone

It's a big dream in the world, how many times is it cool in autumn? At night, the sound of wind blowing leaves rings in the gallery. Look at the eyebrows and temples.

The wine base is often worried about fewer customers, and the moon is cloudy. Who is alone with * * * on Mid-Autumn Festival? Looking at the north sadly.

5, "Nian Nujiao Mid-Autumn Festival" stone

Looking far from the sky, you can see the clear sky in Wan Li without a cloud. Sweet-scented osmanthus flies, where the sun shines and the air is crisp in autumn.

Yuyu Qionglou, coming and going from Luan, people are in Liangguo. Mountains and rivers are picturesque, and smoke trees are vivid.

I clap my hands and sing wildly, till, raising my cup, I asked the bright moon, and become a guest. Dancing and wandering in the wind, I don't know what night it is

I want to return by wind, so I don't need to ride Peng Yi. In the Crystal Palace, the flute was blown off with a loud sound.

Su Shi's evaluation

Su Shi has high attainments in literature and poetry, and can be called the representative of the highest literary achievement in Song Dynasty. Moreover, Su Shi's creative activities are not limited to literature. He has made outstanding achievements in calligraphy, painting and other fields, and also made contributions in medicine, cooking, water conservancy and other skills. Su Shi is a typical representative of the cultural spirit in Song Dynasty.

Judging from the scope of literary history, Su Shi's significance mainly has two points: First, Su Shi's attitude towards life has become a paradigm respected by later scholars: advancing and retreating freely, not being shocked by humiliation. Because Su Shi integrated the two attitudes of feudal scholars on the same value scale, he was able to keep calm and go all out.

Secondly, Su Shi's aesthetic attitude provides an enlightening aesthetic paradigm for later generations. He embraces the world with a broad aesthetic vision, so everything is considerable and beauty is everywhere. This paradigm has opened up a new world for future generations in subject matter, content and expression. Therefore, it is a historical necessity that Su Shi is universally loved by later literati.