Zheng Jing has several names. One is called bedding face, which is the abbreviation of bedding face, also called bedding face. Zheng Jing's performance is generally characterized by singers, so it is also called singer's face. The singer's painted face has two special names, one is copper hammer and the other is black head. Because there is a play in Beijing Opera called "Two Entering the Palace", and the painted face in the play is called Xu. He is a typical singer. He basically didn't move, holding a copper hammer in his hand, so people regarded the copper hammer as synonymous with the singer's face painting. How did the blackheads come from? There are many Bao Gong operas in Beijing Opera, such as Playing the Dragon Robe, Chisang Town, My Beauty Case and so on. Bao Gong (Bao Zheng) in these plays has a black face. This black face is also called black net blackhead in Beijing opera. Bao's plays are all singers, and they are all good at singing, so blackheads have become synonymous with singing. In addition to the above-mentioned dramas and Erjin Palace, other dramas, such as Cao Qiaoguan's Shu period, Bailiangguan's Weichi Gong, Gao Wang's, and the Great Grey Dynasty's Master Wen, all belong to the so-called pure category.
The scope of subnet is relatively wide, and I think the future network business should develop towards subnet. Because the sub-net includes shelf flower face (referred to as shelf flower face for short) and two flower faces. The range of shelf flowers is particularly wide, mainly for work, chanting and performance. Of course, you have to have some singing skills. For example, the first half of comics, comics, sitting in the village, is a duet; The comic book "Stealing Horse" is both a performer and a singer. Finally, worshipping the mountain is both a reciter and a performer. Therefore, a person who plays a flower on a shelf must have a deep knowledge of martial arts, be able to act, chant Buddhist scripture, sing and have a beautiful shelf. An excellent shelf painted face should actually be an all-material painted face. With the progress of the times, the repertoire of pure duet will inevitably decrease day by day, because it is obviously monotonous. And flower decoration, that is, "performing flower alkali", seems to be the direction that should be developed. There are quite a few showy plays, including Zhang Fei's plays, Niu Hao's plays, Li Kui's jy's plays, Jiao Zan's plays, and most of Cao Cao's plays, as well as Masu in Lost Street Pavilion and Empty City Plan, Masu and Ma Wu in Luoyang Galand, Deng Jiugong in Thirteen Sisters, Pan Hong in Trial of Pan Hong and Li Huiniang. What is particularly worth mentioning is Cao Cao's play, which uses gouache and some black strokes to create a white face instead of ordinary oil painting pigments. This is the so-called traitor's face, with Cao Cao as the most typical. Actually, Cao Cao is not the only one. Many traitors in history, such as Zhao Gao, Dong Zhuo, Jia Sidao and Yan Song. , are all vanity. Therefore, the water white face has formed a typical, as long as this kind of face hook, it must be a bad person. Such a role is answered by a shelf flower.
Erhualian also belongs to the category of sub-net. Erhualian is also a kind of flower, but there are fewer scenes. Although they also hook the same face, their performance style is sometimes similar to that of a clown, and sometimes they also play some humorous and clever roles. For example, Liu Biao of Famen Temple and ZhaJie paved by Song Wuda.
The main schools are Qiu (Qiu School), Jin School, Hao School and Hou School.
Qingjiao is one of the main businesses of Beijing opera performance, commonly known as painted face. Marked by the use of patterned facial makeup, it has broad timbre, strong singing, wide opening and closing movements and obvious frustration. After the formation of Peking Opera, the performing arts in the suburbs of Beijing have been further honed and improved, the scope of characters played has been continuously expanded, and the art has become richer and more mature. Judging from the identity, personality, artistic and technical characteristics of the roles played by Jing Jiao, they can be divided into three parts: Dahualian, Erhualian and Wu Hualian.
The big face is mainly singing. In Beijing Opera, it is also called bronze hammer or blackhead, because Xu Zhao Yan in "Dragon and Phoenix Pavilion" holds a royal bronze hammer. Bao Zheng is called a blackhead because he has to wear a black mask. Most of the roles played by Dahualian are important officials of the imperial court, and singing, reading and acting need boldness and majesty.
Erhualian is mainly based on workmanship and physical work. Peking Opera, also known as shelf painting, plays more brave and bold positive figures. For example, Doulton in "Stealing the Horse". The role of whitewashing, such as Cao Cao, is also played by painting his face with a shelf.
Wu Hualian is Jason Wu, with martial arts as the main character, and is also called Wu Erhua in Beijing Opera. It can be divided into two categories: one is heavy-handed work, the other is heavy-handed wrestling, which needs to play the role of both warring parties to attack or defeat, and so on, also called "face-slapping". For example, in The Battle of Wancheng, Dian Wei is Wu Hualian, and Chu Xu is hitting the face.
He Guishan was the representative figure of Zheng Jing in the early days. His face was dignified, his face was simple and generous, and his voice was thick and steep. He is a online celebrity actor in Beijing and Kunming, and his disciples are Qiu Guixian and Jin Xiushan.
Jin Shaoshan is the son of Jin Xiushan, a famous Peking Opera actor. When I was a child, I studied with my father, and on the basis of inheriting his father's singing method of bronze hammer, I attracted the singing and acting skills of the shelf and broke through the strict division of labor between them. In the use of skills such as articulation, line cavity and air port, it is also more subtle than the general copper hammer, forming its own style.
After eight years old, he entered the training class and studied under the famous teacher Huang Runfu. He can synthesize the strengths of various schools and form his own style, and is known as Houpai in the world. His performance is vigorous and delicate, paying attention to the beauty of form, adhering to the principles of "understanding the plot, understanding the drama and understanding the lyrics" and "from the inside out". Singing is rigorous and rhyming is accurate. According to my voice condition, the common singing methods, such as popping, sand and standing, are simple and generous, and pay attention to frustration, retraction and truthfulness. He has strong martial arts, neat figure and distinct layers. He inherited Huang Runfu's characteristics of making good use of "great achievements" and made up for his thinness by using his long waist and erect waist. Hou Pai's facial makeup is meticulous, clean and vivid, and it is unique.
Hao's posturing. He has played major and minor roles in more than 200 plays. Haopai's artistic chanting is full of charm, the work framework is exquisite, and the performance is integrated. He is also good at portraying characters and has many innovations in the expressive art of easel painting. Hao also created Lu's mantis eyebrows, monk's eyes, pink cheeks, bare chest and bare abdomen, highlighting the generous and simple image of the "flower monk".
Yuan Shihai is a diligent person with a well-trained background, and his teacher Hao is his teacher. While developing the art of chanting, working, performing and martial arts, he developed a solid voice and a colorful singing method. Yuan Shihai has incisive views and subtle thinking on historical figures. He is good at refining the language of life into the language of art and vividly showing the thoughts, feelings and temperament of historical figures in specific environments. He successfully created many distinctive artistic images of historical figures, such as Cao Cao, Zhang Fei, Lu, Lian Po and so on. With a singer and poet full of life, with his figure and expression.
Qiu is a famous actor with a clean corner. He is a bronze hammer, a shelf for painting faces, mainly bronze hammers. His father, Qiu Guixian, is also a famous actor. Qiu studied with his father since childhood, and later entered the ordinary class. His voice has both a high-pitched and agitated side and a smooth and smooth side, combining rigidity with softness. He can combine the characteristics of his own voice, start with the performance of characters, work hard on the meaning, sound and rhyme of words, and shape the artistic images of different characters, which has strong artistic appeal. The main feature of Qiu's singing is "winning with emotion, winning with rhyme". Before him, the singing method of Hua Lian in Beijing Opera was mainly loud voice, which is the so-called "honest loud voice". This kind of singing has the characteristics of bold and simple singing, simple and straightforward. It is a kind of singing method with voice as the mainstay and charm as the supplement.
Qiu learned from others in the long-term stage practice and created a unique singing style of "Qiu School" through continuous learning. His vocals inherited the traditional singing style of Qing Dynasty, which was bold and uninhibited, and combined the lyrical features of old students and Tsing Yi vocals, forming a mellow, subtle and delicate style, pushing the singing style of painting faces to a new realm, which can almost be said to be "without learning". Qiu's artistic achievements have made great contributions to the development of Beijing Opera.
Ugliness is a stylized role in China's plays, and generally plays a funny role. It is said that Tang Xuanzong liked acting in those days, and he acted as a clown in the next stage performance, and Tang Xuanzong was regarded as the originator of China drama, so the heads of traditional drama groups were all clowns, and the first president of China Theatre Academy was the famous clown Mr. Xiao Changhua. Clowns generally do not perform duets, mainly in chanting and working, and chanting is different from other roles. Generally speaking, the so-called "Bai Jing" in Beijing Opera is divided into different types, but the more consistent ones are probably divided into the following categories:
Wen Chou is dominated by workmanship.
Wu Chou is mainly martial arts, and there is no obvious difference between Wu Chou and Wang Jiao San Wa.
Cai Dan plays the role of a female clown. Generally speaking, as a matchmaker, a gag clown plays an important role in China's traditional drama. Clown is the fourth in Beijing opera, but it is not weaker than the three-line clown mask. Is a cartoon exaggerated makeup form, mainly in black and white. Through the clown masks such as Wen Chou's face, clown's face, old ugly face, ugly face and small face, we can portray different funny, ugly and disgusting characters, such as Tang who framed the loyal minister and villain in Stab Soup. Gao Lishi who flatters concubines after drunkenness, Jiang Gan who conspires to miscalculate in Jiang Gan's Stealing Books, and other corrupt officials such as playboy, prodigal son, slut and hooligan are ironic but humorous. Yang, a thief in kowloon cup, moves from time to time in the thief's armor. These characters have different qualities and distinctive artistic features. Since the late Qing Dynasty, many famous clowns have appeared, such as Yang Mingyu, Liu Gansan, Wang Changlin, Xiao Changhua, Ma Fulu, Zhang Jinliang and Zhang Chunhua.