The four outstanding poets in the early Tang Dynasty refer to Wang Bo, Yang Jiong, Lu Zhaolin and Luo Bin Wang, and they are four outstanding poets in the early Tang Dynasty. Four outstanding literati are equally famous, initially referring to their poems and essays, but mainly referring to parallel prose and fu. Although the poems and essays of the Four Masters have not lost their beauty since Qi Liang, they have initially changed the literary atmosphere.

1, Wang Bo: The preface to Teng Wangge, a parallel essay written by Wang Bo when he was young, is a famous piece in Chinese classical literature and has been widely read for a long time. His poems are fresh and natural, and there are often aphorisms in one of them, like exotic flowers and herbs mixed in the valley, which makes people never tire of reading them.

2. Yang Jiong: Yang Jiong is famous for his frontier fortress poems. His works, such as Joining the Army, Going out to the fortress, Fighting South of the City, and Zi Zi Ma, show the fighting spirit of making contributions to the country, with magnificent momentum and bold style.

3. Lu Zhaolin: Lu Zhaolin's works poems, especially his seven-character lines, contributed to the development of the Seven Ancient Dynasties. The representative work "The Ancient Meaning of Chang 'an" is a famous work in the early Tang Dynasty, which is bold and unrestrained, rich but not flashy.

4, Luo Bin Wang: Luo Bin Wang's words are bold and strict. Born in poverty, there are few talents. In 684 AD, when he fought against Wu Zetian with Xu Jingye, he wrote "Asking Wu Zhao for Xu Jingye". After Xu Jingye's downfall, his whereabouts were unknown, or he was killed by the rebels, or he fled into an empty net.

The four outstanding figures are equally famous, which originally did not refer to their poems, but mainly referred to parallel prose and fu. Later, it was mainly used to evaluate his poems. Four outstanding figures are the figures in the early Tang literary world in the transitional period between the old and the new. Lu and Luo's seven-character songs tend to be ci-fu, with a slightly stronger momentum. Wang and Yang's Five-character Rhythm began to be standardized, and the tone was sonorous. Parallel prose is also rich in ci, which is flexible and vivid.