Zhao Ji is an artist emperor. He is obsessed with calligraphy and painting all day long, and he has no intention of sitting in the dragon chair to handle the huge political affairs of the Song Dynasty. He first appointed Gao Qiu as the commander of the palace, and then reused Cai Jing and Tong Guan, leaving all the political affairs to these people. However, he focused on cultural and artistic undertakings, and personally took charge of the Hanlin Painting Academy, giving generous treatment to painters and encouraging them to create excellent works. A generation of masters like Mi Fei and Zhang Zeduan came into being. He extensively collected folk cultural relics, especially epigraphy and calligraphy, expanded the Hanlin Painting Academy, and compiled the calligraphy and painting collections of the past dynasties collected by the imperial government into books such as Xuanhe Book Spectrum, Xuanhe Painting Spectrum and Xuanhe Bo Gu Map. He made outstanding contributions to the construction of the Song Dynasty Painting Academy and the development of the academy painting, to the promotion and advocacy of the art of calligraphy and painting, and to the arrangement and preservation of ancient art. He can be called an emperor who doesn't love mountains and rivers but loves painters. The conquered emperor was politically incompetent and lived a luxurious life, but he had profound artistic attainments. He was a great master of a generation in playing the bomb, painting and calligraphy, singing songs and lyrics. There are many works in my life, all of which are lost. The surviving paintings include "Furong Golden Rooster", "Autumn Night in the Pond", "Four Birds" and "Returning to the Snow River". There is a collection of words "Song Hui Ci". Zhao Ji (182-1135), Emperor Huizong of the Northern Song Dynasty, reigned for twenty-five years, (182-1135). During his administration, the traitor was in power, extravagant and extravagant, the national treasury was empty, the people were in trouble, and domestic and foreign troubles came one after another. In the seventh year of Xuanhe (1125), the nomads from the army went south. At the end of the year, they were transferred to Zhao Huan (Qin Zong), claiming to be the emperor's father. In the second year of Jingkang (1127), he was captured by Jin Bing, became the king of national subjugation with his son, and finally died in Wuguocheng (now Yilan, Heilongjiang).

Zhao Ji learned Huang Tingjian's calligraphy at first, and then learned from Chu Suiliang, Xue Ji and Xue Yao, and mixed various schools, taking advantage of everyone's strengths and creating a unique "thin gold book" style. The "thin gold book" is an original creation in the history of calligraphy, which is characterized by being thin and straight, with a side like a blue bamboo, a horizontal drawing with a hook, a vertical stroke with a point, a dagger, a knife, and a slender vertical hook. The so-called "such as bending iron and breaking gold". This kind of calligraphy is a very mature style. Zhao Ji has brought its artistic personality into full play, and many descendants have learned it, but few have learned it. As "Book History Meeting" highly praised: "The brushwork pursues strength, and the intention is natural, so you must seek for it." Handed down from ancient times, there are thousands of words in cursive script, poems in mid-autumn moon and so on.