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Practical skills of typesetting?
The difficulty of typesetting is that we don't fill in the content according to the designed layout (set of templates), but typeset according to the specific content. For example, sometimes there are one or two pages, and sometimes there are ten or eight pages. Because of the different elements, it is often not feasible to adopt the same composition, layout and form. So Mr. Onion's article today is to share some picture typesetting skills in different situations. 2. Leave white space around the picture. The film should be smaller than the layout and leave space around it. There are two situations here. First, the picture is located in the center of the layout, and the space around the picture is symmetrical. This effect is similar to a photo frame and is often used in cover design. 3. Bleeding on one side is to align one side of the picture with the boundary, which is a breakthrough and can increase the imagination and layout sense of the picture. 4. Bleeding on three sides will divide the layout into two parts, one is a color block and the other is a picture. In typesetting, we can also connect these two parts through words, color blocks or colors. 5. Split is to split a picture into several parts and arrange them at intervals, which will be more design and interesting than putting a picture alone. Landscape pictures are suitable for this kind of processing. 6. Cross-typesetting means that in album design, pictures occupy two pages at the same time. When there is only one picture in the cross layout, if only half of the pictures are arranged, the other half will be monotonous. So in this case, cross typesetting is usually used, and the enlarged picture will be more tense, and the left and right pages can be related. 7. Some collections or product albums often use uniform size alignment typesetting, and the visual process is simple and clear. 8. Even-sized staggered typesetting is more dynamic than aligned typesetting, and because there are not many pictures, it will not appear messy. 9. The typesetting of one large and one small is in sharp contrast and relatively easy. It can be used on two-page spread or on a certain P, 10. Uniform typesetting size. This typesetting is neat, but lacks variety, and is suitable for catalog pages or product and character introductions. 1 1. Alignment typesetting with different sizes will be more flexible than the previous one. Suitable for grid tools to assist typesetting. 12. Combination typesetting of pictures and color blocks. The combination of pictures and color blocks will not be as monotonous as only pictures, and color blocks can also be used for typesetting. However, be careful not to have too many colors in the color block, and the color should preferably come from the picture. 13. Staggered typesetting, that is, deliberately staggering two connected pictures, or exchanging the positions of pictures and words, can effectively match the monotony of complete alignment of pictures, and will not have much impact on the visual process because of certain rules. 14. Splicing pictures into specific shapes is suitable for the situation of too many pictures, which can avoid the confusion caused by too many pictures. And because the shape of the mosaic is related to the design requirements, it will be more creative. 15. typesetting according to a certain path is the same as before, which is suitable for a large number of similar pictures and can avoid taking pictures too scattered. If the size and direction of the picture are not uniform, the effect will be lively but not standardized, and it is suitable for making photo walls and children's albums. 16. One large and one small typesetting If several pictures with similar sizes are arranged separately in the layout, the layout will lack emphasis and tension, and if one of the pictures is enlarged and contrasted with other pictures, this problem can be effectively solved. 17. Free typesetting, that is, the size does not need to be uniform, and the pictures do not need to be strictly aligned. Flexible effect and strong sense of design. Often used for magazine typesetting.